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- C大调音阶中的第三音
- 更多网络例句与大音阶相关的网络例句 [注:此内容来源于网络,仅供参考]
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Of or using only the eight tones of a standard major or minor scale without chromatic deviations.
基于有5个全音和2个半音组成的标准大音阶或者标准小音阶。
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The sixth tone in the scale of C major or the first tone in the relative minor scale.
A音或A调:C大调音阶中的第六个音或C小调音阶中的第一个音
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The seventh tone in the scale of C major or the second tone in the relative minor scale.
b 音, b 调c大调音阶中的第七个音或c 小调音阶中的第二个音
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The key of C has no sharps or flats, but F needs one flat to ensure that a series of consecutive notes starting on F forms the necessary pattern of whole steps or whole tones and half steps or semitones, with a half step or semitone between the mediant and subdominant.
带降号的大音阶开始于F,恰好是C下的第五级。C调既无升号也无降号,但是F调却需要一个降号以确保开始于F调的一系列音形成必需的一组全音和半音,以及介于中音和下属音间的半音。F大调,带一个降号,降B大调开始于第五级,有两个降号,以此类推。
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Based on the method of the Third structure, the writer analyzed Bartok way to build up the work kernel motive from the simple relation of the third, then to establish three pitch combinations to control the whole piece: heptachord collection, octachord collection and the twelve-tone collection.
文章将立足于三度结构手法,分析巴托克如何从简单的三度关系建立起乐曲的核心动机,然后借助动机建立控制全曲的三种音高组合――七音音阶组合、八音音阶组合及十二音组合(twelve-tone collection),再依靠不同音阶组合建立了段落结构,由小至大、由表及里,创作了这首弦乐四重奏的核心乐章。
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This interval, which occurs between the fourth and seventh degrees of the diatonic major scale, is also known as a tritone.
不协和音程发生在自然大音阶的四度和七度,也被称为三全音。
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Verse 4: When you roll with a player like me...with a brother like me gyal there is no other No need to talk it right here just park it right here keep it undercover From me love how you fittin ya blouse and you fat in ya jeans and mi waan discover..
诗 4:当你和像我一样的一个运动员卷的时候。。。与一位兄弟在一起像我 gyal 另外地没有没有需要说话它就在这里正直的公园它就在在这里使它保持秘密的从我爱如何你 fittin ya 宽松的上衣和你在 ya 牛仔裤和大音阶的第三音 waan 的脂肪发现。。
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Music based on the standard major or minor scales consisting of 5 tones and 2 semitones without modulation by accidentals.
基于有5个全音和2个半音组成的标准大音阶或者标准小音阶。
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The major scale is a diatonic scale that, in ascending order, consists of a pattern of steps and half steps, or whole tones and semitones.
大音阶是一种自然音阶,以上升顺序,包括一组全音和半音。
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While the ascending melodic minor follows the natural minor, with the sixth and seventh degrees of the scale sharpened as in the major scale, the descending melodic minor scale follows the natural minor. The descending melodic minor scale of A minor can, therefore, be played on the white notes of the piano, starting on A, and would be:
上行旋律小调与自然小音阶的模式相同,大音阶的第六级和第七级音阶仍为升,下行旋律小调遵循自然小调模式。A小调下行旋律小调为在钢琴的白键上演奏,开始于A调,为
- 更多网络解释与大音阶相关的网络解释 [注:此内容来源于网络,仅供参考]
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Ionian mode:大调音阶
第七音 导音 Leading note | 大调音阶 Ionian Mode | 自然音阶 Diatonic Scale
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major scale:大音阶
音阶 近代最通用的音阶,有大音阶(Major Scale) 和小音阶(Minor Scale)两种. ◎大音阶多表示快乐而欢腾的情绪 ◎小音阶多表示悲伤而沉闷
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major scale:大调音阶
音阶的组成:大调音阶(Major scale)是我们常用的音阶,其组成是依照一特定的规则进行. 大调音阶通常听起来是明朗的,是愉快的,适用于一般的曲子中.
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Harmonic major scale:和声大音阶
"和声音程","Harmonic interval" | "和声大音阶","Harmonic major scale" | "和声小音阶","Harmonic minor scale"
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major diatonic scale:大全音阶
大三和音 major chord | 大全音阶 major diatonic scale | 大音阶 major scale
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Major Pentatonic Scale:大调五声音阶
五声音阶,从名称来看,意指五个音所构成的音阶. 其实广义而言,我们任意在一个八度内取五个不同的音都可以组成一个五声(或说五音)音阶. 但笔者今天要谈的是最常见的大调五声音阶( Major Pentatonic Scale) 及 以传播和推广吉他艺术是为宗旨,及时、准确、客
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minor scale:小音阶
以一音为基础,在其上按照高低排列若干音的阶级,至八度音为止,即成音阶 (Scale). 音阶 近代最通用的音阶,有大音阶(Major Scale) 和小音阶(Minor Scale)两种. ◎大音阶多表示快乐而欢腾的情绪 ◎小音阶多表示悲伤而沉闷
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Harmonic minor scale:和声小音阶
"和声大音阶","Harmonic major scale" | "和声小音阶","Harmonic minor scale" | "和声进行","Harmonic progression"
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Natural Minor Scale:自然小调音阶
建立这种认识体系的理由是稍有音感的人,对大调音阶(major scale)与自然小调音阶(natural minor scale)都能很直觉地唱出来. 而七种调式中除了Ionian后来质变简化为大调音阶、Aeolian后来质变简化为自然小调音阶外,
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Major semitone:大半音
半音的频率比是15:16,这在当时很容易用古代大音阶算出来,是个大半音(major semitone). 索佛尔把每秒的6个拍归因於这两个音的频率不同,因此频率比为15:16,每秒产生6个拍的两个音,其频率是90、96. 研究弦索振动的工具叫单弦器(monochord),