- 更多网络例句与变调的相关的网络例句 [注：此内容来源于网络，仅供参考]
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In these portion,the article begins the study of tone sandhi from the point view of two-character phrases and three-character phrases,which is also the focus and difficult point as well.On the basis of substantial materials of Dingzhou dialect,the author elaborates its rules and principles of tone sandhi of the general phrases and those with light tones,and reiterative location.the author puts his views as follows: 1.The rules of tone sandhi of two- character phrase are simple and unitive. 2.The complex of the phrase with light tones lies in the combination of the first tone and light tone.In the case,there are two different pronunciations in Dingzhou dialect.The author guesses it is the coexist of ancient pronunciations and common spoken Chinese. 3.The tone sandhi of general three-character phrases on the basis of the rules of that of two- character phrases,using the grammar structure of the three-character phrases as the restricted conduction,which function jointly. 4.The rules of tone sandhi of three- character phrases with light tones are restricted only by that of the two- character phrases with light tones and thus are foreign to grammar structure. 5.The tone sandhi of the words with reiterative location has their own system.
这两章中，作者采用直接调查法，社会语言学方法分别从一般字组、含轻声字组和叠音词字组三个方面对定州方言连读变调进行详尽地描写，文章中既有对连读变调的共时性描写，也有对连读变调历时性推测，总的来讲笔者认为定州方言变调具有一定的系统性，主要表现在以下几个方面：两字组连读变调规律简单统一，含轻声字两字组内部规律较为复杂，但是具有很强的一致性；定州方言含轻声两字组变调的复杂性主要表现在阴平+轻声的组合中，在这种情况下，定州方言有两种读音方式，推测它是语音存古现象和普通话语音并存的结果；一般三字组连读变调以两字组连读变调规律为基础，以三字组的语法结构为制约条件，二者共同发生作用；轻声三字组变调规律只受轻声两字组变调规律的制约，与语法结构无关；叠音词的变调规律自成系统。
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At the same time, we detailedly analyze the tune of disyllable.
同时本文详尽分析了石城话的双音节词变调的情况。
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The tone sandhi of quartersyllabic compounding forms have something with the internal structures. The ways of the tone sandhi of the multisyllabic compounding forms work through some linguistics units that are syncopated according to the discussion stop. The result of tone sandhi is the simple linkage of those linguistic units.
四字组的连读变调与内部形式有一定的关系，多字组连读变调的依据是按语流停顿来把多字组分为若干个语言单位，变调结果是这些被切分成的语言单位变调的简单加并。
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At last writer predicts that the tone sandhi of disyllabic compounding patters will influence the development and change of the tone sandhi on other compounding patters in future.
最后预测，今后两字组连读变调的发展与变化将会影响其他字组连读变调的发展与变化。
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The changing tone of personal pronouns of Quanzhou dialect ;to analyse and expound the conditions of changing tone of pronouns of Quanzhou dialect;the selection of changing tone according to subordinative marks, the nature and functions of changing tone of subordinative pronouns.
3泉州方言人称代词的变调。分析、阐述泉州方言代词变调的条件、变调对领属标记的选择以及领属代词变调的性质和功能等问题。
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Uninflected words; a monotonic uninflected voice.
不变调的词语；单调、不变的声音。
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Finally, he gradually unravels all puzzles, bringing peace to the park.
最后他逐渐解开各个谜题，更将变调的公园回复成原有的和平。
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It is experimentally proved in Section Two that the first syllable tones of tone sandhis of Narrow Type are the tones on postlexicon stratum.
本章第二节用实验方法证明：传统方言学的两字组窄用式变调的前字变调其实就是片语层单音节声调。
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Tangxi dialect trisyllabic phonological tone change rules are: On the first syllable, IA [24], IB [11] and IIIA [52] all change to [33], IIIB [341], IIB and IVB [113] all change to [11], and IIA [535] and IVA [55] all change to [52], the same as mainstream initial syllable tone change in disyllabic sandhi.
汤溪方言三字组语音变调的规律为：第一个音节，阴平[24]、阳平[11]、阴去［52〕一律变［33，阳去［341、阳上〔113、阳入［113］一律变[11]，阴上【535、阴入【55」一律变〔52，跟两字组前字的主流变调相同；第二、三两个音节，基本上跟两字组的连调模式相同。
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The author confirms that such tone change of diminutives can be found in all parts of speech in Yifeng dialect and any other Gan d...
本文在描写宜丰话这两种变调的功能及其特点，并认定宜丰话及赣方言中的一些声调例外词与小称变调有关。
- 更多网络解释与变调的相关的网络解释 [注：此内容来源于网络，仅供参考]
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Capo：变调夹
中国人吉他谱 可用变调夹(capo)夹在第5品用C调弹 Am7 五千年的风和雨呀藏着多少梦 Dm Am7 Em7 黄色的脸黑色的脸不变是笑容 Am7 Em7 Am7 Em7 八千里山川河岳像是一首歌 Dm Am7 Dm Am7 不论你来自何方将去向何处 Am7 Em7 一样
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Flat：降调
在印度音阶中有四个音可以降调(flat)-RE(第2音)、GA(第3)、DHA(第6)、NI(第7). 有一个音可以升调 (sharp)-MA(第4). 至於PA,即第5音调,亦与SA一样是不变调的. 利用梵文咒文(mantra),或确认语句,我们不但可向位於各脉轮的神祗(或原型)的名号祈求,
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Halliday：作为社会符号的语言:从社会角度诠释语言与意义
语言学综览 Aronoff and Rees-Miller | 作为社会符号的语言:从社会角度诠释语言与意义 Halliday | 汉语方言的连读变调模式 Chen
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inflectional：屈曲的/抑扬的/屈折的
inflection /屈曲/变调/音调变化/ | inflectional /屈曲的/抑扬的/屈折的/ | inflective /屈曲的/抑扬的/屈折的/
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inflectional：弯曲的; 有屈折变化的 (形)
inflection 屈曲, 音调变化, 变调 (名) | inflectional 弯曲的; 有屈折变化的 (形) | inflexibility 不屈性; 不变性; 顽固 (名)
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Sharp：升调
有一个音可以升调 (sharp)-MA(第4). 至於PA,即第5音调,亦与SA一样是不变调的. 利用梵文咒文(mantra),或确认语句,我们不但可向位於各脉轮的神祗(或原型)的名号祈求,让该脉轮应有的本质能显现,而且可以用这些音调来带出最强的效果.
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SNR：信号噪声比
如果你采用音量调整对整个音频范围应用一个恒定的增益,声道产生的声音以及变调的声音就会越大,用户收听到的声音就会越刺耳,信号-噪声比(SNR)就会越低.
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transpose：变调
由Feedtank(给养坦克)工作室创作的"变调"(TransPose)是一件以电脑影像为基础的乐器. 在大多数电子乐演出中,表演者的肢体总是缺乏表现力,创作"变调"的动机正是填补这一空缺,并同时开创出一种用以创造声音的新型肢体语言. 依靠电脑视觉技术,
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inflected：有屈折变化的; 词尾有变化的 (形)
inflect 弯曲; 改变; 使屈曲; 发生弯曲变化 (动) | inflected 有屈折变化的; 词尾有变化的 (形) | inflection 屈曲, 音调变化, 变调 (名)
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reflexible：可反射的,反射性的
reflex 反射作用,反应能力 | reflexible 可反射的,反射性的 | inflection 弯曲;向内弯曲;[音]变音,变调