塑造了的

基本解释 (translations)

kneaded

与塑造了的相关的网络例句 [注：此内容来源于网络，仅供参考]

First, there is broadcast television, which reaches the masses through broad-based airwave transmission of television signals.

这些 广播业的巨头实际上不仅塑造了电视，而且也塑造了我们对电视的理解。

In my thesis, it outlines the background and process of the story, the style and feature of Merimee and the the script which abridged and developed contents and characters. The second aims at the musical analysis of the opera "Carmen" by Bizet, mainly according to the order of the opera and attaching the important music scores. The third is the character analysis of Carmen, the heroine of the opera, and Escamillo, the toreador which has been enriched and magnified by the author of the script. And the focus is the analysis, understanding and figure of the toreador which I have performed. In the last part of the thesis, it tells the scene of the opera and the relationship with the figures of the roles in the opera. And it also compares a variety of famous singers who has performed the toreador and puts on some of my points of view.

文中概述了小说产生的历史背景及经过、梅里美的风格特色及脚本对原作情节上、人物设置上的增删及发展等；其次为对出诸比才天才手笔的歌剧《卡门》音乐的分析，基本上按幕顺序论述并附重要的谱例；第三个重点是对剧中女主人公卡门及由脚本作者丰富、放大了的斗牛士埃斯卡米欧的人物性格分析，而把重点放在作者学习过的斗牛士形象的剖析、理解和塑造上；最后简要地阐述了歌剧场景与人物形象塑造的关系，前者对后者所可能产生的帮助，并对不同歌唱家所演绎的斗牛士形象作了比较和评价，提出了自己的看法。

We are not only what we read," says Maryanne Wolf, a developmental psychologist at Tufts University."

不是阅读的内容塑造了我们，"塔夫斯大学的发展心理学家玛丽安娜·沃尔夫说，"而是阅读的方式塑造了我们。

Come to look upon the picture tube as a source of entertainment, placing

广播业的巨头实际上不仅塑造了电视，而且也塑造了我们对电视的理解。

We havecome to look upon the picture tube as a source of entertainment, placing

这些 广播业的巨头实际上不仅塑造了电视，而且也塑造了我们对电视的理解。

And it has shaped who I am and it will continue to shape who I am.

它塑造了现在的我，也将塑造未来的我。

The novel "Bailu Yuan" is successful in transcending the traditional syllogistic principles of narration into the aesthetic syllogism. The syllogism in image building has shaped lively figures in the development of the story, displaying their complex characters and excavating the tragic meaning of their fates. The syllogism in plot development has strengthened the readability of the novel through depicting rich and co...

白鹿原》成功地将传统故事叙事三段原理创化为审美三段论：人物塑造三段论在发展中塑造了鲜活的人物形象，展示出复杂的人物性格，挖掘出人物命运的悲剧意义；情节演进三段论通过丰富复杂的意象情节变化强化了作品的可读性，探寻到人物的心路走向，展示出广阔的社会生活和历史真实；主题意蕴三段论在社会事物的互动发展中揭示了民族文化心理的演变轨迹，反思和建构了民族文化。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造，探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象，并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析，揭示两部作品之间的传承关系，特别是"妇女主义"思想在两部作品中的具体体现。

By analyzing the images of women in the male-dominated society in which women were only regarded as men's accessories or marginalized and sexual politics embodied in Marrow narrative discourses,it hints that Conrad was influenced by patriarchic ideologies ,and he characterized binary women in the gender construction and characterization ,and this sugg.

通过分析马洛话语下的女性形象，在父权思想占统治地位的社会，女性只能作为男性的附庸，或者被边缘化，作品中展现的性别政治观点，折射出作者康拉德受父权思想的影响，在性别的建构和人物的塑造问题上，塑造了二元对立的女性形象，体现了他的性别歧视。

This paper tries to discuss black women images created in Their Eyes Were Watching God and The Color Purple to express the idea that both writers create new women images in American literature. It also tries to explore the inheriting and developing relationship between the two novels by analyzing the symbolic meaning of the major images of mules, pear tree and the color purple, especially to explore the concrete reflection of womanist philosophy in the two novels.

