上镜头的

基本解释 (translations)

photogenic

与上镜头的相关的网络例句 [注：此内容来源于网络，仅供参考]

The article focuses on Flash animation for the solution to problems, from a technical point of view can not be over-reliance on Flash, should make use of other technology-rich Flash animation of visual expression; to improve modeling capabilities, in shape not only the pursuit of "alternative" style ; grasp the movement of animation can not be over-reliance on Flash for several deformation, so monotonous movements, stiff; master the basic knowledge of lens design, the lens forms, master lens fluid connection method, grasp the lens space and time in order to improve Narrative, performance capacity.

文章重点探讨了针对Flash动画所存在问题的解决途径，从技术角度上不能过分依赖Flash，应该借助其它技术丰富Flash动画的视觉表现力；提高造型能力，在造型上不能仅仅追求"另类"的风格；把握动画运动规律，不能过分依赖Flash所提供的几种变形形式，使动作单调、生硬；掌握镜头设计基础知识，镜头表现形式，掌握镜头联接流畅的方法，把握镜头的空间与时间，以提高叙事、表现能力。

This is very important in modern lens, the reflective glass surface decreased, so that there is more than a dozen pieces of the zoom lens on a reflective glass surface will be much less, so that the light through the lens will not be significantly reduced.

这在现代镜头上非常重要，玻璃表面的反光下降，这样在有十几片镜片的变焦镜头上的玻璃表面的反光就会少很多，这样通过镜头的光就不会明显减少。

In fact, it is part of the photogenic Sombrero Galaxy, one of the largest galaxies in the nearby Virgo Cluster of Galaxies.

更具体的说，它是很上镜头的墨西哥帽星系之一部份；墨西哥帽星系是邻近室女座星系团最大的星系之一。

Pinhole camera is used in this system and the defense device is built in. The introduction of isolated layer make the pinhole camera departs from high temperature and high pressure. Special active velamen is added to the camera to keep it clean and resist the dirt.

采用小镜头并装置防护壳，引入真空隔离层，使摄像头与高温、高压隔离，镜头上增设特殊的活性膜，可保持镜头的清洁，防止油污。

Notice that a small amount of foreground focus can be gained by focusing the lens at a shorter distance than infinity known as Hyperfocal Focusing.

大多数定焦镜头在镜筒上都有超焦点刻表帮助调整最大的焦点。这就是为什么我们仍然不用变焦镜头而用定焦镜头的原因

Soon they were all clamoring for a chance to see themselves on the digital screen.?

立刻，他们便吵闹着想看看自己上镜头的样子。

The most photogenic array of radio telescopes in the world has also been one of the most productive.

世界上最上镜头的电波望远镜阵列，同时也科学生产量最高的阵列之一。

Still it is undeniable that America TV has great power and can make or break well-know people in front camera.

尽管如此，不可否认的是美国电视依然有着很大的力量，可以使上镜头的人一夜成名。

Viggo Mortensen chipped a tooth while filming a fight sequence. He wanted Peter Jackson to superglue it back on so he could finish his scene, but the director took him to the dentist on his lunch break, had it patched up, and returned to the set that afternoon.

在拍一个打斗镜头时，维果·莫特森的一颗牙齿被打坏了，他让彼得·杰克逊用强力胶水把那颗牙沾上，完成这个镜头的拍摄，但是导演没同意，中午吃饭的时候，杰克逊带他去看牙医，把那颗牙齿补上了，下午回来继续拍摄。

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

与上镜头的相关的网络解释 [注：此内容来源于网络，仅供参考]

achromatic lens：消色差镜头

折射望远镜与赤道仪 一般折射望远镜的物镜,是由两块不同折光率的玻璃镜片组成,以减少色差,使红蓝两色的影像聚在同一焦点上,这类镜头称为消色差镜头(Achromatic lens).

aperture ratio：孔径比

▼ 孔径比(aperture ratio)孔径比可指示镜头的亮度,亦即我们在规格上所见的F值(F-stop number). 此比率是镜头的光圈直径(D)与镜头焦距(f)之比;数值愈小,光圈愈大,透过的光线愈多. F=f/D

back focus：后焦距

最后一片镜片到设计焦点的距离称为后焦距(back focus)简单说就是调镜头始终无法调出清晰图像的时候就调后焦. 用大镜头的普通摄象机前面有一个安装镜头的接口,一般常说的CS或者C接口,拧上镜头以后,聚焦一般可以通过拧动镜头进行调整,

Lens hood：镜头遮光罩

镜头遮光罩(lens hood)的主要用途是避免不必要的光线进入镜头,引起画面上产生眩光. 这种遮光罩除非是为某些镜头特殊设计的,否则意义不大. 因为现在一般的镜头上已加有一层防眩光的薄膜. 目前有一种可以调节的遮光罩比较实用.

medium shot：中景镜头

与画面构图深具电影技巧,特别是经常以大远景镜头(extreme long shot )呈现自然的奇偶像剧在取景上通常以中景镜头(medium shot)或远景镜头(long shot),强调被摄物的出场时,经常被 割成 格或三格的画面,并且以360 的旋转镜头,

photogenic：易上镜头的

reproduction 复制 | photogenic 易上镜头的 | overexposure 曝光过度

telephoto lens：遠攝鏡頭

远摄镜头(telephoto lens) 一种镜头,针对给定的传感器大小,比普通镜头的视角要小一些. 终点(terminal point) 在这样的点上,眼睛得到休息. 淡色(tint) 任何与白色混合的色相. 色调(tone) 任何颜色. 三脚架(tripod) 一种用于稳定相机的设备.

track out：镜头后移,镜头后移

track on a drum or a disk 磁鼓或磁盘上的磁道 | track out 镜头后移,镜头后移 | track overflow 磁道溢出,道溢出

tracking shot：推拉镜头

彼得格林那威第一次介绍这三个活动空间时,是利用推拉镜头(Tracking Shot)的运镜技巧,把摄影机在轨道上由左推到右. 观众像上浏览一幅巨大的画面一样,随着镜头从左到右,从停车场、到厨房、最后到餐厅. 每一个空间是一个内在统一的画面,

photic：光的/与光有关的

photochemistry 光化学 | photic 光的,与光有关的 | photogenic <人>上镜头的,上像的,宜于拍照的