可能主义

基本解释 (translations)

possibilism

与可能主义相关的网络例句 [注：此内容来源于网络，仅供参考]

This article proposed: First, the political philosophy and latter modernism are to the initiation inheritance profound resonsideration, but their standpoint is different; Second, the political philosophy's subject is just, but regarding anything is just, the new liberalism interior is debated, between it and the social group principle's argument is more intense; Third, the initiation

本文提出：第一，政治哲学和后现代主义是对启蒙遗产的深刻反思，但它们立场是不同的；第二，政治哲学的主题是正义，但对于什么是正义，新自由主义内部是充满争论的，它与社群主义之间的争论则更为激烈；第三，启蒙是一项未竟的事业，新自由主义和后现代主义都不可能终结启蒙。

This article proposed: First, the political philosophy and latter modernism are to the initiation inheritance profound resonsideration, but their standpoint is different; Second, the political philosophy's subject is just, but regarding anything is just, the new liberalism interior is debated, between it and the social group principle's argument is more intense; Third, the initiation is a not enterprise unexpectedly, the new liberalism and latter modernism are impossible to end the initiation.

本文提出：第一，政治哲学和后现代主义是对启蒙遗产的深刻反思，但它们立场是不同的；第二，政治哲学的主题是正义，但对于什么是正义，新自由主义内部是充满争论的，它与社群主义之间的争论则更为激烈；第三，启蒙是一项未竟的事业，新自由主义和后现代主义都不可能终结启蒙。

It also illustrates connections between the two schools, misconception of behaviorism, and the process of human learning.

第五章分别从哲学和理论角度阐述了行为主义和认知主义的相似点，从对行为主义的一些错误观点和人类学习过程的阐述和分析，旨在说明二者的结合是可能的。

Author believes that circumfuse the criticism for Fascist,"western Marxism" has three models: institution criticism, mentality criticism and social relationship criticism. Furthermore, during the procedure of criticism, they demonstrated that traditional bourgeois democracy exists defect naturally. So that, it maid develop to a completely opposite result.

笔者认为围绕对法西斯主义的批判，"西方马克思主义"有三个思路或模式，即：制度批判、心理批判和社会关系批判；并且正是在批判的过程中，他们表明了传统的资产阶级民主具有内在的缺陷从而可能走向反面。

Chang's epistemological "pluralism" and "interactionalism" most cogently, fundamentally and concretely accounted for his not being an "idealist" in the sense as understood by Chinese Marxists and their followers.

张东荪在认识论上的「多元主义」和「交互主义」是使他不可能是马、列派所指称的「唯心论者」最根本且最具体的理由。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

This article aims to set out basic outline of Schmitt's conception of constitution, and examine his critique on democracy, parliamentarism,"Rechtsstaat", liberalism and pluralism in order to figure out optional clues by reflecting the causes and possible solutions to the problems of contemporary constitutionalism.

本文的目的即在於探究史密特对於宪法概念之理解与界定，藉此审视史密特如何基於此等宪法理论而对於民主、代议体制、市民法治国思想、自由主义、多元主义等当代宪政主义思想之核心内涵进行批判，试图从中获致反思当代宪政主义所面临难题之成因与解决可能途径的另类线索。

Gender Theory of feminism provides a completely new sight of angle criticizing traditional science, gives a better elucidation of the formation of androcentric society, the oppressive origin of women in it, and the direction of solution.

女性主义的社会性别理论提供了批判主流科学的新视角，较好地解释了男性中心社会的形成原因和女性受压制的根源，并提示了解决问题的方向；女性主义从生活出发，肯定情感在科研中的独特功用，一种包含人性的科学因此似乎有了可能；女性主义指出描述实在的科学理论并非是唯一的，丰富了科学知识的方法论标准；女性主义让以往被忽视的女性科学经验昭显于世，并且推广关爱经验，为科技史、科技伦理开辟了更为广阔的理论境域；倾向于科学与人文的融合，通过多种努力改变了科学的公众形象。

Viewing from the angle of the science of law and taking "rights" as the text for analysis,this article discusses the theoretical divergence on "the rights of nature" between the anthropocentrists and non-anthropocentrism.The anthropocentrists criticize the rights of nature from four aspects,its humanity,impracticality, uncontrollability and non-equivalence of its duties.The n...

