全音音阶

词组短语

whole tone scale

与全音音阶相关的网络例句 [注：此内容来源于网络，仅供参考]

Of or using only the eight tones of a standard major or minor scale without chromatic deviations.

基于有5个全音和2个半音组成的标准大音阶或者标准小音阶。

The key of C has no sharps or flats, but F needs one flat to ensure that a series of consecutive notes starting on F forms the necessary pattern of whole steps or whole tones and half steps or semitones, with a half step or semitone between the mediant and subdominant.

带降号的大音阶开始于F，恰好是C下的第五级。C调既无升号也无降号，但是F调却需要一个降号以确保开始于F调的一系列音形成必需的一组全音和半音，以及介于中音和下属音间的半音。F大调，带一个降号，降B大调开始于第五级，有两个降号，以此类推。

This interval, which occurs between the fourth and seventh degrees of the diatonic major scale, is also known as a tritone.

不协和音程发生在自然大音阶的四度和七度，也被称为三全音。

Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.

本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。

Music based on the standard major or minor scales consisting of 5 tones and 2 semitones without modulation by accidentals.

基于有5个全音和2个半音组成的标准大音阶或者标准小音阶。

The major scale is a diatonic scale that, in ascending order, consists of a pattern of steps and half steps, or whole tones and semitones.

大音阶是一种自然音阶，以上升顺序，包括一组全音和半音。

He next took up the genre in 1867 with The Sleeping Princess , the first of three songs – the others are The Sea Princess and The False Note – to make striking use either of 2nds as harmonic coloration or of the whole-tone scale.

其后他在1867年开始了另一组创作包括：三首中的第一首《睡美人》和《海的女儿》，《虚假的说明》，惊人的运用了或是二度和声装饰，或是全音音阶。

The relationship of adjacent notes in all the previous scales is a whole-step or half-step.As part of our vocabulary,we need a method to identify the relationship between any two notes.

从前面的音阶看，相邻音之间的关系是一个全音或者半音，而作为我们现在的词汇，我们需要找到一种方法去确认每两个音之间的关系。

与全音音阶相关的网络解释 [注：此内容来源于网络，仅供参考]

CHROMATIC：半音阶

所谓的四音音阶,也就是由两个全音与一个半音所组合,形成一个完全四度,由上而下的顺序进行,根据其音程距离上的不同,可分为三种:1.自然音阶(Diatonic)、2.半音阶(Chromatic)、3.等音音阶(Enharmonic).

diatonic scale：自然音阶;古希腊四全音音乐

自然舞蹈 NATURAL DANCE | 自然音阶;古希腊四全音音乐 DIATONIC SCALE | 自然韵律表现 NATURAL RHYTHMIC EXPRESSION

fa：第四音

因为按大调音阶规律,第三音(mi)和第四音(fa)之间应是半音,第四音(fa)与第五音(sol)之间应是全音,然而,在这里,"A-B"之间是全音;而"B-C"之间却是半音. 因此,需将"B"音降低半音变为"bB",才符合大调音阶排列规律. 即"F G A bB C D E F".

major：大调

它是欧洲 文化中的"大调"(major)音阶,是17世纪以来西方音乐的基本音阶,并最终由巴赫做了永久性的确定. 我们可以 不进行替换试验,只要按照全音、全音、半音、全音、全音、全音、半音的规律,不论从哪个音开始部可以弹奏出 这种熟悉的音阶.

equitangential curve：等切距曲线

equisignal zone | 等信号区 | equitangential curve | 等切距曲线 | equitonic scale | 全音音阶

WHOLISTIC PSYCHOTHERAPY：全面心理治疗(法)

WHOLE-TONE SCALE 全音音阶 | WHOLISTIC PSYCHOTHERAPY 全面心理治疗(法) | WIDDERSHINS 反向

Whole-tone scale：全音音阶

这二十四首前奏曲,是他的钢琴音乐的精华,就中下列数曲尤为名作:在作曲的笔法上,德彪西有一种最显著的特色,即"全音音阶"(whole tone scale)的应用. 所谓全音音阶,即在音阶中避去半音,使各音间都保住全音的间隔,其音阶即"C,D,E,升F,升G,升A,

Whole-tone scale：全音音阶. 由全音音程构成的音阶,不含调中心音

Whole tone 全音. 一个全音包含二个半音. 全音等于一个大二度. | Whole tone scale 全音音阶. 由全音音程构成的音阶,不含调中心音. | Wind instruments 管乐器.