- 更多网络例句与五度音相关的网络例句 [注：此内容来源于网络，仅供参考]
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The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality.
与在传统和声中次要位置相比，近现代音乐中的半音中音关系和弦连接的应用更为主动，也包含了更多的半音调性的因素，并且有了自己的概念与名称，不再是根音四、五度和声序进的附属，真正成为了一种独立的和声序进。
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The quality of note relation in semitone and chords sequence has been changed during the course of harmony chromaticism, and compared with the subordination status in classical harmony, they used more initiative in the modern music and contained more elements of chromatic tonality. With its own conception and titles, not the pertain to the roots fourth or fifth chords sequence, the chromatic turned into a individual harmonic sequence itself.
与在传统和声中次要位置相比，近现代音乐中的半音中音关系和弦连接的应用更为主动，也包含了更多的半音调性的因素，并且有了自己的概念与名称，不再是根音四、五度和声序进的附属，真正成为了一种独立的和声序进。
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With a major tonic triad the first choice of a note to double would be the root, the second choice the fifth.
主音大三和弦重奏的第一选择是根音，第二选择是五度音。
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In "florid organum" the original tune would be sung in long notes while an accompangying voice would sing many notes to each one of the original, often in a highly elaborate fashion, all the while emphasizing the perfect consonaces as in the earlier organa.
华丽奥尔加农的原始声部演唱一个长音，与此同时有一个由许多音组成的音组作为附随与每一个原始的长音对应，通常都非常的华丽，在早期的华丽奥尔加农中一直强调完全和谐音程（纯四度，纯五度和纯八度）。
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The vigor of the music notwithstanding, a revolt against the confining nature of the harmony, melody, and rhythm of swing arose in Kansas City and Harlem in the 1930s and reached fruition in the mid-40s. The new music, called "bebop" or "rebop"(later shortened to "bop"), was rejected at first by many critics.
尽管摇摆爵士乐也具活力，但20世纪30年代在堪萨斯发起的反对约束和谐、悦耳、韵律的风潮渐渐盛行。40年代中期，一个新的音乐形态产生了，那就是bebop或rebop，最初受到众多评论家的嫌弃。bop的特点是降五度音，一种更为精致的节奏构建，它比唯旋律中心更为和谐。
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Actuality are not. The discrepancy, which is about a quarter of a semitone and is known as the Pythagorean
在具体运用五度音程的循环时，12个五度音程从理论上讲应等于7个八度，但实际上不等于这个音差为半音的1／4，称为毕达哥拉斯音差。
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" In the application of the cycle of fifths, 12 fifths are equal to 7 octave s in theory, but in actuality are not. The discrepancy, which is about a quarter of a semitone and is known as the Pythagorean comma,"
在具体运用五度音程的循环时，12个五度音程从理论上讲应等于7个八度，但实际上不等于这个音差为半音的1；4，称为毕达哥拉斯音差。
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Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.
本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。
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Methods: Five PD patients with bilateral STN-DBS, aged from 43 to 75 were included as subjects. Speech measures included diadochokinetic syllable rate test, articulation-acoustic analysis, verbal fluency rate, and voice evaluation and acoustic analysis.
受试者为五名44至75岁巴金森氏症患者，接受双侧视丘下核深部脑刺激手术治疗，言语机转测量包括「口功能检测」、「母音构音声学评估」、「口语流畅度」、「嗓音声学分析评估」。
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Preliminary data on speech effect of STN-DBS on five Chinese Parkinsonia patients were demonstrated. Inconsistent outcome of the performance suggests that future study should include subject selection criteria such as with/ without medication, longterm effects, as well as larger sample size.
本研究提供国内视丘下核深部脑刺激手术对巴金森氏症患者言语成效初步数据，虽然五名患者在言语运动轮替、构音位置与强度、口语流畅度、嗓音功能呈现不同程度改善状态，但是患者间表现差异大，未来研究需考量病患条件与分类，术后时间一致性、药物使用、大样本等因素。
- 更多网络解释与五度音相关的网络解释 [注：此内容来源于网络，仅供参考]
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seventh chord：七和弦,包括有根音,三度,五度和七度音
Seventh 第七,七度 | Seventh chord 七和弦,包括有根音,三度,五度和七度音 | Sextei 六部,六重奏(唱)
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dimerization：二聚作用
二聚性 dimerism | 二聚[作用] dimerization | 减五[音]度 diminished fifth
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quinsy：扁桃腺炎
quins 五胞胎 | quinsy 扁桃腺炎 | quint 五度音
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Quint：五度,次三倍音
Quench 断开,抑制 | Quint 五度,次三倍音 | Quiver 颤动声
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quintain：枪靶
quint 五度音 | quintain 枪靶 | quintal 公担
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quintain：枪靶/刺枪靶
quint /五度音/五胞胎/男子篮球队/ | quintain /枪靶/刺枪靶/ | quintal /重量单位/
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semiquaver：十六分符
Semi-perfect cadence 半完全终止,完全终止,完全终止但根音的三度音或五度音在高音部 | Semiquaver 十六分符 | Semitone 半音
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TR：颤音
(1)颤音(tr). 是指基本音与上方二度音的快速交替. 颤音与震音(Tremolo)不同. 震音是至少三度(通常以八、五度为多)以上的两个音的快速交替. 有的书籍将二者相混,读者须注意分辨.
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Intercepted fifth：遮断五度
"音之强度","Intensity of sound" | "遮断五度","Intercepted fifth" | "遮断八度","Intercepted octave"
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C major：大调
且让我们先看以下表格:调性(Key) 自然音阶(Diatonic) 降记号(Sharps前面我们所讨论五度圈的相关乐理都是以大调(Major)为主,那么小调(Minor)以调式音阶(Mode)的角度而言,大调(Major)是属于Ionian,组成音公式:C大调(C Major)的组成音就是C、D、E、F、G、A、B;