- 更多网络例句与和声小调相关的网络例句 [注:此内容来源于网络,仅供参考]
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There is usually a 3rd -key added in the opening of the second theme, and sometimes a new theme is composed. Then, the subordinate key is reached before the end of exposition. 5 Silence of one whole bar is frequently utilized, which not only brings profound expressive significance, but also is important to the architectonics of these sonatas. 6 The harmonization in the variation, which is the method of applying different keys to the same melody, is handled in those Andante movements. By this way, the same melody appears in variable colors of harmony, which can not only avoid dull repetition, but also keep the lyrical nature and the completeness of melody. 7 Chromatic method is applied in the periods of development, and chromatic深层线条becomes the provident feature in some periods of development. 8 Atlas motive is put to use in c minor and A major sonatas, and a lot of "sigh" tones and c sharp minor are both preferred in those three sonatas. 9 The emotional factor of "wanderer" is the roots of thoughts for the intense conflict of music.
他通常在副部的开始加入一个三度的调性,有时再加入一个新主题,最后在呈示部结束之前到达属调; 5、较多地运用整小节的休止,使其不仅具有深刻的表情意义,而且在结构乐曲中起到了不可或缺的作用; 6、舒伯特在慢板乐章中运用同一旋律异调配置的和声变奏方式来构成音乐的段落,使同一个旋律在不同的和声色彩里闪现,既避免了单调的重复,又保持了旋律的抒情性和完整性; 7、展开的段落中习惯运用半音化的发展手法,半音阶式的深层线条成为某些展开段落的显著特点; 8、c小调和A大调奏鸣曲中都运用了"阿特拉斯"动机,三首奏鸣曲中运用了大量叹息的音调,并倾向于~#c小调的运用; 9、"流浪者"的情感因素是音乐强烈冲突的深刻思想根源。
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Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness. One of the most haunting examples is op.
正如华尔兹,玛祖卡舞曲,或者威尼斯的船歌都是除了叙事曲,谐谑曲或者波洛涅兹舞之外易于舞蹈的流派,夜曲却能够突然现露出玛祖卡舞曲的缩影——例如C小调夜曲,NO.20——这样意想不到的并置,就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击,它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。
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Just as a waltz, mazurka or barcarolle is liable to dance out of one of his Ballades, Scherzos or Polonaises, a Nocturnes can suddenly sprout a miniature mazurka ---- for example, the C sharp minor Nocturne, no 20 here---- and such unexpected juxtapositions, like the strategically placed washes of chromatic harmony or shifts between major and minor keys have much to do with the music's sense of inhabiting those fugitive realms between sleep and wakefulness.One of t he most haunting examples is op.
正如华尔兹,玛祖卡舞曲,或者威尼斯的船歌都是除了叙事曲,谐谑曲或者波洛涅兹舞之外易于舞蹈的流派,夜曲却能够突然现露出玛祖卡舞曲的缩影——例如 C 小调夜曲, NO.20——这样意想不到的并置,就像是在大调和小调之间刻意放置的对半音和声或音律变化的一种冲击,它与存在于那些半梦半醒之间稍纵即逝领域中的乐感息息相关。
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This paper argues that Bartók s use of harmony and his musical style are close to modal harmony featuring Chinese traditional music and that his music deserves serious study in an effort to promote the nationalization of Chinese music.
在和声运用方面,为了突出匈牙利民族音乐特征,巴托克力图摆脱严谨的传统和声条框的束缚,探索新的和声表现手法,他将匈牙利民族调式和大小调体系有机的结合起来,在和弦构成的三度叠置原则、和弦外音的观念、调关系的理解、转调及扩展半音的方法等方面进行了突破与创新。
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In this scale the seventh degree of the natural minor scale is raised a half step or semitone.
自然小音阶的第七级音阶升高半音。A小调和声音阶为A - B - C - D - E - F –升G - A。
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Redemption Composed by Miki Takashi This is a music composed with the harmony minor, in which the melody evolves with the stepped motivation, forms lines featured by partita, and drives forward in combination with the incomplete cadence of Rumba dance.
偿还 曲:三木尤贺志这是一首以和声小调创作的乐曲,旋律以阶梯式动机发展,以变奏曲特点形成线条,结合不完整的伦巴舞曲节奏推进而成。
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The Well-Tempered Clavier by Bach enjoys a reputation of being the Old Testament since its success lies in the fact that he achieved a unity between major and minor harmonic system in terms of vertical and horizontal aspects of polyphony.
摘 要:巴赫的《平均律钢琴曲集》被誉为钢琴音乐的旧约全书,其成功所在是他完成了在大小调和声体系下复调音乐纵与横的统一。
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Based on functional harmony of majorand minor, the work maintains the organizational role of major and minor triad;emphasize the leading position of keynote and central chord, and using a lot of coloredchromatic harmony and modern harmony with the special language of " Prokofiev"sharmony", which forms the peculiar harmony style in "song of composer"s swan".
作品以大小调功能和声为基础,保持大小三和弦的组织作用,强调主调性和中心和弦的主导地位;同时大量使用色彩性半音化和声与近现代和声手法;伴以&普氏和声&的独特语言,在作曲家的&天鹅之歌&中形成别具一格的和声风格。
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By application of the methods of musicology, sociology, history and culturology, a detailed research is made into the harmony of this piece of music in order to find out the techniques of harmony specific to Tchaikovsky, the way of the combination of the systems of the major and minor with Russian natural mode in Tchaikovsky"s pieces, and the features of the style of Tchaikovsky"s combination of the traditional techniques of harmony in the West with the national music of Russia.
窥探柴科夫斯基的和声技法,透视柴科夫斯基在这部作品中所表现出的将大小调体系与俄罗斯自然调式相结合,将西方传统和声技法与俄罗斯民族音乐相结合的创作风格特征。
- 更多网络解释与和声小调相关的网络解释 [注:此内容来源于网络,仅供参考]
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Jitterbug:吉特巴
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈"(Tango)等,
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March:进行曲
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈"(Tango)等,
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Rock:洛克
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈"(Tango)等,
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Rumba:巴
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈"(Tango)等,
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Waltz:华尔兹
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈"(Tango)等,
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March:进行曲
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈&qu
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Figured bass:数字低音
四声部的和声, 以及加上文字指示和弦的"数字低音" (figured bass) 都产生于巴洛克时代;旧有的教会调式消逝, 大小调音阶系统和沿用至今的相关调性之崛起, 是巴洛克时代大事.
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Rock:洛克
此外,也考虑到不同调性的特殊定弦与大、小调和声的配置;常用的不同伴奏节奏型,如"洛克"(Rock)、"慢洛克"(slow Rock)、"华尔兹"(Waltz)、"进行曲"(March)、"波尔卡"(Polka)、"吉特巴"(Jitterbug)、"伦巴"(Rumba)、"探戈&qu