即兴的音乐

词组短语

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与即兴的音乐相关的网络例句 [注：此内容来源于网络，仅供参考]

By saying "Improvised Cooperation with Music," we mean that a somewhat set choreographic study could be danced differently according to different styles of music.

对音乐选择的即兴运用，是指相对固定的舞蹈小品在不同风格的音乐配合下进行舞动的形式。

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise ("English countenance")--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

It has been found that the degree of piano improvisatorial accompaniment can show in a certain extent the degree of musician's musicianship, quality and application ability.

实践证明：钢琴即兴伴奏的水平如何，在一定程度上说明了弹奏者的音乐素养、音乐素质与应用能力的程度。

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合，生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆，包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐，再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴，其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada，两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管，另有Valentina Dasula献上她斑斓的歌声，如许的联合终极带来Dlick最新专辑所转达的"风情"：共七小我私人的表演，不少于四种文化，没有地舆或音乐范畴界限，这是一场灵感的盛筵

Either alone on stage, mixing world beats: Balkan, Oriental, Flamenco, Klezmer, Gyspy or Indian with electronic sounds, Theremin, beat box and scratches. Or together in hellos live band with Gypsy Maestro Tziganiada from Romania, at the violin, saxophone and flute, joined by the fantastic Klezmer clarinet player Merlin Shepherd, escorted by the 2 delightful oriental, balkanic and gypsy dancers Safi and Bmal, and the enchanting voice of Valentina Dasula at the mic, a beautiful and tasted postcard for your ears and your eyes to defend the message "Flavour" out of hellos latest album. Seven artists are gathered on stage, no less than four cultures for an innovating festive party without geographellocal and music borders.

他的音乐是东欧文化和DJ文化相联合，生成的非比寻常的产品又或是他独从容戏台大将各类世界音乐混淆，包孕巴尔干音乐、东方音乐、佛朗明哥、犹太音乐、吉普赛和印度音乐，再加以电子音效、太勒明琴、Beatbox和Scratchellong他的音乐还表此刻与他的不凡乐团一路现场即兴，其中提琴、萨克斯和长笛的演奏者是来自罗马尼亚的吉普赛奇才Tziganiada，两位令人喜爱的东方巴尔干吉普赛舞者Safi和Bmal一路陪伴犹太音乐家Merlin Shepherd演奏单簧管，另有Valentina Dasula献上她斑斓的歌声，如许的联合终极带来Dlick最新专辑所转达的&风情&：共七小我私人的表演，不少于四种文化，没有地舆或音乐范畴界限，这是一场灵感的盛筵

With John Dunstable and other English composers, partly through the local technique of fabutden(an improvisatory process in which a chant melody and a written part predominantly in parallel sixths above it are ornamented by one sung in perfect fourths below the latter, and which later took hold on the continent as "fauxbordon"), the interval of the third emerges as an important musical development; because of the Contenance Angloise("English countenance"), English composers' music is often regarded as the first to sound less truly bizarre to modern, unschooled audiences.

随着John Dunstable和其他英国作曲家在一定程度上通过当地一种叫faburden的技法的运用（这是一种即兴的技法，运用于圣咏的旋律中，下方有一个主要是平行六度的部分，而它们又由一个低于下方的纯四度演唱装饰，这种后来影响了整个欧洲大陆的技法被称为fauxbordon），三度音程的出现成为一种重要的音乐发展，这是因为Contenance Angloise (&English countenance&)--这种英国作曲家的音乐常常被未经教育的听众认为是一听上去就不古怪的音乐。

Patrick\'s production has lead him to be one of the worlds leaders in this style of music with tracks on such label\'s such as COCOON and SESSIONS DELUXE, and Anthony Rother\'s DATAPUNK.

北京自由即兴音乐联盟是一个自由的音乐团体，是以自由即兴音乐为主，兼实验音乐、先锋爵士、噪音电子的音乐联盟，由跨界萨克斯手李铁桥倡导组成。

Cage also notably used aleatoric music, and "found sounds" in order to create an interesting and different type of music.

他亦引目地使用了即兴音乐与&制造的声音&，为了镕铸一种新的有趣而不同的音乐类型。

Two more Avenue Blue projects were released by Mesa/Bluemoon -- Naked City in 1996 and Nightlife in 1997 -- but after that, he put the name Avenue Blue to rest.

