不自然化

基本解释 (translations)

denaturalization

与不自然化相关的网络例句 [注：此内容来源于网络，仅供参考]

Also it synthesize the natural law on vegetation distribution and the present situation on urban forestry construction to define the main proportion on urban species actually:the proportion between aiphyllus tree and deciduous tree is 3:7; the proportion between arbor and shrub is 2:1; the proportion between coniferous tree and broadleaf tree is 1:4; the proportion between fast-growing trees and slow-growing trees is 1:1.The following tree species programmed in urban forestry construction of Qingdao on the above-mentioned demanding on trees planning in this thesis

本文以上述提到的树种布局规划要求，分别规划出了青岛市城市森林建设中的行道树种、公园绿化树种、游园、街头绿化树种、山地风景林树种、居住区绿化树种、机关、学校、医院等处的绿化树种、工矿区绿化树种、海岸抗海雾、海风树种、耐盐碱树种、垂直绿化树种、地被植物，并对城市森林的近自然化配置，以及在天然森林已不存在的地方，运用技术模拟原来的天然森林进行恢复和重建进行了初步阐述。

The planning and design of the housing area obey the rule of fairness and justice. We don't allow to risk losing the benefit of most people just in order to meet the needs of a few people. We respect the variety of human life, and try our best to build healthy and natural houses. The design of the houses shows how we focus on predictivity and flexibility and how we respect the continuousness of the history.

住宅区的规划和设计与建设都要遵循公平公正的原则，绝对不允许以多数人的利益为代价来换取少数人的利益，尊重生活的多样性，提倡健康化和自然化的住宅，住宅设计应该体现预见性和灵活性，尊重居住历史文化的延续性。

Trichogramma showed high control efficacy on cotton bollworm eggs after three times of release both in the second and in the third generation bollworm periods. The parasitism on the second and third generation bollworm eggs were 66.0%-70.7% and 76.0%-81.2%, respectively, which were significantly higher than that in the control (second generation: 7.0%-12.3%, third generation: 5.2%-7.4%). And the injury rate of cotton buds and bolls in the second and third generation bollworm were 2.2% and 3.1%, respectively, which were significantly lower than that in the control (second generation:8.5%, third generation: 20.9%). In the second generation bollworm period, number of bollworm eggs or larvae in the Trichogramma released cotton field did not differ to that in the chemically controlled field. But in the third generation, there were significantly less bollworm eggs and larvae in the Trichogramma released cotton field. There were more predators in the Trichogramma released cotton field. These results indicated that cotton boll worm in the transgenic insect-resistant cotton field can he effectively controlled by mass-releasing of T.

结果发现：棉铃虫卵在棉株不同部位的分布差异较大，2代棉铃虫卵主要分布在叶正面、叶背面和茎尖，3代棉铃虫卵主要分布于蕾铃；在放蜂田，赤眼蜂对棉株不同部位棉铃虫卵的寄生率差异较大，2，3代棉铃虫时期对叶正面、叫背面、茎尖、蕾铃的棉铃虫卵寄生率均较高，对叶柄和茎杆处卵的寄生率较低；并以3代棉铃虫时期的寄生率较高；在2，3代棉铃虫时期分别连续释放3次赤眼蜂，对棉铃虫具有很强控制作用，2，3代棉铃虫卵的被寄生率分别为66.0%~70.7%和76.0%~81.2%，均显著高于化防田的自然寄生率（2代：7.0%~12.3%，3代：5.2%~7.4%）；蕾铃被害率分别为2.2%和3.1%，均显著低于化防田（2代：8.5%，3代：20.9%；2代棉铃虫时期，放蜂田和化防田的棉铃虫卵量和幼虫数量差异均不显著，但3代棉铃虫以后，放蜂田棉铃虫卵量和幼虫数量均显著低于化防田，且放蜂田的捕食性天敌数量显著高于化防田。

The essential feature of the Moral Society is natural operation, that is, the social mechanism operates naturally, without any factitious control or promotion. The intelligent effects and natural motions interact and interfuse, forming one unified entity, and neither can dominate or do without the other. Such social motion of natural development and transformation is what Laozi called "Dao follows nature" and "Order from inaction".

道德社会最根本的特征是自然运化，即社会机制是自然运动的，没有任何人为的控制和推动的作用，智能作用与自然运动互动互化，浑然一体，谁也不控制谁，谁也离不开谁，这种自然运化的社会运动就是老子说的"道法自然"和"无为而治"。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

The results show that the samples exposed to the air previously for 24 h can be passivated automatically in acetic acid solution with Cl- with the corrosion potential remaining 100mV.No such phenomenon was observed for samples which were cathodically polarized with the corrosion potential stabilizing at a value of -242±3mv. The passive film formed by anodically polarizing is more proof than formed in the air.

