- 更多网络例句与人物相关的网络例句 [注：此内容来源于网络，仅供参考]
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Dennis是唐璜一类人物:You'll never get Dennis to go steady with any girl.
他太像唐璜一类的人物，不会经常只和一个女朋友约会的。
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Serious interpretation stick by historical fact, construct the scenario with inner historical contradiction, shape the event and historical character. Playful interpretation has a jocosity style and seldom stick by historical fact,(以后现代式无深度戏仿消解历史,并以此形成事件核心和模式化的人物形象;)Dissociated between these two styles is sub-serious interpretation, reconstructure history with fabled drama conflict, and shape the event and dramatized character.
历史正说剧忠于史实、风格严肃，以历史的内在矛盾性构建戏剧，并以此形成事件核心和历史化的人物形象；而历史戏说剧风格戏谑、几无史实，以后现代式无深度戏仿消解历史，并以此形成事件核心和模式化的人物形象；游离于二者之间的过渡类型即是历史亚正说剧，以虚构的戏剧冲突性重构历史，并以此形成事件核心和戏剧化的人物形象。
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The novel "Bailu Yuan" is successful in transcending the traditional syllogistic principles of narration into the aesthetic syllogism. The syllogism in image building has shaped lively figures in the development of the story, displaying their complex characters and excavating the tragic meaning of their fates. The syllogism in plot development has strengthened the readability of the novel through depicting rich and co...
白鹿原》成功地将传统故事叙事三段原理创化为审美三段论：人物塑造三段论在发展中塑造了鲜活的人物形象，展示出复杂的人物性格，挖掘出人物命运的悲剧意义；情节演进三段论通过丰富复杂的意象情节变化强化了作品的可读性，探寻到人物的心路走向，展示出广阔的社会生活和历史真实；主题意蕴三段论在社会事物的互动发展中揭示了民族文化心理的演变轨迹，反思和建构了民族文化。
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In such a way a series of vivid characters were produced during this period of timeIn the later half of 1940,movie literature scripts complied with the historical process of the Chinese modem literature,and echoed the turbulent tide of the times.Either emphasized on the consciousness of social criticism,or inclined to the consciousness of humanism,its ideological nature and the direction for creation was very explicit.But this "directional" expression and the demand were not conceptual,or stiffly inbreathed. It is the "concrete image",the "metaphor" of the text,revealed naturally in accordance with the development of the plot and the molding of characters.It can be said as "the wind rippled the surface of the water naturally" and presented excellent artistic technique and high standard.The film scripts writers of the society group undertook the Chinese movie tradition of moving with the history,on an unusual level achieved a new altitude of ideology,and obtained a new artistic achievements.
由于电影文学剧本独特的语言表达方式，其在人物塑造上具有不同于小说、戏剧的特点。1940年代后半期电影剧作者高度重视电影文学剧本中人物形象的塑造，运用电影化的思维方式来刻画人物，依托人物性格的发展来展开故事，使得这时期电影文学剧本在引人入胜的故事书写中，绘就出了一长串内涵丰富、形象生动、有血有肉的人物群。1940年代后半期电影文学剧本既顺应着中国现代文学的历史进程，又呼应着动荡巨变的时代大潮，无论是侧重社会批判意识的，还是倾向人文关怀意识的，其思想性或方向性是非常明确的，但这种&方向性&的表达和诉求既不是概念性的，也不是生硬的灌输，而是&具体形象&的，是&隐寓&文本之中，在故事情节发展和人物性格塑造之中自然而然地流露出来的，可以说是&风行水上，自然成纹&，呈现出高超的艺术技艺和水准。
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Forst divides characters into two types: flat character, which is presented without much individualizing detail; and round character, which is complex in temperament and motivation and is represented with subtle particularity.
福斯特把人物划分为两类，扁平型人物和圆型人物。扁平型人物往往缺乏个人化的细节描写而圆型人物则在性格和行为动机上较为复杂。
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Go up from the character " dazzle dance " the person that had a kind of king is temperamental, the character of real department lets a player more era is entered feeling, cooperate diversiform fashionable clothing again, the player is completely OK the character with a medium game regards him as, those who accomplish actual figure and empty personification thing close and be one.
从人物上《炫舞吧》就具备了一种王者气质，真实系的人物让玩家更有代入感，再配合多样的时尚服装，玩家完全可以把游戏中的人物看成是自己，做到真实人物与虚拟人物的合而为一。
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The author depainted some lifelike character, because he was familiar with these character\'s prototype.
红楼梦》是以作者真实生活为原型的自叙性小说，作者之所以描写出不少个性鲜明的典型人物，是因为他对人物原型的熟悉与理解，能够同情人物的处境，理解人物的情感，客观上摆脱了当时社会道德对个体的要求，真实展现了人物丰富复杂的内心情感世界，从而在这些个性鲜明的人物身上体现出真实的人性，达到了写实主义要求的典型人物。
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This article will be divided into three parts:The reality of all types of people survive the situation wiil be divied into characters in village , between urban and rural areas and city that including farmers, workers, intellectuals, cadres, as well as cities and towns city five types of people will be analysed in the first part. We will find the main features of all types of personalities living conditions and explore the reasons for the forma...
