- 更多网络例句与书法的相关的网络例句 [注：此内容来源于网络，仅供参考]
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This paper mainly studies on people Jui-Tu neglected to look further into these questions.:one, through the works of Zhang Rui Figure comprehensive carding, so can their have a comprehensive understanding; 2, the morphological changes from the works start, to explore its origins calligraphy; 3, through their works shall know Handscroll analysis to help determine without the banners section in the approximate age of the work; 4 of their book to learn the concept of analysis, in order to more clearly understand the formation process of calligraphy styles. 5. Allograph home and at the same time learn the concept of the book, we can know that the formation of personality style and its concept of an independent study of the book is closely related to, but also deepen their understanding of the law of Zhang Rui.'s calligraphy.
本文主要就人们研究张瑞图时所忽略的一些问题做进一步的探讨：1、通过对张瑞图作品的全面梳理，以求能对其有一个全面的认识；2、从其作品的形态变化入手，探寻其书法的渊源，并尝试对其书法上一个很长的空白期进行探索；3、通过对其手卷作品进行款识分析，以帮助对无年款的条幅作品进行断代；4、对其书法观念进行论述，以求更清晰地理解其书法风格的形成；5、与同时代书家书法观念的比较，可以知道个性风格的形成与其独立的书学观念密切相关，更能加深对张瑞图书法的理解。
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a variety of calligraphy works by a combination of body calligraphy title plaque is different from the broken body of Chinese Calligraphy in general, should it be more stringent; broken calligraphy inion issues to consider are the following points 1, to consider the overall - can not all be broken, because the plaque to be solemn, serious, Taiga, etc.; put it plainly, the book does not jump between the body is too large, but if the broken body 2, to consider the nature of classical Chinese - Chinese medicine, and culture Ko Ko sex is well known, therefore, choose material, pen and Italy also need to Ko Ko.
破体书法的题匾不同于一般的破体书法创作，应该来说要更加严格一些；破体书法题字要考虑的问题有以下几点：1、要考虑整体性——不能全破，因为牌匾要庄重、严肃、大雅等；说白了，书体之间不能跳跃过大，但又要是"破体"2、要考虑中国古典性——中国中医学、文化的"高古"性是人所共知的因此，选"材"、笔意等也需要"高古"。3、基于以上的要求，我的用字、笔意的出处：甲骨文三期、大盂鼎、散盘、毛公鼎、石鼓文、古隶等
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A book containing models of good penmanship; used in teaching penmanship .
有书法样例的书；在教书法的过程中使用。
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The mainly characteristic of this period is that culture slowly became syncretism, widespread and standard.
第二部分是隋代书法的本体研究，包括书法鉴赏与书法教育、书家和书迹三个方面。
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I am devoted habitué of every show in New York of Chinese calligraphy and poetry/painting and have been affected by every aspect of the work, from the performative aspect of the making of the calligraphy, to the exhilarating visuality of the approach to writing, to the interaction of word and image, to the mind-expanding horizontally (especially but also, of course, verticality) of the writing space of the scrolls.
在纽约，我是对中国书法、诗歌、绘画展览非常痴迷的人，而且在多方面受到这些展览的影响，从书法的书写方面，从写作使人视觉愉悦的方法上，在字与画的相互作用方面，在字、画卷轴书写空间思维的横向拓展上等方面。
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Finally stressed, because the Buddhist ceremony participation caused the calligraphy world to increase together the beautiful corona, because the Buddhist ceremony recording enabled Chinese the writing" the historical novel" to have a better testimony, because the calligraphy function caused the Buddhist literature to be able to disseminate, can carry forward, can to spread to the world, the calligraphy for Buddhism, the Buddhist studies has made the in delible contribution is obvious.
最后强调，因为佛事的参与使得书法世界增添了一道美丽的光环，因为佛事的记录使得中国的文字&演义&有了更好的见证，因为书法的作用使得佛经得以传播、得以发扬光大、得以流传于世，书法为佛教、佛学做了不可磨灭的贡献是显而易见的。
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Based on his profound mastery of traditional culture and unique insight, and inspired by the structure of points and strokes in both calligraphy and painting, Huang defines the breaking point of \'drawing calligraphy into painting\', and lays the epigraphical foundation of painting and calligraphy.
