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Secondly, it summarizes previous interpretations of Atwood's works and points out their deficiency, that is, most researches analyze her works from the angle of feminism or literary narrative strategy or creative technique. Though there are some comments from the ecological perspective, few researches into Oryx and Crake have been made.
其次综述阿特伍德其人其作，梳理总结前人对其及其作品进行的研究，并指出研究的不足，即大多数研究都从女性主义或文学叙事策略和创作技巧的角度来分析其作品，虽然也有从生态角度评述的，但对于本文将要研究的文本《羚羊与秧鸡》进行的研究却不多，尤其是从环境启示录角度研究的更少。
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In addition to mass communication theories, congnitive psychology and reader-response criticism also have a long interest in the study on audience and reading from quite different perspectives.
然而除了传播研究外，认知心理学以及文学批评中的读者反应论，也同样关心阅听人乃至进一步与新闻阅读有关的问题，并各自从不同的角度进行研究，提出丰富的理论论述。
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The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.
本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。
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Analytic, interpretative, or critical literary composition, usually dealing with its subject from a limited and often personal point of view. The essay has been the vehicle of literary and social criticism for some, while for others it could serve semipolitical, nationalistic, or polemical purposes and could have a detached, playful, earnest, or bitter tone.
散文 解析，说明或批评式的文学作品，通常从一个有限的和个人的角度出发对主题进行处理，对某些人来说，散文是文学和社会批评的工具，对其他人来说，散文带有部分政治的、民族主义的或是辩论的目的，语调可超然，可嬉笑，可真挚，亦可苦闷。
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Centering on human studies which relate to literature closely, this dissertation reorganizes Erich Fromm\'s ideas into a theoretical system of Hominology in comparative approach. The author systematizes Fromm\'s ideas with a logical structure of 3 levels: the lost self, the search for self, and the redemption of self.
为此，本文从文学的角度、围绕人的问题，运用比较的方法，分三个层次把弗洛姆的思想理论建构为&自我的迷失&、&自我的找寻&、&自我的拯救&这一有机整体——弗洛姆的人学思想体系。
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持这种观点的人并不是绝对排斥文学作品,而是从"学以致用"的角度出发,认为应该突出重点、保证重点、甚至主张在中学还应该多学些现代交际所必须的应用性文章,如求职信(Application letters)、电子邮件(E-mail)、广告(Advertisements)、贺卡(Card of congratulation)等等,