不以...为意的英文翻译、例句

不以...为意

词组短语: make nothing of

相关搜索: 不以苦乐为意的; 不以苦乐为意的人

热门词汇: undermentioned; golden; recipe; farmhouse; grin; tare; harm; faith; silk; atlas

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Disdaining fortune, with his brandish'd steel...

不以命运的喜怒为意挥舞着他。。。

"Cosmopolitism" was quoted from "Chapter of Cosmopolitism" in The Book of Rites, retrieving meaning from it, and to accentuate a kind of compassionate and discord world, to animate more denotations in Cosmopolitism:"Obvious" and "Concealment" and "Homosexuality" The discussion is focused on gay people and lesbian and bisexuality are not included.

大同世界」出自礼记的礼运大同篇，撷取大同世界原本篇章的意涵，强调一种和谐的，无纷争的意涵，而此论述更赋予大同世界的「大」有「彰显的」、「不再躲藏」的意义，「同」指的就是同性恋，而本论文以论述男同志为限，女同志与双性恋者不在此范围。

She could make nothing of him, his eyes veiled.

她可以不以他为意，他的眼睛戴面纱。

Yet the cut of the mouth is stoic, not toylike, and the light-and-shadow coloring conveys the ambiguity of being neither white nor black but both, like sunshine falling through a forest—a camouflage therefore reverberant of grief, since the forests are mostly gone.

熊猫的嘴角坚定，似乎不以苦乐为意，一丝玩具的可爱味道都没有。深深浅浅的色泽看起来既不黑也不白但又是黑白的，就像阳光穿过森林一样既明又暗---一件勾起痛苦的"迷彩服"，因为森林几乎都不见了。

Prof. Ye ,based on ways of traditional literature criticism and western symbolics ,analyzes the poem criticism means of imagination represented by Zhang Huiyan and Wang Guowei of Qing Dynasty .

叶嘉莹运用传统文论中的"以意逆志"、"知人论世"等观点，又吸收西方符号学等理论，对清代张惠言、王国维为代表的联想衍义评词进行分析，解决了长期纠缠不清的理论问题，近而形成了以兴发感动为基础的感发联想批评方式。

CANON IV.-If any one saith, that man's free will moved and excited by God, by assenting to God exciting and calling, nowise co-operates towards disposing and preparing itself for obtaining the grace of Justification; that it cannot refuse its consent, if it would, but that, as something inanimate, it does nothing whatever and is merely passive; let him be anathema.

典章四谁若说，人之自由意志，受到天主的感动和激励之后，对那激励他，呼召他的天主，不能以&同意&来予以合作准备自己，以获得成义的恩宠，而且，即使他意，他也不能不予以同意；那时人，好像一个无灵之物，完全无所为，干脆地，自处于被动的状态中，那么，这种人，应予以绝罚。

A ruling by the Commission, using its plenary power,(1) that a work is to be deemed, for nomenclatural purposes, as unpublished, or that names and acts in it are not available; or (2) that an available name is never to be used as valid because it is available only for the purpose of homonymy ("partial suppression") or it is not available for the purposes of priority and homonymy ("total suppression"; but a totally suppressed species-group name may still denote the type species of a nominal genus or subgenus [Art. 81.2.1]); or (3) that an available name is only to be used as valid under stated conditions (e.g. when not considered a synonym of a particular later name)("conditional suppression").

委员会使用其全权，以裁决(1)基於命名法的意冒，一著作物为未出版，或其中的名称和举动为不适用；或(2)一个适用名称永不得作为一个有效名称，因为该名称仅基於异物同名的意旨时始称适用，或基於优先权和异物同名关系的意旨而不适用(&完全禁制&；但是一个被完全禁制的种群名称仍可指示一个命名属或亚属的模式种[第81条2.1])；或(3)一个适用名称仅在申明的条件下用作有效名称(例如在不被认为是一个特别的较后名称的同物异名时)。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

熊猫的嘴角坚定，似乎不以苦乐为意，一丝玩具的可爱味道都没有。深深浅浅的色泽看起来既不黑也不白但又是黑白的，就像阳光穿过森林一样既明又暗---一件勾起痛苦的&迷彩服&，因为森林几乎都不见了。

If because of the sabbath, you turn your foot From doing your own pleasure on My holy day, And call the sabbath a delight, the holy day of the Lord honorable, And honor it, desisting from your own ways, From seeking your own pleasure And speaking your own word

赛58：13 你若在安息日掉转〔或作谨慎〕你的脚步、在我圣日不以操作为喜乐、称安息日为可喜乐的、称耶和华的圣日为可尊重的。而且尊敬这日、不办自己的私事、不随自己的私意、不说自己的私话

更多网络解释与不以...为意相关的网络解释 [注：此内容来源于网络，仅供参考]

in little：小规模地; 小型地

go for very little [nothing] 无足轻重, 一场空 | in little 小规模地; 小型地 | make little of 不重视; 不以...为意

letters patent：专利证书

在英国,这种权力经常以专利证书(Letters Patent)形式授与,意为敞开的证书,证书只在底部盖有封印,而不象普通的证书那样密封,它以官方通知的方式将授与的权力告知公众.

nandi：喜

[译注七]喜(nandi)意指耽著、欢喜,以贪心耽著于乐受,以嗔心耽著于苦受,以痴心耽著于不苦不乐受. 因此,我们要拿"四大教法"(mahapadesa)做为判断的准绳,它告诉我们,若以自我存在的观点解释缘起是错误的,因为佛陀教导"无我".

natural：自然的

"论和以散和为上,按和为次"则强调"和"是"不加雕琢的"(plain)、" 自然的"(natural). "弦与指和、指与音和、音与意和"则说明"和"应是"有节制的"(controlled). "音从意转,意先乎音,音随乎意"则强调"意念"(idea)与"弹奏&quot

make obeisance to：向...表示敬意. 向...致军礼

make nothing of 不以...为意. 看作轻而易举,轻视. | make obeisance to 向...表示敬意. 向...致军礼. | make odds even 拉平. 消除差别.

proficiency test：水平考试

高考是水平考试(proficiency test)与使用什么教材无关,教材是主题序列,高考是技能中心. 复习应当以考试的技能与知识为纲,教材只是提供技能与知识的辅助材料,不应以教材的顺序与结构复习得过慢,语言点讲得过细. (例如,反意疑问句,

stoical：坚忍的, 不以苦乐为意的 (形)

stoic 斯多葛学派学者; 禁欲者; 恬淡寡欢之人 (名) | stoical 坚忍的, 不以苦乐为意的 (形) | stoically 恬淡寡欲地; 坚忍地 (副)

stoically：恬淡寡欲地; 坚忍地 (副)

stoical 坚忍的, 不以苦乐为意的 (形) | stoically 恬淡寡欲地; 坚忍地 (副) | stoichiometry 化学计量学 (名)

What the hell?! - Bugger off：怎么回事?! - 滚开

Disdaining fortune, with his brandish'd steel：不以命运的喜怒为意挥舞着他

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