喜歌剧

基本解释 (translations)

burletta

词组短语

comic opera

与喜歌剧相关的网络例句 [注：此内容来源于网络，仅供参考]

With the inspiration of the great writter Shakespeare,Verdi composed the comic opera "falstaff" in 80 years old,also it's the Verdi last opera work.

晚年的威尔第借助莎士比亚作品的灵感，以轻快的笔触写下喜歌剧《法斯塔夫》，它是威尔第在80高龄时的杰作，也是威尔第的最后一部歌剧作品。

Mozart opera in "the marriage of figaro", the broad resonance absorption of the italian opera, singing the german and austrian drama, opera and french hi english folk opera and many other factors, pay attention to the combination of recitativo and aria and layout, and hi put opera quartet as the main theater of conflict, and promote the development of the story, and reveal contradictions and conflicts.

莫扎特在创作歌剧《费加罗的婚礼》中，广泛吸收了意大利谐歌剧、德奥歌唱剧、法国喜歌剧和英国民谣歌剧等诸多因素，注重宣叙调与咏叹调的组合与布局，并把重唱作为喜歌剧中戏剧冲突的重头戏，推动剧情发展，揭示矛盾冲突。

The thesis below aims at the character of the person musical analysis and the value of the taste in arias of the heroine "Rosina" in the opera "I1 Barbiere di Siviglia" and " Cinderella " in the opera " La Cenerentola ". We can understand the particular way of musical performing and singing on different character.

本文以他的两部喜歌剧代表作《塞维利亚的理发师》和《灰姑娘》中女主角的经典咏叹调为例，对人物性格、音乐表现、审美价值进行分析，从而了解了罗西尼喜歌剧中不同性格人物的音乐处理和演唱方式。

The thesis below aims at the character of the person musical analysis and the value of the taste in arias of the heroine "Rosina" in the opera "I1 Barbiere di Siviglia" and " Cinderella " in the opera " La Cenerentola ".

本文以他的两部喜歌剧代表作《塞维利亚的理发师》和《灰姑娘》中女主角的经典咏叹调为例，对人物性格、音乐表现、审美价值进行分析，从而了解了罗西尼喜歌剧中不同性格人物的音乐处理和演唱方式。

Although he makes his livelihood by singing opera, Alvarez is committed to the music of zarzuela, and after performances in June of Sharpless in Butterfly at the Gran Teatre de Liceu in Barcelona, he will devote himself to Luisa Fernanda (a work championed by Placido Domingo) at the Peralada Festival in the province of Girona in Catalonia.

阿尔瓦莱兹的事业是歌剧，同时，他也在为西班牙传统喜歌剧萨苏埃拉做自己的贡献。6月，在巴塞罗纳里西奥大剧院演出《蝴蝶夫人》中的夏普莱斯之后，阿尔瓦莱兹在加泰卢尼亚赫罗纳省普瑞拉达举办的"西班牙城堡国际音乐节"上献演了传统剧目《露易莎菲尔南达》，他还得到了多明戈的大力支持。

Musical is formed from the comedy and operette which derived from the classical opera, and also absorbed broadly the factors from the jazz, country music, rock roll and modern dance etc. Based on that, the musical becomes a kind of all-round stage art, and the base form in which drama is the basis, the music is the dominant, and dance is the important representation.

音乐剧渊源于从传统正歌剧中派生出的喜歌剧、轻歌剧等，并广泛吸收了爵士音乐、乡村音乐、摇滚音乐、说唱艺术、现代舞等各种表现因素，逐步发展成为一种兼容并包的综合性舞台艺术形式，形成了以戏剧为基础、音乐为主导、舞蹈为重要表现手段的基本形态。

Musical originally came from the European operettas and comic operas, but it thrived in Broadway theaters in New York, U.S.A.

虽然音乐剧从欧洲的轻歌剧和喜歌剧出发，但是与它成长之路。

In the history of vocal music, duet is the touchstone for valuing a opera buffa.

