印象主义的

基本解释 (translations)

impressionistic

与印象主义的相关的网络例句 [注：此内容来源于网络，仅供参考]

Modern woman is one of the major Impressionist subjects.

现代女性是印象主义的一大题材。

Impressionist fascination with light and movement was at the core of their art.

印象主义的艺术核心是对光与运动的狂热追求。

This is a somewhat impressionistic piece based on major 7ths and 9ths .

这是个有些印象主义的曲子，基于第七和第九大调。

Yet the ardent defenders of rigorous methodology have criticized Riesman for his relaxed, impressionistic approach to his studies.

然而，严格方法论的热情拥护者们对于Riesman不严格的印象主义的研究方法，提出了批评。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

The former refers to those echoes andsparkles in the characters\' minds which are vividly captured in arhythmic and colorful way from the real life; the latter refers to the profound spiritual reflections on the present moments. The secondchapter discusses the "tunnelling" process, the chronological distortionand prolongation of psychological time, through which moments ofrecollection as narrated time are represented.

伍尔夫的回忆瞬间是印象主义的瞬间和启示的瞬间，前者是作者在现实生活中用富有韵律的线条和色彩捕捉到的人物的心灵颤动和思想火花，后者呈现人物对当下的体验和反思，因此是一种(来源：ABC论文c3网www.abclunwen.com)极其深邃的精神回味和心灵感悟。

The essay tries to probe into internal source of the appearance and development of the movement of Impressionism by analyse the artistical features of traditional painting and analysing the artistical features of Impressionism, Neo-impressionism and Post-impressionism ,to show how the impressionism has developed step by step from the traditional descriptive art whose feature is to emphasizing the natural characteristic of art and the feeling of artist, and to realize that the stage which comes from tradition to morden in history of art never be overlooked.

本文试图通过分析传统绘画的艺术特色，探寻印象主义运动产生及其发展的内在根源；通过分析印象派、新印象派和后印象派的艺术特色来展示印象主义如何从以再现客观世界为特点的传统写实绘画逐步发展到具有现代特征的注重绘画本体特性和艺术家个体主观感受的这一转变过程，从而重新认识印象主义这样一个由传统走向现代的艺术史上不可或缺的一段历史。

It has been described as work that "relies on geometry and symmetry, fusing curvilinear shapes into pixilated, cleverly impressionistic jigsaw puzzles".

他的作品被称作「依托几何和对称，将曲线融入搞怪之中，机智运用印象主义的智力拼图」。

Then we should re-explain art.

文章把现代主义艺术的抽象化进程作为第一部分：印象主义的崛起，后印象主义，现代主义的发展，这是一个艺术逐渐抽象的过程；杜尚以后的艺术作为第二部分：杜尚与达达主义，超现实主义，装置与新达达主义，波普艺术，从极少艺术到观念艺术，新具象艺术，这是一个以具象形式对抽象主义的反拨。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

与印象主义的相关的网络解释 [注：此内容来源于网络，仅供参考]

Corinth：科林特

他和斯勒福格特(Slevogt)、科林特(Corinth)都是德国印象主义的主要代表人物,他发展了德国的印象主义. 休斯顿美术馆将首次在美国举办这三位德国印象大师全面的风景画展. 展期从2010年9月12日至12月5日.

Gustave Flaubert：古斯塔夫.福楼拜

在第一次世界大战之前,在英美作家如亨利.詹姆斯(Henry James)、约瑟夫.康拉德(Joseph Conrad)、福特.马多克斯.福特(Ford Maddox Ford)--他们都受惠于古斯塔夫.福楼拜(Gustave Flaubert)--的作品中,印象主义的(impressionistic)叙述和对视

impressionable：易感的, 易受影响的, 敏感的 (形)

impression 印象, 盖印, 意念 (名) | impressionable 易感的, 易受影响的, 敏感的 (形) | impressionism 印象主义, 印象批评, 印象派 (名)

impressionism：印象主义

[关於印象派] 印象主义(Impressionism)一词,起源於1874年,当莫内(Claude Monet,1840~1926)展出他的画作「日出」时,一个略带讽刺性的评论称其作品为印象主义.

impressionistic：印象主义的,印象主义者的

impressionist 印象主义者 | impressionistic 印象主义的,印象主义者的 | key novel 隐名小说

impressionistic：印象主义的 (形)

impressionist 印象主义者; 印象派作家 (名) | impressionistic 印象主义的 (形) | impressive 给人深刻印象的, 感人的 (形)

Louis Leroy：瓦

有位叫勒罗瓦(Louis Leroy)的作家发表了一篇小品文评论这次展览,题为"一次印象主义的展览". "印象派"由此而得名. 1876年举办第二次展览,有20位画家参加,这次展览干脆打出了"印象主义画展"的旗号,从此印象派登上了法国画坛,扩及欧洲,

Claude Monet：克劳德.莫奈

在那里,他结识了克劳德 莫奈(Claude Monet)、巴齐依 (Bazille) 和阿尔弗莱德 西斯莱(Alfred Sisley),从此走上了印象主义的道路. 艺评家约翰 豪斯总结雷诺阿在西方传统艺术中的位置时提到:"1900年后雷诺阿终于为他作为艺术家的不确定性找到了答案,

neoimpressionism：新印象主义

莫迪里阿尼的作品受新印象主义(Neoimpressionism)、立体主义(Cubism)和原始艺术的影响. 新印象主义是印象主义理论与实践的发展,他们用光学(optics)科学的试验原理来指导艺术实践,表现纯客观的对象. Cubism一词来源于cube(立方体).

Alfred Sisley：西斯莱

在那里,他结识了克劳德 莫奈(Claude Monet)、巴齐依 (Bazille) 和阿尔弗莱德 西斯莱(Alfred Sisley),从此走上了印象主义的道路. 艺评家约翰 豪斯总结雷诺阿在西方传统艺术中的位置时提到:"1900年后雷诺阿终于为他作为艺术家的不确定性找到了答案,