悲剧地

基本解释 (translations)

tragically

与悲剧地相关的网络例句 [注：此内容来源于网络，仅供参考]

When the place couldn't hold no more, the duke he quit tending door and went around the back way and come on to the stage and stood up before the curtain and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on abragging about the tragedy, and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he'd got everybody's expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ringstreaked-and-striped, all sorts of colors, as splendid as a rainbow.

等到场子里再也容不下更多的人了，公爵从入口处走开，绕到场后，走到了台口，站在幕布前面，作了一个小小的演说。他对这次演的悲剧大大夸奖了一番，称作从来戏剧里最为惊心动魄的戏。他大吹大擂地把这个悲剧介绍了一番。还替老埃特蒙·基恩吹嘘了一通，说他要演剧中的主角。最后，当他把观众的胃口吊足的时候，他把幕布向上一拉。一会儿，但见国王全身一丝不挂，四肢着地，蹦上场来。他全身涂着红红绿绿的各种颜色，一圈一圈的条纹，就象天上彩虹那么色彩鲜艳。

With the Phenomenological theory especially the theory of Phenomenological Horizon and Epoche, we can clearer and deeper explain the function of the chorus, the essence of Apollo and Dionysos, the destiny and sacrifice of the tragic hero, the essence of tragedy and the relation between art and truth, etc.

运用现象学理论尤其是现象学中的视域理论、悬置理论，可以更清晰、更深刻地解释希腊悲剧中歌队的作用、酒神与日神的本质、悲剧英雄的命运与牺牲的缘由，以及悲剧的本质、与真理的关系等这些文艺学中最重要的问题。

Karenina》with 《thunder-storm 》two classics make medium tragedy male host Mr., they all pursued a feme covert ever and courageously, the but agains all were told with tragedy eventually.

渥伦斯基和周萍分别是《安娜卡列尼娜》与《雷雨》两部经典之作中的悲剧男主人公，他们都曾经大胆地追求一个有夫之妇，却又都以悲剧告终。

First,"Dreams of the Red Chamber" is a complete overthrow of the Chinese traditional twenty-four histories, and has opened up for us, in a gigantically breading way, the third pedigree of human history with the male and female love as the core and different from the pedigree with the dual division between the good and the bad. Next, along with the affirmation of the third pedigree of human beings,"Dreams of the Red Chamber" enable the female sex acting as the "second sex" for long to come again onto the stage in the human history, thus unprecedentedly disclosing the incomparably grave historic tragedy of the female sex in reality. Finally, more importantly,"Dreams of the Red Chamber" not only consider the ruling of the current discourse as the deepest cause of the female tragedy but also make a restoration with the meaning of the life generation science for the human discourse so as to make the initial word "discourse of love" more original than the discourse of the knowledge nature and bring the following of "God of lover", the new salvation way, into the agenda.

首先，《红楼梦》是对中国传统二十四史的彻底颠覆，并大破大立地为我们开辟出有别于善恶二分谱系的一种以男女情爱为核心的人类历史第三谱系；其次，随着对这一人类第三谱系肯定，《红楼梦》使长期作为&第二性&的女性在人类历史中重新登场，并前所未有地揭露了现实中女性无比深重的历史悲剧；最终，更重要的是，《红楼梦》不仅把现行话语的统治视为女性悲剧的最为深刻原因，而且同时对人类话语进行了一种生命发生学意义的还原，而使一种有别于知识性话语的更为始源的&情的话语&这一泰初之言得以彰显，把对&情的上帝&的昄依这一新的救赎之途提到人类文化的议事日程。

Since several centuries ago, lots of famous critics have deeply felt perplexed about the morality concealed under Shakespeare"s tragedies, because anyone of Shakespeare"s tragedies can be called " A disaster story that can leads the prelatic into death".

几个世纪以来，多少知名的论者都深深地感到难以明了那隐藏于莎士比亚悲剧故事之下的道德迷津，因为一出莎士比亚的悲剧可以叫做&一个把身居高位的人引向死亡的灾难性故事&。

The significance of this topic selecting:" American Dream " as a cultural motif in the society of the United States and a literary motif in American literature is reviewed in this thesis. Dreiser\'s five novels is the research object. Three main types of "American Dream " in Dreiser\'s novels are sorted and described to discuss the embodiment of the " American Dream ". This thesis evaluates the position of Dreiser in the history of American literature, and points out Dreiser is the first writer among the contemporary writers to describe all kinds of the " American Dream " in width. The Broken " American Dream " in the Works of Dreiser is sublimated to the realization of aesthetic significance of tragicalness. It is explained that it is not only social tragedy, fatal tragedy and character tragedy, but also universal tragicalness in the thesis.

选题意义：本文较为全面地考察了美国文化与美国文学的中的&美国梦&母题；以德莱塞的五部长篇小说为研究对象，梳理、描述破碎的&美国梦&在其作品中三种主要的表现类型；在文学史上试图对德莱塞进行重新定位，指明他在广度上是表现破碎的&美国梦&的第一人；由德莱塞笔下破碎的&美国梦&上升至悲剧审美意义的认识，说明它既是社会悲剧、也是命运悲剧与性格悲剧，并且是人类普遍存在的悲剧。

My tragicomedy is: The real-good-beautiful comic people or things are killed or destroyed tragically to expose false-bad-ugly side of world, humanity and society.