研究还发现：在空气中放置24小时后的试样在Cl-醋酸溶液中能自钝化，自腐蚀电位为100mv；经阴极极化后的试样在Cl-醋酸溶液中不能自钝化，其自腐蚀电位为-242±3mv；经阳极极化形成的钝化膜比在空气中自然形成的钝化膜更致密。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Second, mordern science investigates Nature only through mathematical way, which make people take the mathematical nature for Nature itself. Third, its result is physicalistic objectivism was seen as the metaphysical foundation of natural science which has led to the riddle of cogni...

本文认为，胡塞尔的科学批判虽具有重要启发意义，但从科学和科学哲学的角度来看，他的批评在某些方面是不恰当的：①实证主义科学观固然不是健全的科学观，但现代科学自身却不是意义、价值等形而上学的领域；②尽管数学化的自然并不是自然本身，但数学化却是现代科学最有效、最可靠的方法；③胡塞尔反对任何实在论的自然观，但这种自然观是现代科学世界观的基础。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Bidentis were studied by adopting indoor bioassay. The results showed that the volatile matter of F. bidentis had not allelopathy to four receptor plants. The eluviated matter inhibited seedling growth of cotton obviously, the inhibition ratio of root and stem were 6.29% and 10.42% respectively. The aqueous extract of litterfall and root exudates had different inhibition to four receptor plants, The synthesis effectof all treatments was significantly greater than eluviated matter treatment except for B3 of the aqueous extract of root exudates, such as the synthesis effect of all treatments (A1, A2, A3, B1, B2, B3 and eluviation) were 44.74, 29.37, 14.5, 31.54, 16.52, 3.55, 1.48 respectively.

结果显示：黄顶菊自然挥发物对受体植物不表现化感作用；黄顶菊淋溶物对棉花幼苗生长表现出明显的抑制作用，对棉花幼苗高度和根长的抑制率分别为6.29%和10.42%；黄顶菊枯落物浸提液和根系分泌物浸提液对4种受体植物均表现出不同程度的抑制作用，除了黄顶菊根系分泌物浸提液 B3处理外，其它处理的综合效应均显著大于淋溶物处理，如黄顶菊枯落物浸提液（ A1、 A2、 A3）、根系分泌物浸提液（ B1、 B2、 B3）以及淋溶物等各处理对受体植物的综合效应分别为44.74、29.37、14.5、31.54、16.52、3.55、1.48。

与不自然化相关的网络解释 [注：此内容来源于网络，仅供参考]

artificiality：不自然之物

artificiality 人造物 | artificiality 不自然之物 | artificialize 使人工化

denaturalization：非自然化

denationalize 解除国有化 | denaturalization 非自然化 | denaturalize 使不自然

denaturalization：剥夺国籍

denationalize 开除国籍 | denaturalization 剥夺国籍 | denaturalization 不自然化

denaturalization：不自然化

denaturalization 剥夺国籍 | denaturalization 不自然化 | denaturalize 使不自然

denaturalize：使不自然

denaturalization 非自然化 | denaturalize 使不自然 | denaturant 变性剂

denaturalize：撤消归化权

denaturalize 使不自然 | denaturalize 撤消归化权 | denaturalizedenature 使改变本性

denaturalize：使不自然/使改变本性/使变质/撤消归化权

denaturalization /不自然化/变性/剥夺国籍/ | denaturalize /使不自然/使改变本性/使变质/撤消归化权/ | denaturant /变性剂/

naturalization：自然化

国家,不是中国人政治社会中一个异化的对立的部分,而是一个不可或缺的组成部分,已经被"自然化"(naturalization)了. 人们可以诅咒它,抱怨它,讽刺它,但却不能够想象没有它. 一旦它受到外面的抨击,人们会产生认同感. 抨击越强烈,认同感也越强烈.

uniformization：单值化

即规范(Gauge)问题.大家都晓得复分析在十九世纪有长足的进步.可是我们晓得很多很自然的复数方程不能够确切定义,即有所谓单值性(monodromy)的问cut)的问题,所以复分析引进了单值化(uniformization)的观念,就是讲单值化.例如报在平面上不能确切定义,

indexation：指数化

[对付之策,就是把工资及其他收入紧随物价,依其指数而做相对的调整--"指数化"(indexation)一词,在1960年开始使用. 在这种情况之下,不出几年,世界经济再度遭难,自然不值得大惊小怪了. 只有美国小镇里那些褊狭自满的中产阶级生产者,