单飞至今，只发过十张个人专辑的他（其他則是以*enue Blue 这个团体名义发行），在这张专辑中，再次遊走在跨界和灵魂即兴爵士边缘，靠着強烈的即兴独奏，让人对他的音乐发展进程再度侧目。

Action research is adopted as the research method. Based on the difficulty faced while teaching music, this researcher feels that students in general lack the motivation to be creative. Eurhythmics, a favorite activity of students, is thus used as the main strategy to design teaching activities, with the aim to enhance the ability of improvisation. In addition, experimental teaching is adopted and the results presented by the researcher with a behavior observation record sheet and statistics, as well as audiovisual files of improvisation and musical diaries from the students. It is a combination of qualitative and quantitative research, whose results are presented as follows: 1. Designing the principle of a eurhythmics lesson: It starts from "listening" and applies elements of eurhythmics (force→space→time→relationship→locomotor →group formations) in teaching rhythm. It not only accumulates musical ability and experience, but also becomes the source of improvisation.

研究方法采行动研究法，根据研究者在教学现场所面临的困境：学生普遍缺乏创作的动机，因此，以提升即兴创作能力为目标，运用学生最喜爱的肢体律动为教学策略，设计教学活动行动方案，并且采用实验教学，以行为观察纪录表与统计、即兴创作影音档案及音乐日记作为呈现实验结果的依据，是属於质、量并陈的研究，其研究之结果分述如下：一、律动课程之设计原则：由「聆听」开始，运用律动的元素（力量→空间→时间→关系→移动→团体组成等）於节奏教学中，不但累积了音乐能力与经验，成为即兴的创作来源。

与即兴的音乐相关的网络解释 [注：此内容来源于网络，仅供参考]

hillbilly music：乡村音乐

这种音乐源自加拿大新斯科夏省的法国移民,受乡村音乐(hillbilly music),西部摇摆音乐(western swing)影响,主要采用小提琴和手风琴(an accordion),加上打击乐器,即兴、欢乐的音乐,适合跳舞.

impromptu：即兴曲

[即兴曲](Impromptu)它原是钢琴独奏曲的体裁名称,后也用于其他乐器的独奏乐曲. 它是即兴创作的器乐小品,常由激动的段落和深刻抒情的段落组成,所以大多数是复三部曲式的. [小夜曲](Serenade)原指傍晚或夜间在情人的窗下歌唱的爱音乐鉴赏论坛情歌曲体裁,

improvisation：即兴表演

在一个典型的非洲人的音乐聚会上,你会发现有时一部分人领头唱一句,另一部分人则应答--"应答轮唱"(Antiphony)出现了;或者,每个人都随意地贡献一段自己对某一旋律的理解和改造--"即兴表演"(Improvisation)出现了.

improvisation：即兴演奏

他举的异例是,即兴演奏(improvisation)与非洲的复节奏音乐(polyrhythmicmusic),聆听者必须抗拒将各部音融会的倾向,注意力必须在几个重复模式之间转换,虽然警觉于整体乐团,但互动方式比较像对话中的言说者,而不像专注于作曲者思想的交响乐团,

informatique musicale：计算机在音乐的应用

即兴演奏 improvisation | 计算机在音乐的应用 informatique musicale | 交响乐团 orchestres symphoniques

Psychedelic Rock：迷幻摇滚

半年后乐队成员开始服用LSD,其音乐风格也随之改变,最终确立了"迷幻摇滚"(Psychedelic Rock)这一新的音乐形式. 接着乐队来到LSD的大本营拉.洪达表演,"巫师"成为第一个在拉.洪达进行吸毒后即兴表演的乐队. 此时他们的第1张专辑>出版发行,

Ragtime：拉格泰姆乐

* 拉格泰姆乐(Ragtime) 爵士乐问世之前出现的一种切分音乐曲或称粗劣参差的音乐. * 节奏(Rhythm) 音乐或强或弱、或长或短的节拍的组织. 节奏是爵士乐与众不同的特色之一. * 即兴重复段(Riff) 经多次反复演* 原声爵士乐(Acoustic Jazz) 没有用电声扩音的爵士乐,不过他的音色早已稍许提高了...

vamp：即兴伴奏

常使用即兴伴奏(vamp)穿插在乐曲中. 蓝调乐曲可以是慢板、快板、快乐的或是悲伤的,可以附带歌词,或仅是器乐曲,而其和声进行可以是极为复杂或非常简单的(I-IV-I-V-I)的模式,除了以上所述的蓝调音乐各种特徵,

IMPROMPTUS IN G FLAT MAJOR：降G大调即兴曲

06 第三音乐的瞬间 MOMENT MUSICAUX NO.3 | 07 降G大调即兴曲 IMPROMPTUS IN G FLAT MAJOR | 08 鳟鱼 "DIE FORELLE"

Allegro risoluto：坚决的快板

在一个充满奇想、类似即兴的过渡引子中,贝多芬不停地否决自己,并不断地超越自己(<<第九"合唱"交响曲>>第四乐章的引子在更大的尺度和规模上重复了这里的做法),迫使音乐一步步迈向命定的必然目标--一曲以"坚决的快板"(Allegro risoluto)写就的巨型赋格.