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While Tang Contemporary Art will still be continuing to initiate and push contemporary Chinese artist, to help further knowledge and appreciation of the new dynamism in Chinese art, we are also heading towards a broader ambitions to pursue an expansive interest in the rapidly developing world of Asian contemporary art, with an envision that the potential and vibrancy of artistic boundaries know no bounds and borders.
作为当代中国的文化艺术中心，北京一直吸引着全世界的目光，这也为当代唐人艺术中心提供了一个非常好的艺术经营环境和舞台，"唐人当代艺术中心"将继续发现并推动中国当代新锐艺术家的艺术创作，同时也继续保持和发展与张晓刚，方力均，岳敏君，王广义，刘小东等成名艺术家的合作。
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This book is an in-depth study of contemporary Chinese art, touching upon modern ink painting, architecture, performance art, etc, The book is separated into five chapters: Modern consciousness and the establishment of a Chinese contemporary art methodology; The significance of the utopia of modern materials in contemporary Chinese architectural theory; the crisis in contemporary ink painting; maximalism, and artist case study with Xu Bing.
《另类方法另类现代——艺术大视野丛书》"Art Horizon Series： Special Method in Kind， Special Modernism in Kind"本书针对中国当代艺术进行深入的研究，内容涉及现代水墨、建筑、行为艺术等，分为五章：现代意识与中国当代艺术方法论的建立；现代物质乌托邦在中国当代建筑方法论中的意义；中国当代水墨的危机是缺乏方法论；极多主义：一种现代主义的幻觉；一个艺术家个案的研究：徐冰的艺术和方法论。
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The building process should stick to linking the commonness and uniqueness, tradition and modernness, scientific spirits and humanitarian spirit, revolutionary politics and constructive politics. The core conception of contemporary Chinese political philosophy is featured by justice, capability, public and Thoughts about"People Foremost".
从当代中国政治哲学的学术背景、现实问题域以及当代中国政治哲学的基本论域等三个方面，探讨当代中国政治哲学的主题；建构当代中国政治哲学应当坚持共性与个性相联系、传统与现代相结合、科学精神与人文精神相统一、革命政治与建设政治相区别的方法论；从获权方式、获权根据、如何用权、为谁用权等四个方面，把公正、能力、公共、民本确立为当代中国政治哲学的核心理念。
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The presentness and nationality should be emphasized in TV shows, here presentness means the contemporary presentation of national spirit, and nationality is a developing one, a representation of the nation's current spiritual seeking.
电视剧应当强调其当代性与民族性，当代性是民族精神的当代创化，而民族性则是发展着的当代的民族性，是本民族当代精神需求的表现。
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Solo Show: 2004 Hong Hao Base Gallery, Tokyo Japan. Hong Hao's Reading Room Chambers Fine Art, New York U.S.A 2003 Hong Hao at Rencontres d 'Arles 2003 Arles, France. 2000 Scenes from the Metropolis The CourtYard Gallery, Beijing China. Suspended Disbelief Art Beatus Gallery, Vancouver Canada. Selected Group Show: 2006 One Work: the Taikang Project of Hong Hao+Yan Lei Taikang Top Space, Beijing China. 2005-2006 Noly One Wall Beijing Commune, Beijing China Art Space Sydney, Australia. 2005 FAIRY TALES FOREVER, AROS Arhus Kunstmuseum, Arhus, Danmark. Mahjong Kunstmuseum Bern, Bern, Switzerland. CHINA: CONTEMPORARY, ART PERSPECTIVES Art Museum, Milan, Italy.
参加2000年以来的版画艺术美国，纽约现代美术馆；参加拾贰 2006中国当代艺术奖中国，上海证大现代艺术馆；参加今日中国——中国当代艺术的转世魅影奥地利，维也纳， ESSL博物馆；参加H+Y 一件作品之泰康计划泰康顶层空间中国，北京；参加第五届亚太当代艺术三年展澳大利亚，昆士兰昆士兰美术馆2005-2006年；参加麻将-希克中国当代艺术收藏展瑞士，伯尔尼美术馆德国，汉堡当代美术馆
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In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.
参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&
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Contemporary engineering values play an important role in engineering education. This paper has analyzed the essential contents of contemporary engineering values in comparison with the traditional values. Then the problems of overemphasizing scientific and technological rationality in traditional engineering education are studied. At last, the corresponding strategies of engineering education are dealt with based on integrated rationality and contemporary engineering values.