从法学视角切入，以&权利&作为分析文本，论述了人类中心主义与非人类中心主义在&自然权利&上的理论分歧，人类中心主义者从权利的属人性、权利义务的不对等性、主张自然权利的非现实性以及自然权利的不可操作性四个方面对自然的权利提出了批判，而非人类中心主义者指出权利概念的在不断地扩展，人类中心主义不可能完全解决好人与自然的关系，自然权利存在着转化为在法律上具有可操作性的可能，并且自然权利理论已在法律实践领域拓展，对自然的权利进行了辩护，由此提出了&非人类中心主义&、&自然的权利&的环境伦理定位。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

与可能主义相关的网络解释 [注：此内容来源于网络，仅供参考]

shareholder activism：股东行动主义

可能会为美国投资者和他们拥有的公司节省数亿美元. "在美国掀起新一轮"股东行动主义"(shareholder activism)浪潮之际,美国证券交易委员会的该项计划,可能会增加目前相对较少的年度董事会选举之争.

Methodological essentialism：方法论本质主义

再者,一如我们所见,法律实证主义的这项假设惟有根据那种"方法论本质主义"(methodological essentialism)在把那些独立于立法机构而存在的内部规则切割掉或者统合进立法之中的前提上方可能得到成立;哈耶克尖锐地指出,对于法律实证主义者来说,

existentialism：实存主义

此乃犯了佛教禅宗"顿悟",以及近代"实存主义"(Existentialism)类似的毛病. 但就一人灵命特殊的经历而言,乃可能在他灵性发生危机的时候,完全降服上帝,得到圣灵的充满,使他脱离犯罪意向与习惯的捆绑;并且仰赖上帝的带领,常在基督里夸胜(参林后二14).

experimentalism：实验主义

所以,杜威认为"实用主义"更好的名字应该是"实验主义"(experimentalism)或者"工具主义"(Instrumentalism). 胡适信奉杜威的"实验主义"(有译"实用主义"). 他认为"实验主义"是科学的产物,用科学的观点看,一切真理都是人定的,因而不可能有绝对真理.

feminist movement：女权主义运动

译文:程度上,由于女权主义运动(feminist movement)的缘故,史学家近年来汇聚了大量的注意力,来更为准确地确定妇女在各个历史时期的地位. 译文:因此,举例来说,对数学家而言,了解到下述情形可能会令其惊愕不已,

Irredentism：民族统一主义

其中比较具体的有从地缘政治角度(geopolitics)分析周边国家对一国内或一地区内分离主义的态度,以及可能产生的连锁反应,比如有关巴尔干化(Balkanization) 和民族统一主义(Irredentism)问题的讨论.

Judaism：犹太主义

这种犹太主义(Judaism)虽然不是无处都不欢迎,但它确是在事物之自然程序中,自身发展的一种要素,无论如何,各地的政治家,既不能置之不理,也不能加以反抗,而该撒皇则恰像他的前辈亚历山大帝一样,正确地认识这种事情,尽其可能,为之扶助.

parochialism：狭隘主义

这点可以从他批判狭隘主义(parochialism)与历 史发展目的论(teleoi Qgical change)(2)中得到证明. 如果说柯文对狭 隘主义的批判是从共时性(或空间)上否定了历史现象重复出现的可能,对 目的论的批判则从历时性(或时间)上否定了这种可能性.

reductionism：还原主义

整体主义与还原主义(reductionism)的方法截然相反,还原主义认为分析、解剖和严格的界定是理解现实的工具,而整体主义则认为任何现象都不可能在隔离中得到充分理解,还原主义只能给我们一种它所解析的事物的片面观点.

Structuralism：结构主义

中国小说批评也可能将叙述理解为某种完整、封闭和自足的存在物,由此走向对某种先验、固定的叙述模式的概括和总结. 然而,"结构主义"(Structuralism)对中国小说批评的影响相当有限,它很快就被尾随而来的"后结构主义"(Post-structuralism)所替代.