恶婆

基本解释 (translations)

beldam  ·  beldame

与恶婆相关的网络例句 [注：此内容来源于网络，仅供参考]

There was in the woman a substratum of the brute , and in the man the material for a blackguard

那妇人就具有做恶婆的本质，那男子也是个无赖的材料。

There was in the wo man a substratum of the brute, and in the man the material for a blackguard

那妇人就具有做恶婆的本质，那男子也是个无赖的材料。

This harpy essentially says that our soldiers in Iraq died in vain.

这个恶婆由始至终都认为我们的战士们在伊拉克都是白死的。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The axe helps all of the positive 倾s to help at this time of dint the nasty desire root out unique don't the ground of the income sphere of influence head, do not anticipate that ground to lie two grand uncles of weak in character husband whom the tiger hides a fatty old woman of fatty hooligan landlady of dragon-痴 to plus to become contrast with it, lead a class of embed gastight 武 Lin's superior, big exhibition strange 功 remarkable talent, resist bad influence.

此时斧头帮正倾全帮之力急欲铲平唯一未收入势力范围的地头，未料该地卧虎藏龙——痴肥的恶霸女房东肥婆加上与其成对比的懦弱丈夫二叔公，率领一班深藏不漏的武林高手，大展奇功异能，对抗恶势力。

Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

与恶婆相关的网络解释 [注：此内容来源于网络，仅供参考]

beldam：恶婆

beld秃头的 | beldam恶婆 | beldame恶婆

beldam：恶婆, 祖母

beld | 秃头的 | beldam | 恶婆, 祖母 | beldame | 恶婆, 祖母

beldam：老太婆/恶婆

belching /嗳气/ | beldam /老太婆/恶婆/ | beldame /老太婆/恶婆/

beldam：老太婆, 恶婆, 祖母 (名)

belay 把绳索拴在系索栓上 (动) | beldam 老太婆, 恶婆, 祖母 (名) | beleaguer 围; 围攻 (动)

beldame：恶婆

beldam恶婆 | beldame恶婆 | beleaguer围

beldame：恶婆, 祖母

beldam | 恶婆, 祖母 | beldame | 恶婆, 祖母 | beldongrite | 杂硅铁锰矿

beldame：老太婆/恶婆

beldam /老太婆/恶婆/ | beldame /老太婆/恶婆/ | beleaguer /围/围攻/

beleaguer：围

beldame恶婆 | beleaguer围 | belecture谆谆教诲

Savkha Brahmin：桑卡婆羅門

由于桑卡婆罗门(Savkha Brahmin)带着这种图四处行脚,宣扬他们的教法,所以称这种图为'行脚图'或'行图'. 桑卡婆罗门是异教婆罗门的一派,他们在画布上画出善趣与恶趣的各种图案,用以说明成功与失败. 他们将图画展示给人们看,解释说:'若人做这种行为,

fall witchgrass：下垂恶婆草

fall wind ==> 下坡风 | fall witchgrass ==> 下垂恶婆草 | fall-and-spring-applied nitrogen fertilizers ==> 秋季和春季施氮肥