分析了在当代学科交叉渗透的趋势下当代工程观的基本内容，指出当代工程观反映了当代工程科学与工程技术和社会、经济、文化、生态交叉融合、协调构建的新趋势；探讨了传统工程教育中存在过分强调科学理性和技术理性的问题；提出应以综合理性为指导，融合当代工程观的当代工程理念，这些将对开展工程教育和培养中国现代化建设的工程人才具有重要意义。
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This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".
本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。
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Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.
联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。
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Mr. Zhang donated three sets of his publications to the Library at the "Mr. Zhang Wei's Book Donation Ceremony and New Book Launch" held on 26 March. These include 《中国当代作家系列–张炜卷》, the newly published Endless Wonderings and《我又将逃往何方》which was launched at the ceremony.
在三月二十六日举行的「张炜赠书典礼暨《我又将逃往何方》新书发布会」上，张先生捐赠了三套著作予图书馆，包括《中国当代作家系列–张炜卷》和刚於三月出版的两套新作《我又将逃往何方》和《你在高原》。
- 更多网络解释与当代相关的网络解释 [注：此内容来源于网络，仅供参考]
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Contemporary Literature：当代文学
当代国外社会思维评价 Evaluation of Contemporary Foreign Social Thought | 当代文学 Contemporary Literature | 当代文学专题 Topics on Contemporary Literature
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Ulla Dreyfus：瑞士 亚洲艺术、早期大师、象 征主义艺术、超现实主义艺术、当代艺术
Beth Rudin DeWoody 纽约、南安普敦及西棕榈海滩 现代及当代艺术 | Ulla Dreyfus 瑞士 亚洲艺术、早期大师、象 征主义艺术、超现实主义艺术、当代艺术 | Barney A.Ebsworth 华盛顿特区及夏威夷州檀香山 美国现代及当代艺...
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Eric Schmidt：美国加利福尼亚州阿瑟顿 现代及当代艺术
Ute and Rudolf Scharpff 德国斯图加特 美国及德国当代艺术 | Eric Schmidt 美国加利福尼亚州阿瑟顿 现代及当代艺术 | Chara Schreyer 美国旧金山 现代及当代艺术;摄影
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David Geffen：美国洛杉矶 现代及当代艺术(抽象表现主义)
Danielle and David Ganek 美国康涅狄格州 当代艺术及摄影 | David Geffen 美国洛杉矶 现代及当代艺术(抽象表现主义) | Ingvild Goetz 德国巴伐利亚州慕尼黑 英国当代艺术
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Laurence Graff：英国伦敦 当代艺术
Geraldine and Noam Gottesman 英国伦敦 当代艺术 | Laurence Graff 英国伦敦 当代艺术 | Esther Grether 瑞士巴塞尔 现代及当代艺术
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Inge Rodenstock：德国 德国、美国、英国当代艺术
Ellen and Michael Ringier 瑞士苏黎世 当代艺术;俄国前卫艺术 | Inge Rodenstock 德国 德国、美国、英国当代艺术 | Deedie and Rusty Rose 美国达拉斯 现代及当代艺术(雕塑)
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Marsha and Jeffrey Perelman：美国宾夕法尼亚州 战后及当代艺术
Bernardo Paz Adriana Varej?o 巴西 巴西当代艺术 | Marsha and Jeffrey Perelman 美国宾夕法尼亚州 战后及当代艺术 | Fran?ois Pinault 法国巴黎 当代艺术
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Udo Brandhorst：德国科隆 当代艺术
Irma and Norman Braman 美国迈阿密;法国南部 美国现代及当代艺术 | Udo Brandhorst 德国科隆 当代艺术 | Edythe L.and Eli Broad 美国洛杉矶 当代艺术
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Aby J.Rosen：美国纽约 现代及当代艺术;当代摄影
Deedie and Rusty Rose 美国达拉斯 现代及当代艺术(雕塑) | Aby J.Rosen 美国纽约 现代及当代艺术;当代摄影 | Elie de Rothschild 法国巴黎;英国伦敦 早期大师;印象派艺术;现代艺术
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Aby J.Rosen：美国纽约 现代及当代艺术、当代摄影
Deedie and Rusty Rose 美国达拉斯 现代及当代艺术(雕塑) | Aby J.Rosen 美国纽约 现代及当代艺术、当代摄影 | Elie de Rothschild 法国巴黎;英国伦敦 早期大师、印象派艺术、现代艺术