主题小说

词组短语

thesis novel

与主题小说相关的网络例句 [注：此内容来源于网络，仅供参考]

The main body revolves around the fictionalization of the text, humanization and liveliness in portraying characters, the formless narrative, the formal of spiritual subject and the meaning of Dong Xi"s works to the contemporary fiction creating, exploring the characteristic of complete fiction in the artistic ontology, concentrating his attention on life content in portraying characters, the narrative pattern of the formless, the formal pursuit in spiritual subject, and its distinctiveness comparing to other "Late Generation""s works, what artistic elements he uses and how his texts that the whole human share are organized by using these artistic elements.

正文主要围绕小说文本的虚构化，人物塑造的人本化、生命化，形而下的叙事，形而上的精神主题和东西的小说艺术对当代小说创作的意义五个问题，探讨了东西小说在小说艺术本体论上的全虚构特性；在人物形象塑造上的生命含量的倾注；在叙事层面上的形而下形态；在作品精神主题上的形而上诉求以及东西的小说文本在晚生代作家中的独特性、它采用了哪些艺术元素以及如何把这些艺术元素组织成一种全人类所"共享"的文本等问题。

This thesis aims at the theme of Yu Hua's novels via three sections: the first section analyses the cause of Yu Hua's novels' theme: tribulation from western culture, his hometown specialty, his childhood, and the totential memory of Institutional Revolution; the second section focuses on his enquiry of life and survival through violence and death,warmth and sorrow,which shows his theme of tribulation and its significance;the third section discoers the deep implication of Yuhua's novels theme from setting up the real mentality,suppassing the prior writings and exploring the meaning of life.

本文对余华小说创作主题的考察分三部分进行：第一部分分析余华小说苦难主题形成的原因：西方文化的滋润、童年生活的经验及早年工作的经历、文革的潜在记忆；第二部分通过文本解读，剖析作家在先锋立场下对人生与生存问题的拷问，分别从暴力与死亡、温情与悲悯两个方面，揭示余华小说的苦难主题及其意义；第三部分从构建精神的真实、超越先锋的写作以及生存意义的探寻等方面考察余华小说苦难主题的深层意蕴。

The present essay gives an analysis of the effect of its textual discontinuity and its thematic unity achieved by leitmotiv. The purpose is to interprete the thematic meaning of the novel and to show the innovative value of -its modes for Joyce's later writings.

本文对小说文本的"不连贯"和它通过主题意象取得主题的"连贯"的手法进行了分析讨论，目的是揭示小说的主题意义并说明《肖像》表现手法对乔伊斯后期作品的开拓性价值。

Part I :the definition of officialdom novels ,the insightful discussion of the development of them ,and the primary analysis of the reasons of their flourishing ;Part II :the construction of subject matters of officialdom novels by probing analysis into official corruption ,official and social psychologies ;Part III: the of artistic features of characters and narrative (i.e. narrative perspective constructions ,discourse and ironical narration ),which are illustrated by the positive characters with personalities ,negative ones with complex characteristics ,more importantly ,the vulgar existence ofgray characters ,the discovery of features of narrative methods with the contract of two types of novels ; Part IV: the positive comment on the realistic rules of officialdom novels and the surpassing of the previous ones ,the shortcomings from the artistic perspective : the adoption to the reality seriously fetters artistic imagination of literature works ,it also reads to the lacking of insightful thinking ,the simple characters fail to reveal artistic glamour ,the routinized narrative methods also degrades the artistic savor of works .

第一部分，界定官场小说的内涵，并对它的历史发展，对其在当下繁荣的原因做初步的探析；第二部分，从官场小说对官场腐败、官员内心世界和社会文化心理等方面的揭示考察其主题构成；第三部分，从人物形象、叙事方式(叙事视角、叙事结构、反讽叙事、叙事话语)等分析官场小说的艺术表现特征，指出官场小说不仅塑造了性格鲜明的正面人物，也真实刻画了具有复杂人性的反面角色，更重要的是展现了官场灰色人物的庸俗生存，并通过两类不同类型小说的对比，揭示其各自不同的叙事特征；第四部分，充分肯定官场小说的现实主义价值，及其对前期官场小说的超越，并从小说艺术角度指出其存在的严重不足：小说对现实的屈从束缚了作品的艺术想象力，使小说缺乏深厚的思想内蕴；人物形象也显得单薄，无法产生感人的艺术魅力；叙事的模式化也大大降低了作品的艺术品位。

Addressing this issue, analysing Horace Walpole's The Castle of Otranto (1764) as an example of this early novel would seem obvious, given its generally acclaimed position as the first manifestation, and precursor, of the Gothic genre.

解决这一问题，可以以分析英国小说家华尔渥帕尔的小说《奥特朗托城堡》(1764)作为以哥特式建筑为主题的早期小说为例入手。这似乎很明显，人们对于这部小说的喜爱以及它在以哥特式建筑为主题的小说上的地位确立了其先驱地位。

According to the revealment of Luxun s duplex roles in "The story of new version"-poet and warrior,this paper classifies the themes of eight stories in the album into sentiment and utilitarian and then observes their development trend of creation diachronically.

