- 更多网络例句与叙事诗的相关的网络例句 [注:此内容来源于网络,仅供参考]
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It is still the beginning of the home epic.
它依然是一篇家庭叙事诗的开端。
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In short,the narrative poets in the 1940s integrate chinese and western narrative poetry resources,use for reference the narrative techniques of the western and classical narrative poesies,and then carry through valuable exploration and innovation in the artistic skills and narrative techniques.They provide a lot of valuable experiences and lessons for establishing a mature theory system of formal aesthetics about modern long narrative poems.Moreover,it will have far-reaching impact on the theory construction and inditement of contemporary narrative poems.
总之,40年代的叙事诗人整合中西叙事诗学资源,借鉴古典叙事诗和西方现代诗的叙事技巧,在叙事策略和艺术技巧上进行了可贵的探索与创新,为建立完备的现代长篇叙事诗的形式美学理论体系提供了许多宝贵的经验与教训,对当代叙事诗的理论建设与创作实践也影响深远。
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To explore the modern conveying strategy of modern Chinese ballads, the thesis points out that plot strategy is not compatible with the development of modern Chinese ballads, and further to deprive their modern features. It explicitly states that the real modem conveying strategies are the emotional strategy and the symbolist strategy.
探讨中国现代叙事诗的现代传达策略,本文在指出情节型传达策略不适合现代叙事诗的发展要求因而也就根本不具备现代色彩的同时,明确肯定情绪型传达策略和象征型传达策略才是真正的现代传达策略并进一步比较了它们各自的长处。
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Then we will discuss the origin and characteristic of ballade. The relation between ballade and the poems.
第二部分对肖邦音乐作品作简单介绍,然后就叙事曲的创作渊源,特征,以及与密茨凯维支叙事诗的关系,作简单介绍。
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In the second part, the author summarizes the development of epics in the period of "middle Tang dynasty" and discusses the deploitation of epic themes .
第二部分主要描述中唐叙事诗的发展盛况,论述其在诗体、题材等方面的开拓与发展。
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Discussing the structure of this kind of ballad poetry, Jayawickrama says: The Pabbajja Sutta is essentially a narrative ballad, which on account of the highly interesting dialogue it contains, can be called a dialogue ballad at the same time.
考虑到这类民间诗歌的结构, Jayawickrama 说:Pabbajja佛经主要是叙事诗,它包含着很有趣的对话,可以叫做同样时代的叙事诗。
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In the folk literary genealogy, myth and narrative poems can not be clearly separated or irrelevant, but mixed with many elements-religion, history, wars and life, etc.
在裕固族的民间文学谱系中,神话、叙事诗的内容和意味并非泾渭分明、各不相关,而是相互包含和掺杂着宗教、历史、战争、生活等多种元素。
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Or counselors in their prudence, or seers of all things in prophecy; Resolute princes of the folk, and governors with their staves; Authors skilled in composition, and forgers of epigrams with their spikes; Composers of melodious psalms, or discoursers on lyric themes; Stalwart men, solidly established and at peace in their own estates -- All these were glorious in their time, each illustrious in his day.
他们中,有在自己国内为王的,有因自己的能干而名闻天下的;有因自己的明智而作参议的,有因自己的先知任务而明察一切的;有因自己的决策和明智,而作当时民众领袖的;有以自己贤明的训言,教导民众的学者;有因其所长,创作乐曲的,有写作叙事诗的;有的是富而有权势的人,有的爱好美术,在自己家中,过着安静的生活。
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This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.
本文试图在对有代表性的文本进行细致研读的基础上,对40年代叙事长诗的叙事艺术与策略进行深入剖析,主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开,以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合,抒情形态表现在抒情结构与抒情语言方面;其抒情策略大体有两种方式:一是诗中人物的自我抒情,一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。
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The edistic leature of narrative pomes in Tang Dynasty is analyzed.
第二部分,分析唐代叙事诗的艺术特色。
- 更多网络解释与叙事诗的相关的网络解释 [注:此内容来源于网络,仅供参考]
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chivalrous:骑士的
自法国诗人赞颂罗兰的美德以来,四个多世纪已经过去了,在这期间,"骑士的"(chivalrous)这一术语逐渐地表达出许多概念来;不过,我们要想在巴亚尔的特质中认出--如他的传记作家和忠实的仆从所记载的那样--我们发现于早期叙事诗中的理想骑士的概念,
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epic:叙事诗
除了真正的叙事诗(epic)以外,诗是可以说是专为抒情的. "30孙俍工在一本教材中为叙事诗和抒情诗提供了常识性介绍,他把抒情诗誉为最真挚最美丽的"诗中之花",又不无遗憾地推究了叙事诗在中国诗中匮乏的原因:"固然一方面缘于诗歌只宜于抒发抽象的情感,
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epic poetry:叙事诗
satiric poetry讽刺诗 | epic poetry叙事诗 | 5. central adj.中心的,中央的,重要的,主要的,中枢的,走中间道路的
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epical:叙事诗的
epic 史诗 | epical 叙事诗的 | epically 史诗式地
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epical:叙事诗的/宏伟的/庄严的
epicadmium /超镉/ | epical /叙事诗的/宏伟的/庄严的/ | epically /叙事诗式地/
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epically:叙事诗式地
epicalgodlikemagnificmagnificalmajesticalolympianpalatial 庄严的 | epically 叙事诗式地 | epicalmajesticalpalatial 宏伟的
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epyllion:小型史诗,短叙事诗
absolute instruction 绝对指令, 完全指令 | epyllion 小型史诗,短叙事诗 | lyriform 竖琴状的
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Lay of the Gondolier:船歌小叙事诗
13.暴风雨 Storm | 14.船歌小叙事诗 Lay of the Gondolier | 15.风的精灵 Sylphs
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rhapsodist:吟诵史诗的人; 狂文作者 (名)
rhapsodical 狂想的, 狂想曲的; 吟诵诗的 (形) | rhapsodist 吟诵史诗的人; 狂文作者 (名) | rhapsody 叙事诗, 狂喜, 狂文 (名)
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epicanthic:内眦赘皮的 (形)
epic 史诗的, 叙事诗的 (形) | epicanthic 内眦赘皮的 (形) | epicanthus 内眦赘皮 (名)