三度音

基本解释 (translations)

tierce

与三度音相关的网络例句 [注：此内容来源于网络，仅供参考]

This paper argues that Bartók s use of harmony and his musical style are close to modal harmony featuring Chinese traditional music and that his music deserves serious study in an effort to promote the nationalization of Chinese music.

在和声运用方面，为了突出匈牙利民族音乐特征，巴托克力图摆脱严谨的传统和声条框的束缚，探索新的和声表现手法，他将匈牙利民族调式和大小调体系有机的结合起来，在和弦构成的三度叠置原则、和弦外音的观念、调关系的理解、转调及扩展半音的方法等方面进行了突破与创新。

With a major tonic triad the first choice of a note to double would be the root, the second choice the fifth.

主音大三和弦重奏的第一选择是根音，第二选择是五度音。

In the recapitulation, Borodin begins this second theme in E , an enharmonic major 3rd above B , thereby creating a logical counterpoise to the theme's statement in the exposition a minor 3rd above B and extending the interplay between major and minor 3rd to a structural level.

在再现部，鲍罗丁以 E 音， B 音上方的一个不和谐的大三度，开始了这个第二主题，从而营造出与呈示部主题陈述， B 音上方小三度的一个逻辑上的平衡，然后将大小三度的交替延伸到结构性的层面。

Based on the method of the Third structure, the writer analyzed Bartok way to build up the work kernel motive from the simple relation of the third, then to establish three pitch combinations to control the whole piece: heptachord collection, octachord collection and the twelve-tone collection.

文章将立足于三度结构手法，分析巴托克如何从简单的三度关系建立起乐曲的核心动机，然后借助动机建立控制全曲的三种音高组合――七音音阶组合、八音音阶组合及十二音组合（twelve-tone collection），再依靠不同音阶组合建立了段落结构，由小至大、由表及里，创作了这首弦乐四重奏的核心乐章。

The flamenco version of this mode contains two frequent alterations in the 7th and, even more often, the 3rd degree of the scale: if the scale is played in E Phrygian for example, G and D can be sharp.

这种调式的弗拉门戈包含在音阶第七度、更经常是在第三度上的两种频繁的变音：例如，如果音阶是在弗利基亚 E 调式上，那么 G 和 D 就是升调。

Another major pipe of the "four upper pipes" is Pin Xiao, which is higher than the "holed pipe" by a minor tierce.

以品箫为主者称"品管"，以品箫代替洞箫，比"洞管"高一个小三度音。

For example the first inversion of the tonic triad of C major may be sounded with the middle note an octave higher, giving E - C - G, with G forming a compound third with the bass E.

例如，C大调主音三和弦的第一转位与中间音发出高于八度的音，E - C – G，G和低音E构成复三度。

The eclipse (and its supernatural significance as a heavenly omen) is depicted with octatonic chord successions, in this case 7th-chords with roots a minor 3rd or tritone apart.

在日蚀中（以及其象征天国的征兆的超自然的宏大场景）用八音和弦系列来描绘，在这里用的是根音上方小三度或三全音的七和弦。

Part one studies the sequence techniques, including the original sequence and its magic cube table, the sequence distribution in each movement and the sequence application techniques in different parts; Part two is a study of chord structure, consisting of fourth-fifth chords that are comprised of tritone, polychords, tall chords, note-cluster chords, as well as whole-tone scale chords; Part three is to analyze the techniques of polyphony, involving the counterpoint of melody and that of rhythm; Part four examines techniques of orchestration, such as those of conventional orchestration and of unconventional orchestration, and the figure of changing track of orchestration acoustics; Part five is a research of musical form structure, including illustrations of musical form structures in all movements, in addition to the effects of timbre, performing methods, dynamics, and density on musical form structural force.

本文将从五个方面来分析研究王西麟《第三交响曲》：第一，序列技术研究，其中包括原始序列及其魔方表、序列在各乐章的分布、多声织体中的序列应用手法；第二，和弦结构研究，其中包括三整音叠置的四五度和弦、复合和弦、高叠和弦、音块式和弦、全音音阶纵合化和弦；第三，复调技法研究，其中包括旋律对位、节奏对位；第四，配器手法研究，其中包括常规配器手法、非常规配器手法、配器音响效果变化轨迹图；第五，曲式结构研究，其中包括各乐章曲式结构图示，以及音色、演奏法、力度、织体密度对曲式结构力的影响。

You can do it with a hammer on (and an optional pull-off), or by bending the strings.

三音和七音是&布鲁斯音&里两个最重要的的音，你可以在小三度和大三度、小七度和大七度之间变换，方法是用一个锤击或者钩拉技巧，或者推弦。

与三度音相关的网络解释 [注：此内容来源于网络，仅供参考]

seventh chord：七和弦,包括有根音,三度,五度和七度音

Seventh 第七,七度 | Seventh chord 七和弦,包括有根音,三度,五度和七度音 | Sextei 六部,六重奏(唱)

Quint：五度,次三倍音

Quench 断开,抑制 | Quint 五度,次三倍音 | Quiver 颤动声

semiquaver：十六分符

Semi-perfect cadence 半完全终止,完全终止,完全终止但根音的三度音或五度音在高音部 | Semiquaver 十六分符 | Semitone 半音

Submediant：下中音

scale step) 下中音(Submediant iant) 下中音(Submediant)是调式音阶中的第Ⅵ级音,是主音的下方三度音,虽为不稳定 音级,但对主音的支持和倾向较微弱,远不如下属音那样明显.

tiepin：领带别针

tiepiece 拉筋 | tiepin 领带别针 | tierce 三度音

timbre：音

以听觉心理而言,即声音三个特征是:音的大小(Loudness),音高 (Pitch)与音(Timbre). ?以物理特性而言,声音是一种振动,或者说是一种质点如空气分子位移或速度的交替变化. 又或是空气密度一再重复地改变其疏密度的振动状态,

TR：颤音

(1)颤音(tr). 是指基本音与上方二度音的快速交替. 颤音与震音(Tremolo)不同. 震音是至少三度(通常以八、五度为多)以上的两个音的快速交替. 有的书籍将二者相混,读者须注意分辨.

triple humped curve：三峰曲线

triple horn set 三音喇叭 | triple humped curve 三峰曲线 | triple indexing center 三重分度头

major third：[音]大三度

chokebore 口径逐渐收小之枪 | major third [音]大三度 | dragging indication 拖挂表示[显示]

Successive sixths：连续六度

"连续经过音","Successive passing-note" | "连续六度","Successive sixths" | "连续三度","Successive thirds"