业余性

基本解释 (translations)

amateurism

与业余性相关的网络例句 [注：此内容来源于网络，仅供参考]

Riefenstahl's work is free of the amateurism and naveté one finds in other art produced in the Nazi era, but it still promotes many of the same values.

里芬斯塔尔的作品没有纳粹时代其他艺术作品常有的那种业余性和幼稚性，但她的作品倡导的仍是同样的价值观。

It was the English upper classes who created the myth of amateurism so they didn't have to compete against the workers," said Wallechinsky, who recently issued the 2008 version of his valuable reference,"The Complete Book of the Olympics.

英国的上层阶级创造了业余性的神话，这样他们就不用跟工人比赛了。

From anotherviewpoint, Mr Sarkozy was a meddling egomaniac whose amateurism andself-importance gravely impeded the EU's ability to intervene.

也有另外的看法，说萨科奇先生是个自大狂，他的业余性和自负严重阻碍了欧盟的斡旋能力。

Coubertin and the IOC intended from the start for the Olympics to be open only to amateurs . Amateurism was determined by adherence to the amateur rule , which was originally devised in the 19th century to prevent working-class athletes from participating in sports such as rowing and tennis .

顾拜旦和国际奥委会从现代奥林匹克运动一开始就打算只接受业余运动员参赛，业余性是由于坚持业余竞赛规则而决定的，业余规则最初是在l9世纪为了不让职业运动员参加划船和网球这样的项目而制定的。

It also offers some suggestions on how to make the best use of the referee committee of track and field sports society as the brain truster and advisory body of decision in the construction and management of track and field sports referee staff, suggestions on taking a firm hold of teaching, helping and leading green-hands in completing the set of the orderly system of succession, and suggestions on improving the comprehensive management of the referee staff.

本文根据田径裁判工作的特点和要求，即工作的业余性，组织的松散性，室外工作，赛时集中；项目多样，规则复杂，规模不等，配套齐全，全面掌握，专长必擅，计量客观，直接见面，公正准确，独立裁决等，并通过对我国田径裁判员队伍基本现状的调查与分析，就如何加强田径裁判员队伍的建设与管理，提高其业务水平，试以初探。

The students in the sports groups had better psychological self,social self,self satisfaction and self-action than the average students.

通过参加课余训练队、体育社团和普通学生组之间自我概念各维度的对比分析，结果显示：参加课外业余训练队的学生在生理自我、社会自我、自我认同和自我行动4个维度上，得分显著高于普通组学生；参加篮球、跆拳道、铁人三项和田径业余训练项目的学生在自我概念各维度表现上存在差别，其中，球类项目对自我概念促进最明显；参加体育社团学生在心理自我、社会自我、自我满足和自我行动4个维度上优于普通组学生，存在显著性差异；经常锻炼组在生理自我、心理自我、自我认同和自我行动上要优于不锻炼组，两组存在显著性差异。

The anaysisof a high sclool student contracting a stress fracture on lower limbs suggests that in sparetime physical vctiaities,health education needs to be strengthened, proper" prescription"should be worked out, and the sportsground must satisfy safety,requirements so as toavoid fractures and other accidents.

本文通过一例中学生在训练中发生的下肢应力性骨折报告提示：在业余训练中应注意加强卫生宣传教育，制定适当的"运动处方"，训练场地符合安全训练要求，以免发生骨折等意外伤病。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Consumption characterised by a playful production, re-elaboration and remixing practicesas a way of appropriating digital audiovisual technologies, which includes practices ofsharing domestic and amateur content production through the Internet.

这意味着一种影像消费模式，其特征是一种游戏性产品，使用数字视听技术的来再阐释、再混合实践，包括通过互联网分享境内的和业余的产品内容。

与业余性相关的网络解释 [注：此内容来源于网络，仅供参考]

amateurish：业余的, 非职业的, 不熟练的

amateur | 业余爱好者, 业余艺术家 | amateurish | 业余的, 非职业的, 不熟练的 | amateurism | 业余性, 非职业的作为

amateurism：业余性

其最紧张的属性即是"业余性"(amateurism),真正的知识分子"不为优点或夸奖所动,只是为了喜欢和不行抹煞的兴趣,而这些喜欢与兴趣在于更宏大的情形、越过界限和停滞、拒绝被某个专长所束缚、掉臂一个行业的限定而喜欢更多的看法和价钱".

amateurism：非职业的作为

amateurishextracurricularsparetime 业余的 | amateurism 非职业的作为 | amateurism 业余性

amateurism：业余性, 非职业的作为

amateurish | 业余的, 非职业的, 不熟练的 | amateurism | 业余性, 非职业的作为 | amateurship | 业余者的资格或身份

amateurship：资格

amateurism 业余性 | amateurship 资格 | Amati 阿玛蒂提琴

amateurship：业余者的资格或身份

amateurism | 业余性, 非职业的作为 | amateurship | 业余者的资格或身份 | Amati | 阿玛蒂(家族制的)提琴

Horticulture：园艺学

园艺一词字面上包括园和艺,即和园子有关的工作,包括工具,工艺,技术,手艺等. 园艺一词在中文中比较含糊,可以指业余性的活动,或者严格的园艺行业;相对而言,园艺学(horticulture)一词则有严格定义.

Sexually provocative：性相关的

24% Sports, hobbies 体育或其他业余爱好 | 24% Business, personal finance 商业的 个人财政 | 12% Sexually provocative 性相关的

amative：恋爱的/好色的

amateurism /业余性/非职业的作为/ | amative /恋爱的/好色的/ | amatol /一种强力炸药/

Omnidirectional：全向性

模样收音机的接收天线、车用无线电天线等都是全向性(Omnidirectional)的棒型天线. 偶极型天线则开始有部分的定向性,偶极天线是由两个L状金属(多为铝或铜)条并放成T状而成,最常见的运用是在业余无线电的火腿族上,必须进行方位对应才有较佳的收发性.