夜曲

基本解释 (translations)

nocturne  ·  serena  ·  notturno

与夜曲相关的网络例句 [注：此内容来源于网络，仅供参考]

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness. One of the most haunting examples is op.

正如华尔兹，玛祖卡舞曲，或者威尼斯的船歌都是除了叙事曲，谐谑曲或者波洛涅兹舞之外易于舞蹈的流派，夜曲却能够突然现露出玛祖卡舞曲的缩影——例如C小调夜曲，NO.20——这样意想不到的并置，就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击，它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness.One of t he most haunting examples is op.

正如华尔兹，玛祖卡舞曲，或者威尼斯的船歌都是除了叙事曲，谐谑曲或者波洛涅兹舞之外易于舞蹈的流派，夜曲却能够突然现露出玛祖卡舞曲的缩影——例如 C 小调夜曲， NO.20——这样意想不到的并置，就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击，它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。

In this article, I trace back the history of nocturn and make analysis to his OP.9, then discuss how Chopin succefully inherited from tradition while carrying forward this style at the same time.

本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。

Through running down Chopin-nocturn and analysing a group works of Chopin-nocturn op.9 , the article discusses how did Chopin nocturn inherit the tradition and at the same time made the style of nocturn carried forward.

本文通过对肖邦夜曲的追溯和肖邦夜曲OP.9的一组作品的分析，来探讨肖邦在继承传统的同时如何将夜曲这一体裁发扬光大。

Chapter 2:"Nocturne and field's Nocturne."

第二章：《夜曲及菲尔德夜曲》。

This chapter is divided into two parts, first of all, on the origin and development of Nocturne, and conclude the definition of Nocturne for objectivity and historic; Secondly, Fields 18 Nocturne in the creation and publication of a detailed analysis .

本章分为两大部分，首先就夜曲的起源与发展进行了论述，并就夜曲的定义作客观性、历史性的定论；其次，就菲尔德的18首夜曲的创作及其出版情况进行了详细的分析。

In the twentieth century, French composer Poulenc made a breakthrough to create nocturne with his unique style successfully.

二十世纪法国作曲家浦朗克赋予夜曲更大的发挥空间，成功创造属於他自己型式与风格的夜曲。

As the early piano Nocturne in the history of Western music, it is not only of high artistic value, but also has a certain historical value.

作为西方音乐史上的早期钢琴夜曲，菲尔德夜曲不仅具有很高的艺术性，更具有一定的史学价值。

Delicate brushwork to create a highly artistic value of a total of 18 piano Nocturnes, a piano Nocturne Creation precedent.

以细腻的笔触创作出了极具艺术价值的钢琴夜曲共18首，从而开钢琴夜曲创作之先河。

According to this, this text is at expert scholar the leading of the cultural heritage work under, as to it's the night song give musical performance technique to carry on superficial analysis, but because of the restriction of space, the writer is in the text with it created in early days of several head 《night song 》for discuss creations and gave musical performance technique point to be attended to, hoped can be piano fancier and in the days to come others study originally the topic provide to draw lessons from just some little.

基于此，本文在专家学者文献著作的引导下，对其夜曲演奏技巧进行粗浅的分析，但因篇幅的限制，笔者在文中以其早期创作的几首《夜曲》为论述创作与演奏技巧着眼点，希望可以为钢琴爱好者及日后他人研究本课题提供些许借鉴。

与夜曲相关的网络解释 [注：此内容来源于网络，仅供参考]

Nocturnes: Andantino：夜曲:小行板

Emperor Waltz 点我下载 | 01.Nocturnes: Andantino夜曲:小行板 | 02.Nocturnes: Adagio Cantabile夜曲:如歌的柔板

NL.17 IN B MAJOR：大调 第17号夜曲

06 降E大调 第16号夜曲 NO.16 IN E FLAT MAJOR | 07 B大调 第17号夜曲 NL.17 IN B MAJOR | 08 E小调 第18号夜曲 NO.18 IN E MAJOR

NO.4 IN B MAJOR：大调 第4号夜曲

03 B大调 第3号夜曲 NO.3 IN B MAJOR | 04 F大调 第4号夜曲 NO.4 IN B MAJOR | 05 升F大调 第5号夜曲 NO.5 IN F SHARP MAJOR

NO.9 IN B MAJOR：大调 第9号夜曲

08 降D大调 第8号夜曲 NO.8 IN D FLAT MAJOR | 09 B大调 第9号夜曲 NO.9 IN B MAJOR | 10 降A大调 第10号夜曲 NO.10 IN A FLAT MAJOR

NO.3 IN B MAJOR：大调 第3号夜曲

02 降E大调 第2号夜曲 NO.2 IN B FLAT MINOR | 03 B大调 第3号夜曲 NO.3 IN B MAJOR | 04 F大调 第4号夜曲 NO.4 IN B MAJOR

NO.13 IN C MINOR：小调 第13号夜曲

02 G大调 第12号夜曲 NO.12 IN G MAJOR | 03 C小调 第13号夜曲 NO.13 IN C MINOR | 04 升F小调 第14号夜曲 NO.14 IN F SHARP MINOR

Nocturne in F major：大调夜曲

01 降E大调夜曲 Noturne in E major Flat 3:53 | 02 F大调夜曲 Nocturne in F major 5:08 | 03 幻想即兴曲 Fantasie-impromptu 5:16

NO.15 IN F MINOR：小调 第15号夜曲

04 升F小调 第14号夜曲 NO.14 IN F SHARP MINOR | 05 F小调 第15号夜曲 NO.15 IN F MINOR | 06 降E大调 第16号夜曲 NO.16 IN E FLAT MAJOR

Nocturnes：(夜曲)

<<夜曲>>(Nocturnes)的滥觞应可追溯至海顿与莫札特的作品,然而谈到钢琴独奏演出形式的<<夜曲>>则不得不提及爱尔兰作曲家约翰菲尔德(John Field),他的十八首<<夜曲>>作品被认为是萧邦创作<<夜曲>>的灵感来源.

Nocturnes: Adagio Cantabile：夜曲:如歌的柔板

01.Nocturnes: Andantino夜曲:小行板 | 02.Nocturnes: Adagio Cantabile夜曲:如歌的柔板 | 03.Nocturnes: Allegro Moderato夜曲