莫扎特在写作喜歌剧《费加罗的婚礼》时，把握住了重唱的戏剧力量，以重唱这种声乐形式来创造了喜歌剧风格中潜能价值的全面实现。

In Mozart's "THE MARRIAGE OF FIGARO", he grasped the dramatic power of duet and realized the latent value of the opera buffa style by the vocal musical form of duet.

莫扎特在写作喜歌剧《费加罗的婚礼》时，把握住了重唱的戏剧力量，以重唱这种声乐形式来创造了喜歌剧风格中潜能价值的全面实现。

In Mozart's "THE MARRIAGE OF FIGARO", he grasped the dramatic power of duet and realized the latent value of the opera buffa style by the vocal musical form of duet. This article tries to study the duet of Mozart's opera buffa THE MARRIAGE OF ...

本文对莫扎特的喜歌剧《费加罗的婚礼》中重唱的研究，立足于作品的本体分析，考察音乐作品的艺术风格语言、审美特征，进而论述重唱在歌剧中的戏剧功能，及如何通过重唱来塑造人物形象，力求做一种具有综合性质的音乐学分析。

与喜歌剧相关的网络解释 [注：此内容来源于网络，仅供参考]

burletta：喜歌剧

burlesque 作戏 | burletta 喜歌剧 | burliness 结实

burletta：喜歌剧,音乐闹剧

burlesquer | 滑稽戏演员, 粗俗节目表演者 | burletta | 喜歌剧,音乐闹剧 | Burley flint clay | 伯雷耐火土, 木节状耐火土

comic opera：喜歌剧

音乐剧吸收了许多来自19世纪舞台表演的形式:小歌剧(Operetta)、喜歌剧(Comic Opera)、哑剧(Pantomime)、"明斯特里秀或叫'白人扮黑人演艺表演'"(Minstrel Show)、歌舞杂耍(Vaudeville)、滑稽表演(Burlesque)等.

Wagner: Lohengrin Bridal Chorus：瓦格纳-歌剧《罗安格林>

05 巴赫-赫苏斯,人类的喜乐 Bach:Jesu,Joy Of Man's Desiring | 06 瓦格纳-歌剧>Wagner:Lohengrin-Bridal Chorus | 07 玻罗定-歌剧>Borodin:Prince Igor-Polovtsian Dances

musical comedy：喜歌剧

"音乐盒","Musical box" | "喜歌剧","Musical comedy" | "曲式学","Musical form"

operetta：歌剧

音乐剧吸收了许多来自19世纪舞台表演的形式:小歌剧(Operetta)、喜歌剧(Comic Opera)、哑剧(Pantomime)、"明斯特里秀或叫'白人扮黑人演艺表演'"(Minstrel Show)、歌舞杂耍(Vaudeville)、滑稽表演(Burlesque)等.

singspiel：(德国)歌唱剧

简介德国"歌唱剧"(singspiel). 有对白的德国民间喜歌剧,音乐带有鲜明的民族特色. 对德国歌剧的发展有重要影响. 21. 简介清唱剧(Oratorio)、受难曲(Oratorio Passion)和康塔塔(Cantata). 清唱剧:将宗教或史诗题材的歌词谱曲,

trio：三重唱

二重唱(Duet)、三重唱(trio)和多人重唱也很普遍. 每一种歌唱方式都辅有乐器伴奏,有时也会有合唱团伴唱. 在某些形式的歌剧,如歌唱剧(Singspiel)、喜歌剧(opéra comique)、轻歌剧(operetta)和半歌剧(semi-opera)中,

vaudeville：歌舞雜耍

音乐剧吸收了许多来自19世纪舞台表演的形式:小歌剧(Operetta)、喜歌剧(Comic Opera)、哑剧(Pantomime)、"明斯特里秀或叫'白人扮黑人演艺表演'"(Minstrel Show)、歌舞杂耍(Vaudeville)、滑稽表演(Burlesque)等.

Puccini：浦契尼

就靠威尔第的音乐作品,再加上稍后浦契尼(Puccini)的作品,这家出版公司发了大财. 史卡拉剧院委托他再写两部歌剧. 第一部是喜歌剧「一日之王(Un giorno di regno