黄宾虹以深厚的国学底蕴和对书法的独到洞见，从书法与绘画的点画结构中寻找到了&引书入画&的切入点，并从金石学中洗发出篆籒笔法来作为书法、绘画的笔法基础，以笔法正轨校正了以往绘画应用上的用笔舛误。
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Therefore, the Sonification of Chinese Classical Poetry and Chinese Calligraphy Painting not only provide a free access for the visually impaired and people who are unfamiliar with Chinese to appreciation but also enrich the state of mind and imagery in the delivery process. Thus, an immersive learning environment of Chinese Classical Poetry and Calligraphy Painting can be further developed.
透过诗词与书法的可听化研究，除了提供视觉障碍或不熟悉华文的人们另一种途径来欣赏中华文字的艺术表现之外，也使得诗词与书法在文字与图像上可以透过声音的辅助让鉴赏者能更即时地感知其中的意境，甚至建立出一套沉浸式华文诗词与书法学习环境。
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The using of font is represented by calligraphic art in the graphic design,so it amalgamates the calligraphic art and the representing style of modern times design,it inherits the calligraphic culture and develops modern times design of China.
在平面设计中，字体的运用以书法的形式得以表现，使传统的书法艺术和现代设计表现风格进行融合，不仅继承了书法文化，同时又突出了中国现代的风格。
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And is evolved in turn. In broad period the calligraphy art enter new field, and change from seal character to simple cursive hand.
在书法的明朗时期，书法艺术进入了新的境界。
- 更多网络解释与书法的相关的网络解释 [注：此内容来源于网络，仅供参考]
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boustrophedon：耕牛书法
boustrophedon 右行左行交互书写的 | boustrophedon 耕牛书法 | boustrophedon 耕牛书法
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calligraphic：书法的
calligrapher 书法家 | calligraphic 书法的 | calligraphist 书法家
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calligraphic：书法的,笔迹的
calligraphic 书法的,笔迹的 | carbohydrate 碳水化合物;[pl.]淀粉质食物 | cartographer 绘制地图者
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calligraphic：书法的/善写的
calligrapher /书法家/ | calligraphic /书法的/善写的/ | calligraphist /书法家/
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Calligraphy：书法
西方所谓的"书法"(calligraphy)也不能和中国书法相提并论,所以,西方人要理解中国书法并不容易. 中国书法要为世界所了解,还和国运与国力有关. 近年来,中国的国际地位有很大的提升,在西方学中文的人增加了很多,美国人在学中文的时候自然要接触汉字,
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Chinese calligraphy：中国书法
中国书法(Chinese calligraphy)有几种主要风格(styles),这些书体与汉字(Chinese script)的发展历史有关. 甲骨文(oracle bone script)是最古老的书体,但不常见. 注意,由于日本、南北朝鲜及越南都有汉字书法,所以英文中有时候用东亚书法(East Asia calligraphy)来指中国书法.
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Chinese calligraphy：书法
"新英文书法"本质上是针对英语世界的一次艺术创作,与我们中文语意中的书法(Chinese Calligraphy)没有必然的联系,不可能是中西的混血,也不是中国书法的新生儿.
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Handwriting：书法
她不仅英讲得好,而且英文书法(handwriting)也十分漂亮. (用倒装句)Unit 14. 当在厨房做饭的时候,他打碎了一叠(a pile of)盘子. (while doing)Unit 22. 她不仅英讲得好,而且英文书法(handwriting)也十分漂亮. (用倒装句)Unit 14.
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cacographer：拼写错误的人/书法不佳的人
cacogeusia /劣味/恶味/ | cacographer /拼写错误的人/书法不佳的人/ | cacography /拼写错误/书法不佳/
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cacography：拼写错误/书法不佳
cacographer /拼写错误的人/书法不佳的人/ | cacography /拼写错误/书法不佳/ | cacology /措辞不当/发音不正/