- 更多网络例句与审美地相关的网络例句 [注：此内容来源于网络，仅供参考]
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Only when the distance is well controlled can readers immerse in the fictional world and at the same time discriminate the work from reality, examine and comment the characters and the circumstances objectively in a more widely view. Then a sense of aesthetics can be acquired by reading the work. This thesis is going to analyze the aesthetic distance in The Adventures of Huckleberry Finn, which is always regarded as Mark Twain's masterpiece. It embodies great artistic appeal and is one typical example in the masterly control of aesthetic distance. The thesis is divided into three chapters. Chapter One demonstrates various distances presented in this novel.
只有恰当地控制审美距离，读者才能融入作品，同时能够将作品与现实区别开来，以更广阔的视野和冷静客观的态度去审视、评品小说中人物的言行及其所处的环境，从而对其有更全面深刻地认识，感受作品的美学效果本文运用韦恩·布斯的"审美距离"理论分析了马克·吐温的杰作《哈克贝里·费恩历险记》中的审美距离及其带给读者的独特的审美体验。
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But Dewey's pragmatic aesthetics derived from the experiential naturalism, criticized the principle of aesthetic disinterestedness.
康德为美学所确立的"审美无利害"的原则曾是审美现代性的基石之一，而杜威的实用主义美学从经验自然主义出发，系统地否定了"审美无利害"的原则。
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Firstly,it reviews the history of aesthetic disinterestedness.
论文以三个命题阐述康德美学与中国现代美学的内在关联：首先，回溯审美无利害的历史，结合中国传统美学，从审美态度、艺术独立的角度阐明审美无利害命题的重要作用，审美无利害性既奠定了现代美学学术的独立性，又揭示出现代美学的基本性质与特征；其次，诠释康德美学中的审美自由概念，在现代美学的语境中阐释了"美是道德的象征"的命题，同时阐明审美游戏与美育的自由特征，审美自由显示出现代美学的超越精神和乌托邦精神；第三，艺术的人生观或者人生的艺术化将艺术与人生紧密地联系起来，审美人生展示出现代美学的审美理想，成为现代美学的价值归宿。
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Political or moral utilitarianism and aesthetic utilitarianism are the two main traditions in modern Chinese aesthetics. The former considers aesthetics and art to be tools for political struggles or moral preachment, and requires them to "serve"directly for political or moral purposes, while the latter, taking aesthetics for the sake of life, or thus a life concept of aesthetics, is against the consideration of aesthetics and art to be tools for politics or morality, and requires them to affect intrinsically the improvement of life state. Liang Qichao is the direct ideological source in the end of the 19〓 century for the former, while Wang Guowei the founder for the latter.
真正构成中国现代美学的两大传统是政治、道德功利主义和审美功利主义：前者主张以审美和艺术作为政治斗争或道德说教的工具，要求审美和艺术直接"服务于"政治或道德目的；后者主张为人生的美学，或者是人生论美学，反对审美和艺术直接充当政治或道德的工具，而是要求审美和艺术内在地作用于人生境界的提升；前者在19世纪的直接思想源头在梁启超，而后者的开创者是王国维。
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Exhibition combines her works with projector and installations to emphasize the "Privacy" character, and bring forth her view towards self and our society from a female visual angle. Lei Benben will also transmit her work through Bluetooth to all audience on the opening day.
此次展览以装置与影像配合的形式强调了&私影&的性质，展示了以女性的视角和观点审美地看待自己和自己所处的社会，展览开幕当天艺术家将给所有在展场的观众用蓝牙传输一张摄影作品作为纪念。
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The aesthetics is the guide of art teaching art, there are a lot of aesthetics genres both in ancient and modern, China and foreign. Some of them have the most direct influence on art teaching, such as Confucian aesthetics, Taoist aesthetics and Zen aesthetics, heteronomous aesthetics, autonomy aesthetics, hermeneutic aesthetics and art sign aesthetics. We can get help from these theories to scan art teaching art, how to obey the character of appreciation beauty, how to follow the nature of the art, how to unseal the students taste mentality skillfully, how to show the artistic charm properly and all rounds.
艺术教学艺术需要美学的引领，古今中外有着许多的美学流派，其中中国的儒家美学、道家美学和禅宗美学，国外的他律美学与自律美学、解释学美学与接收美学以及艺术符号美学对艺术教学的影响最直接，从它们那里获得的启迪，都帮助本文审视艺术教学艺术，如何遵从了艺术的审美品格，如何尊重了艺术的本质，如何巧妙地开启学生的审美心理，恰当地全面地为学生展示艺术的魅力。
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To the author, today's postmodern consumer society enables people to appreciate and consume works of art in an aesthetic way, hence the birth of iconographical writing with images as the major means of representation. For it might satisfy the aesthetic needs of the broad reading public. But icon-critics should be endowed with greater ability to read and interpret pictures or images.