本文分析了《他们眼望上苍》中对珍妮的形象塑造和《紫颜色》中西丽亚的形象塑造，探讨了赫斯顿和沃克如何在作品中塑造全新的黑人妇女形象，并通过对两部作品中的中心意象骡子、梨树和紫颜色的象征意义的分析，揭示两部作品之间的传承关系，特别是&妇女主义&思想在两部作品中的具体体现。

与塑造了的相关的网络解释 [注：此内容来源于网络，仅供参考]

Motion Capture：<动作捕获>

尤其在塑造人士的心情和动作时那种微微的末路人的滞后感,险些感觉不到了就算有,也因为塑造的是外星人而不那么较着,反倒增添了动作的优雅动作捕获(motion capture)这门技能,真是越来越细致完善了不过我现在相信虚拟人士和真实演员可以在影戏中和平共处,

Un Flic：大黎明

至於1972年的>(Un flic)就不是那麼有魅力. 法文原题借用日本语文的「武士」的>,为影史塑造了亚兰德伦扮演的孤独俊美职业杀手独特风貌;法文原名>而台湾沿用日本译名的>,为影史提供了黑道悲壮的男男友谊,

I:inlayer：茜姐美丽,仿佛是镶在衣裙上的花边,为演艺界增加了一道独特的风景线

H:hail 茜姐美丽,她的发型塑造了一个又一个形象,让人们记住了季洁,苏虹,... | I:inlayer 茜姐美丽,仿佛是镶在衣裙上的花边,为演艺界增加了一道独特的风景线! | J:jasper 茜姐美丽,虽然可能不是最美,但她如同次等的碧玉...

Presumed Innocent：假定无罪

吉诃德式的人物(该片获得了当年金球奖提名);1988年在>(Working Girl)中塑造了一个令人啼笑皆非的银行家喜剧角色;1990年在>(Presumed Innocent)中,他又成功饰演了耿直、诚实的检察官至此福特已是全球公认、能文能武的最佳票房保证1993年,

lost generation：迷惘的一代

海明威在小说>中塑造了"迷惘的一代"(Lost Generation),这个称谓来自美国著名作家斯泰因为>题的一句辞--"你们是迷惘的一代".

Merryl Streep：一个并不十分漂亮的女人,她塑造了多少经典

Liam Neeson >里我只看他,英伦绅士之三 | Merryl Streep 一个并不十分漂亮的女人,她塑造了多少经典? | Michael Cain 英伦绅士之四(无论何时看他都是很绅士D)

Presumed Innocent：假定无罪

吉诃德式的人物(该片获得了当年金球奖提名);1988年在<<打工女郎>>(Working Girl)中塑造了一个令人啼笑皆非的银行家喜剧角色;1990年在<<假定无罪>>(Presumed Innocent)中,他又成功饰演了耿直、诚实的检察官至此福特已是全球公认、能文能武的最佳票房保证1993年,

Merryl Streep：一个并不十分漂亮的女人,她塑造了多少经典

Liam Neeson <<星战前传一>>里我只看他,英伦绅士之三 | Merryl Streep 一个并不十分漂亮的女人,她塑造了多少经典? | Michael Cain 英伦绅士之四(无论何时看他都是很绅士D)

Face Off：变脸

也算是让这位个性十足的大叔成功转型了,接连拍了"变脸"(Face Off)和"断箭"(Broken Arrow),塑造了一系列让人咬牙切齿的恶棍形象. 像是"给鲍比朗的情歌"这样温情脉脉的文艺片他到真是很少出演,

lost generation：迷惘的一代

海明威在小说<<太阳依旧升起>>中塑造了"迷惘的一代"(Lost Generation),这个称谓来自美国著名作家斯泰因为<<太阳依旧升起>>题的一句辞--"你们是迷惘的一代".