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山水画画家 的英文翻译、例句

山水画画家

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Klimt was a painter of shimmering landscapes and three of them are among the eight paintings in the Neue Galerie show.

克利姆特是一位幻念山水画的画家,新画廊展览的八幅油画中就有他的三副山水作品。

Other various scenery are also many by the topic volume, the antithetical couplet, the prefatory remarks and so on each kind of form cast the Confucianist thought to among; But the nearly 30 scenic spots have directly manifested Taoism"s natural boundary or the deity boundary pursue; Chinese tradition esthetics manifested and the imperial authority unification and the formula development in Old Summer Palace; Old Summer Palace makes the scenery mostly is the famous poem celebrated work description ideal condition and the famous painter"s landscape painting reappearance; In Old Summer Palace enables the north and south culture to south botanical garden imitation and the anomalous form design to achieve the fusion and so on manifests the Old Summer Palace landscape all the profound cultural connotation, unfolds the Old Summer Palace landscape is the Qing Dynasty culture carrier characteristic.

其他各景也多以题额、对联、题记等各种形式熔铸儒家思想于其中;而近30处景点直接体现了道家的自然境界或神仙境界的追求;中国传统美学在圆明园中体现出了与皇权的统一和程式化的发展;圆明园造景大多是名诗名作描写的意境和著名画家的山水画的再现;圆明园中对南方园林的模仿和变体设计则使南北文化达到融合等等无不体现出圆明园景观的深刻文化内涵,展现圆明园景观是清代文化载体的特色。

After Gu, another artist Zong Bing asserted in his Preface to Landscape Painting that from theory of vividness, the portraits should be presented with the spirit of unrestraint, namely, freeing the artists from mainly imitating the natural objects, and this had a great impact on the following landscape painting style.

将绘画从只求模仿自然物象形似的标准中解放出来。南朝山水画家宗炳又将人物画的"传神"理论在他的画论《画山水序》中发展为山水"畅神",不仅传画中所画景物之神,而且要传画家面对景物时感情激动之神。对中国山水画的风格形成和发展产生很大影响。

I can feel his standpoints and courage to the contemporary culture. But he is unable to use pungent language to criticize the tradition. He uses persuasive dreamland and seemingly sober state to face to it. In another aspect he has cut his ink language off the relations to traditional landscape paintings. Let the audiences in front of his works realize and moved, let the mark shape, kinking, variation objects appear repeatedly in his pictures, so that he subverts all requests in art to traditional pictures. Based on the above, I dare to conclude Liuming is not a "Chinese landscape painting painter", although on the "www. yanzhoucn. com" he insists on calling oneself "the renowned Chinese painting painter".

我能感受到刘鸣对当代文化所持有的立场和勇气,但他又无法用一种辛辣的语言去批判传统,他婉转地用梦境、用似醒非醒的状态去面对;而在另外一个层面,他揭然斩断了传统山水画与其艺术的关系,让观众在其作品前省悟和木讷,让符号状、扭结、变异的物体,在其画面上反复出现,彻底地颠覆了传统画论中对山水画的所有要求;基于上述,我敢断定刘鸣绝不是一个中国山水画画家,尽管他在 yanzhoucn.com 网页上坚持称自己为&著名国画家&。

In his creation, he focuses on the inner essence of China's traditional art. His landscape paintings have a certain relationship with China's early works, these ones usually possess advanced mood and state; those mountains and rivers, calmness and quietness, revealed from his paintings, reflect a kind of China's ancient painter's unique attitude towards the nature.

朝戈在创作中注意研究中国传统艺术的内在本质,他的风景画与中国早期的山水画具有某种关联,这些山水画具有很高的境界,大山大水,沉稳寂静,反映了中国古代画家对自然的独特态度。

A wide range of subject matter is covered, including landscapes, seascapes, flowers, still life and people, and the different styles of the featured artists make for great variety and interest.

书中包含了所有画种范围内的主题,包括山水画、海景画、鲜花、人物写生画和各个有名画家不同的画风。