- 更多网络例句与全音符相关的网络例句 [注：此内容来源于网络，仅供参考]
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It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.
接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。
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In Franco's system, the relationship between a breve and a semibteves was equivalent to that between a breve and a long: and , since for him modus was always perfect, the temous of beat was also inherently perfect and therefore contained three semibreves.
这种新的风格清晰地体现在科隆的佛朗哥的研究中，在弗朗哥体系中，全音符与二全音符的关系等同于二全音符与longa的关系并且总是绝对的，节拍也是固有的，因此包含了3个全音符。
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For Vitry the breve could be divided , for an entire composition, or section of one, into groups of two or three smaller semibreve this way, the tempus( the term that came to denote the division of the breve) could be either"perfect", with ternary subdivision, or "imperfect" with binary subdivision.
根据Vitry的观点，二全音符在一整首曲子或者其中的一部分中可以被分解为两个或者三个时值短些的全音符组，通过这种方式，这些节拍（这个术语来自于分解二全音符的标识）可以是绝对的三分法也可以是非绝对的二分法。
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By now, tactus was generally two semibreves per breve with three per breve used for special effects and climactic sections; this was a nearly exact reversal of the prevailing technique a century before.
直到现在，tactus技法都普遍用于每二全音符有2个全音符与每二全音符有3个全音符一起进行的为特殊效果和高潮段落的运用。
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It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.
$ J/ E l8 p# _8 }/ r《读者》杂志官方论坛，读者文章阅读交流——读者出版集团期刊论坛接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。
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Note values were generally larger than are in use today; the primary unit of beat was the semibreve, or whole note. As had been the case since the Ars Nova, there could be either two or three of these for each breve(a double-whole note), which may be looked on as equivalent to modern "measure", thought it was itself a note value and a measure is not.
音符时值通常都比当今我们使用的要大，节拍的主要单位是全音符，它从中世纪起就是节拍的主要单位，也许以现代节拍度量的标准来看，2个或者3个全音符构成一个二全音符，虽然它本身是一个音符时值和一个。
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It was in the opening decades of the next century that music felt in a tactus(think of the modern time signature) of two semibreves-to-a –breve began to be as common as that with three semibreves-to-a-breve, as had prevailed prior to that time.《读者》杂志官方论坛,读者文章阅读交流——读者出版集团期刊论坛1 f+ p;
接下来的几十年是一个开放的年代，音乐开始在全音符-二全音符的tactus（对有现今拍子记号的观念了）技法运用运用普及上加快了步伐（开始是与三个全音符-二全音符取得同样普遍的要运用），这种运用在那段时期之前就占据了优势。
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Thus the whole note or semibreve has no stem, but the relative duration of the half note or minim, half the length of the whole note is indicated by the addition of a stem.
因此全音符没有符干，二分音符的时值，用在全音符上加一条符干来表示。
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In a small fashion, the semibreve's division coule be divided into three minima(prolatio perfetus or major prolation) or two minima(prolatio imperfectus or minor prolation) and , at the higher level, the longs devision could be three or two breves(modus perfectus or perfect mode, or modus imperfectus or imperfect mode respectively).
类似的方式是全音符的分解（被称为prolation），全音符可以被分解成3个最小值（被称为prolatio perfectus 或者major prolation）或者2个最小值（被称为prolatio imperfectus or minor prolation），在一个更高的分级中，longa的分解，可以被分解成3个或者2个二全音符（被称为modus perfectus or perfect mode，或者modus imperfectus 或者imperfect mode respectively）。
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These different permutations were called "perfect/imperfect tempus" at the level of the breve-semibreve relationship,"perfect/imperfect prolation" at the level of the semibreve-minim, and existed in all possible combinations with each other.
这种时值划分被称为&perfect/imperfect tempus&相当于全音符与二全音符的关系，而&perfect/imperfect prolation&则相当于全音符和minim的关系，并且可以相互组合使用。
- 更多网络解释与全音符相关的网络解释 [注：此内容来源于网络，仅供参考]
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breve：二全音符
五线谱是当前国际上较通用的记谱法,二全音符(breve)是其中用来记录乐音及其时值长短的符号之一. 二全音符在古时西方乐谱中较为常用,现代已经比较少用.
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Semibreve：全音符
Semi- 半- | Semibreve 全音符 | Semioctave 半個八度音
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Semibreve：全音符 eWq茂名音乐网
Semi- 半- eWq茂名音乐网 | Semibreve 全音符 eWq茂名音乐网 | Semioctave 半个八度音 eWq茂名音乐网
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Dotted semibreve：附点全音符
"附点休止符","Dotted rest" | "附点全音符","Dotted semibreve" | "附点全休止符","Dotted semibreve rest"
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Double dotted semibreve：复附点全音符
"复附点休止符","Double dotted rest" | "复附点全音符","Double dotted semibreve" | "复附点全休止符","Double dotted semibreve rest"
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whole note：全音符
1.可以制作出有八个谱表 (Staffs) 的乐谱, 乐谱的长度可达32768个小节 (measures),2.可以使用的音符种类包括全音符(whole note) 至1/32音符,3.可以使用的谱号种类有高音谱号 (Treble Clefs), 下中音谱号(Tenor Clefs),
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whole note：全音符,一个全音符的时值等于二个二分音符
Whistle 哨笛. 音色似口哨声的吹奏乐器. | Whole note 全音符,一个全音符的时值等于二个二分音符. | Whole rest 全休止符.
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Double dotted whole note：复附点全音符
"复附点三十二分音符","Double dotted thirty second note" | "复附点全音符","Double dotted whole note" | "复呈示部","Double exposition"
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La Ronde：全音符
La double ronde 二全音符,大音符 | La ronde 全音符 | La blanche 二分音符
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whole rest：全休止符
Whole note 全音符,一个全音符的时值等于二个二分音符. | Whole rest 全休止符. | Whole tone 全音. 一个全音包含二个半音. 全音等于一个大二度.