论文依据鲁迅"诗人"与"战士"的双重角色在《故事新编》小说文本中的不同显现，将集子里八篇小说的主题区分为"意"的表达主题和"功"的需求主题，并进一步考察它们在创作时间纬度上的发展流变。

In order to better express the theme of "rootlessness", Bellow selected and arranged the narrative materials brilliantly throughout this entire novel.

为了更好的表现"无根"的主题，贝娄在叙事上做了精妙的选取和安排，本文就试图从叙事方面来剖析这部小说，全文共分为五个部分：第一部分简要介绍索尔·贝娄及《只争朝夕》，由作家文化身份及小说内容角度揭示小说"无根基"的主题。

Novel-based Novel-based games are those that are thematically linked with a popular novel or novel series.

小说主题小说主题类游戏是指以小说的题材为主题、故事线或印象的游戏。

This paper generalizes the subject pattern of the New Sense Novels as anxiousness whoopla sentiment through inspecting the background , analyzing the author s Psy chology and interpreting the text from a new angle and thinks that this pattern has made New Sense Novels more accurate in finding the modem sense of novel than other literature schools .

新感觉派小说的主题模式为"焦虑-狂欢-感伤"，这一主题模式的凸现，使新感觉派小说较之同时代的文学流派，更准确地找到了小说在现代意义上的新感觉。

Ivan Bunin s love stories have very important position in his whole creations,A lso, they are the biggest achievements in his writtings, So, to analyse and do some researches on this series of novels are the main mission in this thesis.

布宁爱情主题小说在他整个创作历程中占据重要的位置，也是他成就最高的部分，对此一系列小说的解读与探讨是本论文的主要任务。

与主题小说相关的网络解释 [注：此内容来源于网络，仅供参考]

On the Black Humor in Mark Twain Novels：论马克 吐温小说的黑色幽默

欧内斯特 海明威战争小说中的人道主义分析On the Humanism in Ernest Hemingwa... | 论马克 吐温小说的黑色幽默On the Black Humor in Mark Twain Novels | 艾米丽 迪金森诗歌主题分析On the Themes of Emily Dickins...

bunk beds：双层床

200张黄蓝相间的双层床(bunk beds)布满展厅,每张床上都放了1、2本跟展览主题相关的书,参观者还受到鼓励,可以随意在床上小憩,读一读放在床上的跟灾难和袭击有关的小说.

cane：甘蔗

此外,某些黑人小说的风格,如詹图默(Jean Toomer)的> (Cane),濒临表现主义和超现实主义的手法;这种技巧是否针对某个普遍盛行的主题提供了一种对比?

disgrace：耻

事实上,>是一部"主题先行"的小说:如标题所示,这是一部关于"耻"(disgrace)的小说;作者要关注的是人们面对耻辱的态度. 而这正是"后种族隔离时代"的南非、也是当今世界所面临的一个重要问题. 无条件的大赦同样不可取,

dune：砂丘

虽然一般不被视为超人小说,但赫伯特的历史科幻巨着>(Dune)及其多本续集,实贯串着一个寻找超人境界的主题. 故事中的超人,是边.积利利(Bene Gesserit)女巫花了九十代的时间致力培育的产品,名字叫基维沙哈特纳(KwisatzHaderach),

genre：门类

小说类还可进一步分为很多门类(genre). 小说(novel)是小说类书籍里最常见的形式,通常包括情节(plot)、背景(setting)、主题(theme)与人物(characters). 在非小说类中,提供各种信息(information)的类别叫参考书(reference book).

The Improvisatore：即兴诗人

1835年,安徒生完成了以意大利为背景的>(The Improvisatore),这是他在小说创作中取得的重大突破. 这个自传体式的故事,描述了一个贫苦的男孩怎么融入社会. 这是个丑小鸭式的主题,表达了作者对自我发现的探索,在安徒生的好几部作品中都有所展示.

Investing：投资

第一部分形成了一个完整的知识体系,是必修部分;第二部分的"投资"(Investing)是第一部分最后一个问题的深入和拓展,只要求学有余力、程度好的学生掌握. 我们不但介绍了小说的四大要素:人物(character)、情节(plot)、环境(setting)和主题(theme),

suffering：痛

颤栗(freezing)、梦想(dreaming)、承受苦痛(suffering)是他们所能做的一切. 小说>是以作者1944年到1945年间的亲身经历为基础写成的. 那时,巴金住在尚未被日军占领的陪都重庆. 这部小说的主题不是抗日战争,而是一出婚姻剧,

Gothic novel：哥特小说

哥特小说(Gothic Novel)自18世纪中叶在英国诞生以来,就以其独特的魅力一直拥有广泛的读者,而它那特有的震撼力也吸引了各时期、各流派的作家. 他们将哥特小说的手法大量运用于创作以安排情节,深化主题,增强作品的效果,取得了很高的艺术成就.