作者认为，当今的后现代消费社会使得人们需要审美地来观赏甚至消费艺术作品，因此以图像为主要表现媒介的语像写作的应运而生便是一种历史的必然，它可以满足广大读者/观赏者的审美需求。
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To be brief, the English romanticism on the one hand further pushes ahead the project of modernity in the artistic or aesthetic field, but on the other hand it also launches a vehement aesthetic critique of modernity, thus resulting in the birth of aesthetic modernity; the Chinese romantic movement represented by the Creation Society is characterized by a different Janus'face: like English romanticism, it is a significant artistic articulation of the principle of subjectivity (which is the kernel of modernity) in its initial stage, yet influenced by the interaction of individual enlightenment and the national salvation, a pair of conflicting themes typical of China's modernity project, the Creation Society gradually turns to the left and consequently not only radically politicizes its romantic spirit but also ironically suppresses the search of modernity.
简言之，英国浪漫主义思潮一方面在艺术和审美领域内进一步推进了现代性工程，而另一方面又反戈一击，对现代性工程进行了猛烈的审美批判，从而催生了现代性之另一对立性形态——审美现代性的最早萌芽，并因此而造成了现代性的分裂；以创造社为代表性个案的五四新文学中的浪漫主义思潮在中国的现代性语境下则又呈现出另一种两面性：一方面，创造社的初期也象英国浪漫派一样，通过在艺术和审美领域内竭力弘扬现代性的主体性原则，从而积极地推进了新文化运动所致力构建的现代性工程，但另一方面，个体启蒙和民族救亡两大中国现代性主题的纠结使得创造社在后期逐渐将其前期的启蒙浪漫主义进行了民族主义化和意识形态化，从而放弃了对现代性作更深入的追求。本文在结构上总共分为八章三部分。
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When natural aesthetics and ecological aesthesis are changed in artistic way,they then have experienced the promotion of artistic aesthetics and then become artistic ecological natural aesthetics.
当自然审美和生态审美被艺术性地转换后，它们同时也就得到了艺术审美的提升，成为艺术生态自然审美。
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First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.
中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。
- 更多网络解释与审美地相关的网络解释 [注：此内容来源于网络，仅供参考]
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Aeon：万古
他说,克隆利从古老的启示中获知,"93是万古(aeon)的数字. 那么,好吧. 这就是'万古'的数字,我不知道,这到底意味着什么. "所以,C93的命名更多地是出于审美的考虑,而不是有严格规定的神秘意义. 至于某些唱片中渗透的神秘主义倾向,
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aesthetically：审美地
aesthetic 美学的 | aesthetically 审美地 | aesthetician 审美学家
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aesthetically：审美地,美学观点上的
aechmea fasciata 美叶光萼荷,又名蜻蜓凤梨,淡玫瑰花色 | aesthetically 审美地,美学观点上的 | agamous 无性的,无性生殖的
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aesthetically：审美地, 美学观点上地
aesthetical | 美学的, 审美的, 有审美感的 | aesthetically | 审美地, 美学观点上地 | aesthetician | 审美学家
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aesthetically artistically：审美地;美学地
advocate proponent 倡导者;辩护者 | aesthetically artistically 审美地;美学地 | affection fondness 慈爱;钟爱
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aesthetician：审美学家
aesthetically 审美地 | aesthetician 审美学家 | aestheticism 唯美主义
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Aesthetics：审美
舒国治的散文更不是一般意义的 "美文",尽管它的确与 "审美"(aesthetics)有关. 这种审美是某种感官能力的开启,常如灵光一闪,以清简的文字短暂地照亮俗常世界之一隅,就像>里面那"国王十字车站"里多出来的一个站台,
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affection fondness：慈爱;钟爱
aesthetically artistically 审美地;美学地 | affection fondness 慈爱;钟爱 | affectionately lovingly 充满深情地;亲切地
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agamous：无性的,无性生殖的
aesthetically 审美地,美学观点上的 | agamous 无性的,无性生殖的 | age distribution 年龄分布,树龄分布
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agamous：无的,无生殖的
aesthetically 审美地,美学瞧点上的 | agamous 无的,无生殖的 | age distribution 年龄漫衍,树龄漫衍