我的悲喜剧就是：那些真，善，美的喜剧人物或事件被悲剧地杀害或毁灭而揭露世界，人性和社会假，恶，丑的一面。

Tan Sitong is the most tragic outstanding figure in the modern history ofChina.This article is a multi-layer analysis of Tan's ideology and practice.Threeapproaches are taken,i.e."no tragedy without transcending","the tragedy ofbreached trammels remaining unbreached",and "the personality tragedy of 'Whois,if not 1,to enter the Hell?'",by which the profound and revealing tragicignificance of Tan's ideology and practice is illustrated.

谭嗣同是中国近代史上最富于悲剧性的杰出人物，本文多层面地分析了谭嗣同思想及实践的特点，从&没有超越就没有悲剧&，&既冲决网罗又未尝冲决的悲剧&，&我不入地狱、谁入地狱的人格恶剧&等三部分揭示了谭嗣同思想及实践所体现的悲剧性意义，蕴涵深刻而富于启迪。

Classical tragicomedy is the cristal of Chinese culture, and best represents the Chinese culture spirit. But regretfully Chinese dramatists followed the Western footsteps, put most of their energy onto the classical tragedy and neglect the study of classical tragicomedy. They classified many classical tragicomedies into the category of tragedy. It brought about the confusion in the classification of Chinese classical drama.

古典悲喜剧是中国文化的结晶，最能代表中国文化精神，遗憾的是我国戏剧界往往步西方的后尘，集中精力研究古典悲剧，忽略了对古典悲喜剧的探讨；又因为对古典悲喜剧的价值认识不足，有意无意地将许多悲喜剧划入悲剧范畴，造成我国古典戏曲分类上的混乱。

Before further interpreting and justifying the substance of Shakespearean tragedies, I make a brief review of the major visions on death in Chinese and Western thoughts; the Freudian concepts of Eros and the death instinct are also induced in this chapter as a theoretical device to enter the discussion of the theme of death.Chapter Two attempts to solve the question ofIs it the denial of death or

论述了五部悲剧中种种情形复杂的&爱&是如何惊人地与潜伏在悲剧人物下意识中的&死亡本能&联系在一起的，有哈姆雷特因&俄狄浦斯情结&而对奥菲里亚所产生的扭曲却强烈的爱；有奥赛罗对德斯底蒙娜由爱而生痛惜、嫉妒而最终走向&执行正义&的爱；有李尔王对小女儿考地利亚超越父女之情的爱，有安东尼和克利欧佩特拉由性爱而转变、升华的精神之爱，有罗密欧与朱丽叶富有浪

与悲剧地相关的网络解释 [注：此内容来源于网络，仅供参考]

tragical：悲剧的

tragic 悲惨的 | tragical 悲剧的 | tragically 悲剧地

tragical：悲剧的/悲惨的

tragic /悲剧的/悲剧性的/悲惨的/悲壮的/悲剧/悲惨/惨/ | tragical /悲剧的/悲惨的/ | tragically /悲剧地/悲惨地/

tragical：悲剧的; 悲剧性的 (形)

tragedy 悲剧, 悲惨, 惨案 (名) | tragical 悲剧的; 悲剧性的 (形) | tragically 悲剧地; 悲惨地 (副)

tragically：悲剧地

藉著这样的告白宣示,我们其实清楚地发现,这一代中年人已经具有相当的危机感,才会如此急切地想维护甚至巩固自己所认同的那个社会价值舞台,甚至支吾其词地召唤下一代跟随拥抱. 只是,悲剧地(tragically)说,潮水虽然盲目,但终究还是会淹盖过来的.

tragically：悲剧地/悲惨地

tragical /悲剧的/悲惨的/ | tragically /悲剧地/悲惨地/ | tragicomedy /悲喜剧/

tragically：悲剧地; 悲惨地 (副)

tragical 悲剧的; 悲剧性的 (形) | tragically 悲剧地; 悲惨地 (副) | tragicomedy 悲喜剧, 又悲又喜的事情 (名)

tragically tragicallyadv：悲剧地, 悲惨地

melinda n.梅林达(f.) | tragically tragicallyadv.悲剧地, 悲惨地 | groove n.(唱片等的) 凹槽, 惯例, 最佳状态vt.开槽于

tragicomedy：悲喜剧, 又悲又喜的事情 (名)

tragically 悲剧地; 悲惨地 (副) | tragicomedy 悲喜剧, 又悲又喜的事情 (名) | tragicomic 悲喜剧的 (形)

the most seriously tragic love story ever：那是一个史上最悲剧的爱情故事

I had counted each one in library time|每当在图书馆时我会默默地数着每一根 | the most seriously tragic love story ever.|那是一个史上最悲剧的爱情故事 | So, have you kissed him yet?|你和他接吻了没?

Middle America, now it's a tragedy：中美洲之地,真是个悲剧

Where were the parents at? And look where it's at |那家长死哪去了? 看看现... | Middle America, now it's a tragedy |中美洲之地,真是个悲剧 | Now it's so sad to see, an upper class ci-ty |看这上等城市,我感...