三重根

词组短语

triple root

与三重根相关的网络例句 [注：此内容来源于网络，仅供参考]

In a commercial nursery using the peat moss-plug system, these three strains also showed their ability to promote seedling growth following either seed bacterization or peat moss drenching, and their populations in peat moss maintained at high levels (except strain RS65 for 30 min seed soaking ) within 21 days after seeding. The above 14 strains that were capable of promoting tomato growth were tested for their ability to control bacterial wilt of tomato.

自台湾中部不同地区数种作物分离得到之396株根栖细菌，被覆於番茄种子后，利用套袋塑胶培养皿之系统及含泥炭土栽培介质之穴盘系统於生长箱筛选，共有 14株菌株在重复筛选过程中均能提高种子发芽率及促进根生长之效果，其中RS4、RS65及RS70三菌株表现最佳，可增加根长度、茎长度、植株鲜重及乾重(RS65菌株除外)。

Give out the distinguish theorem of multiple root based on maximum value.

根据导函数的极值分析实根的分布情况、迭代区间和迭代初值，利用三次收敛的迭代方法求解方程的实根，给出了根据极值的重根判别定理。

The division with surplus, the comprehensive division and Eisenstein Test applications on polynomial that can not be divided are mainly discussed; the sufficient condition of that polynomial with coefficient being integer has no integer root, that cubic polynomial with coefficient being integer is irreducible in rational domain and that polynomial with coefficient being integer has not two completely same roots are summed up.

主要论述了带余除法、综合除法及不可约多项式艾森斯坦判别法的应用；总结出了整系数多项式的无整数根的充分性，三次整系数多项式在有理数域上不可约的充分性，整系数多项式无重根的充分性。

Just like that there are an irrational root and a rational root for the existence of quadric equations with one unknown, there is objectively a "triple root" solution for sports will: these three roots are unified root, rational root and irrational root.

正像数学一元二次方程存在无理根和有理根那样，体育意志也客观地存在着"三重根"：它们是统一根、有理根和无理根。

Just like that there are an irrational root and a rational root for the existence of quadric equa-tions with one unknown, there is objectively a "triple root" solution for sports will: these three roots are unified root, rational root and irrational root.

正像数学一元二次方程存在无理根和有理根那样，体育意志也客观地存在着"三重根"：它们是统一根、有理根和无理根。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

STRUCTURE: Titanium and composites used extensively, with particular emphasis on corrosion resistance; fully articulated three-blade coaxial contrarotatmg rotors have all-composites blades with carbon fibre and glass fibre main spars, pockets (13 per blade) of Kevlar-type material, and filler similar to Nomex; blades have non-symmetrical aerofoil section; each has ground-adjustable tab; each lower blade carries adjustable vibration damper, comprising two dependent weights, on root section, with further vibration dampers in fuselage; tip light on each upper blade; blades fold manually outboard of all control mechanisms, to folded width within track of main landing gear; rotor hub is 50% titaniuin/50% steel; rotor brake standard; all-metal fuselage; composites tailcone; fixed incidence tailplane, elevators, fins and rudders have aluminium alloy structure, composites skins; fins toe inward approximately 25°; fixed leading-edge slat on each fin prevents airflow over fin stalling in crosswinds or at high yaw angles.

结构：钛和复合材料广泛使用，耐腐蚀性能与特别强调，充分阐明三叶片转子同轴contrarotatmg有碳纤维和玻璃纤维的主要棒材全复合材料桨叶，口袋（每刀片13）凯夫拉型材料，类似的Nomex纤维填料；叶片非对称机翼部分，每有地面可调选项卡，每降低叶片振动阻尼器进行调节，包括两部分依赖重根，在机身进一步减振装置；小费每个刀片上轻；刀片倍手动舷外所有控制机制，折叠宽度内的主起落架的轨道；转子中心为50％titaniuin/50％钢；转子制动标准；全金属机身，复合材料tailcone，固定发生机尾，电梯，蛙鞋和方向舵的铝合金结构，复合材料的皮肤；鳍鳍在每个脚趾向内约25 °；固定领先的板式翅片防止了侧风或气流停滞在高偏航角度。

by continuing researches done by previous philosophic researchers on the behaviors of rationality and will, the author found that there is a "triple root" solution to the existence of will, which is neglected by people over a long period of time.