本文拟以分为三个部分：第一部分将分析各类人物的现实生存处境，按照不同人物的不同地域范围分为三大类型：乡村人物、城乡之间的人物和城市中的人物，共包括农民、打工者、知识分子、城镇干部以及城市人五个群体，从各类人物生存状况的主要的特点进行分析，并附带探讨人物的生存处境的形成的原因。
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Except the foreword, this paper is divided into four chpaters:Chapter One: the common vivid featrues of dramatic personae in the phyletic biography of people in Shiji. The charater accords with the described methods, it has the obvious feature of kindred, It leans to the type of the figural creation in our country's later gerneration novels.Chapter Tw phyletic biography of people not extrudes the common featrue of drmatic personae but also emphersizes the personality description. The figural creation turns personal description from typical description gradually in the later generation novels, although the same typical charaters have the differnt lookings.Chapter Three: phyletic biography of people stands out the charaters with the typical events, the same charater can appears the differnt phyletic biography of people, it shows the differnt features (This is the commuteritive incarnate in Shiji). The later generation novels figure the charaters with their action, the same character lean to the differnt points, they show their differnt characteristics.Chapter Four: phyletic biography of people has the multiform modality, it includes paratactic description, coherend interclude, cascade rising and so on. The later generation novels use for reference the paratactic in the arrange of polt structure.
除引言外，全文分为四部分：第一章：《史记》各&类传&中&传主&的共同特征鲜明，人物选择符合以类相从、连类相及的方法，&类&的特色极为明显；我国后世小说中人物形象塑造呈现出类型化的倾向；第二章：&类传&在突出传主共同特征的基础上也注重人物的个性描写，传中人物在符合&类属&的前提下自身的特色同时显现出来：后世小说中人物形象塑造逐步由类型化向个性化发展，即便是同一群体的人物也具有各自不同的面目；第三章：&类传&选取传中人物的典型事件来突出人物形象；同一人物可以进入不同的类传中，表现出不同的特性(这是《史记》全书人物塑造上的&互现法&的典型体现)；后世小说中注重选择具有行动性特征的细节来塑造人物形象；同一人物在不同作品中有不同的侧重，呈现出不同的面目；第四章：&类传&结构安排的多样形式，主要有并列分叙、联贯穿插、层叠上升等几种形式；后世小说在情节结构安排上对&类传&的借鉴。
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The existential characteristics of characters self-created or other-created could be found in the epistolary novel s with the study of the narrative type concerning the existential pattern of characters and their relationship.
从人物的存在方式及人物关系等角度研究书信体小说人物的叙事类型，可以发现书信体小说人物具有自造性和他造性的存在特征，由此形成自造性人物和他造性人物。
- 更多网络解释与人物相关的网络解释 [注：此内容来源于网络，仅供参考]
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character sketch：对某人或某一型人物特性之简短文学特写,人物速写
character size | 字符尺度 | character sketch | 对某人或某一型人物特性之简短文学特写,人物速写 | character skew | 字符歪斜
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On Round and Flat Character: a Case Study of：浅议扁平人物及圆形人物:以《爱丽丝漫游仙境》为例
Genre Analysis of Fairy Tales: Norms and Varia... | On Round and Flat Character: a Case Study of 浅议扁平人物及圆形人物:以>为例 | Genre Analysis of Epistolary Novels: a Case Study of 关...
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dramatis personae：剧中人物,登场人物,演员表,剧中人物表
dramatic unities (欧戏剧洲古典主义戏剧的)三一律 | dramatis personae 剧中人物,登场人物,演员表,剧中人物表 | dramatist 剧作家,编剧,剧本作者
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front man：挂名人物, 出面人物(常指非法活动); 叫喊招揽观众的人
Every man to his taste. [谚]百人吃百味; 人各有所好. | front man 挂名人物, 出面人物(常指非法活动); 叫喊招揽观众的人 | Give every man the ear, but few the voice. [谚]多听少说.
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UP FY：人物反应上限(转值后会上升,最高到
00 00 UP LL 人物力量上限(转值后会上升,最高到9999999) | 00 00 UP FY 人物反应上限(转值后会上升,最高到9999999) | 00 00 UP JS 人物精神上限(转值后会上升,最高到9999999)
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lambert:half：半人物发光
lambert:full 完整人物发光 | lambert:half 半人物发光 | lambert:yellow 人物发黄光
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a man of straw：稻草人;(在非法交易或诉讼中代人出面)挂名人物, 傀儡人物(一般为
a man of sense 通情达理的人 | a man of straw 稻草人;(在非法交易或诉讼中代人出面)挂名人物, 傀儡人物(一般为 | a man of talent 有才能 的人
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Nara Shikamaru：最悲觀的人物:奈良鹿丸
最偉大的人物:李洛克 Rock Lee | 最悲觀的人物:奈良鹿丸 Nara Shikamaru | 最聰明的人物:奈良鹿丸 Nara Shikamaru
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Nara Shikamaru：最聰明的人物:奈良鹿丸
最悲觀的人物:奈良鹿丸 Nara Shikamaru | 最聰明的人物:奈良鹿丸 Nara Shikamaru | 最高貴的人物:宇智波鼬 Uchiha Itachi
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Realive：将死亡的人物复活
@Kill? 将指定的人物杀死 | @Realive 将死亡的人物复活 | @Setpermission 设置人物的游戏权限,可将普通人物提升为GM