沿着哲学前辈开辟的道路对理性和意志的表现继续研究下去，发现意志存在有被人们长期忽略的"三重根"答案。

The growth of plantlets with the height of 1-2 cm and 3-4 leaves was compared on MS basal medium containing various organic compounds, including banana, carrot, potato, coconut water, and tryptone. The result showed that the growth of oncidium plantlets was the best on medium containing banana, potato and tryptone altogether with respect to their plant height, leave number, root number, root length, fresh weight, and dry weight. The next better media were the control and the Banana medium, followed by the Potato medium.

另外取高约1-2公分，带3-4片叶片的分化小苗，培养於含不同浓度有机添加物（香蕉、胡萝卜、马铃薯、椰子水、及tryptone）的半量MS培养基，以探讨最适合文心兰瓶苗生长的培养基，试验结果显示，在同时含香蕉、马铃薯及tryptone三种成份的培养基生长的小植株不论在株高、叶数、根数、根长、鲜重、及乾重均较其他培养基为佳；不含添加物之1/2MS培养基、及含香蕉的培养基次之，而在含马铃薯之培养基较差。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

与三重根相关的网络解释 [注：此内容来源于网络，仅供参考]

seventh chord：七和弦,包括有根音,三度,五度和七度音

Seventh 第七,七度 | Seventh chord 七和弦,包括有根音,三度,五度和七度音 | Sextei 六部,六重奏(唱)

estrone：雌酚酮

实验分为雌酚酮(estrone)组和正常对照组(control). 其中雌酚酮组按不同给药浓度分 为10-7mol/L、10-8mol/L和10-9mol/L三个亚组. 每组培养长骨6根,重 复5次. 破骨细胞在骨吸收过程中起主要作用,可以从一个部位游走到另一个部位,

Phil Hay：菲尔.海

>重拍自1981年的缭绕着希腊神话展开故事的重名影戏,在贝弗利.克罗斯(Beverley Cross)所创编的原创脚本的根蒂根基上,别的三位编剧特拉维斯.比彻姆(Travis Beacham)、菲尔.海(Phil Hay)和马特.曼弗雷迪(Matt Manfredi)分辨特许加盟并配合负担了改编的事情,

Triple scalar product：三重纯量积

三重根 triple root | 三重纯量积 triple scalar product | 三重切线 triple tangent

triple product of vectors：向量三重积

triple product 纯量三重积 | triple product of vectors 向量三重积 | triple root 三重根

triple root：三重根

triple product of vectors 向量三重积 | triple root 三重根 | triple series 三重级数

triple series：三重级数

triple root 三重根 | triple series 三重级数 | triple tangent 三重切线

Tama：多摩

上级重巡洋舰 最上(Mogami) 三隈(Mikuma) 铃谷(Suzuya) 熊野(Kumano) 利根级重巡洋舰 利根(Tone) 筑摩(Chikuma) 4、轻巡洋舰 天龙级轻巡洋舰 天龙(Tenryu) 龙田(Tatsuta) 球磨级轻巡洋舰 球磨(Kuma) 多摩(Tama) 北上(Kitak

Phil Hay：菲尔.海

<<诸神之战>>重拍自1981年的缭绕着希腊神话展开故事的重名影戏,在贝弗利.克罗斯(Beverley Cross)所创编的原创脚本的根蒂根基上,别的三位编剧特拉维斯.比彻姆(Travis Beacham)、菲尔.海(Phil Hay)和马特.曼弗雷迪(Matt Manfredi)分辨特许加盟并配合负担了改编的事情,

Clement of Alexandria：亚历山大的革利免

74寓意解经(Allegorical Method)多在早期教父时代被运用,教父如爱任纽(Irenaeus)、波利甲(Polycarp)、亚历山大的革利免(Clement of Alexandria)、俄利根(Origen)等,属於亚历山大学派(Alexandrian School's),他们主张发掘经文中的三重意思,