- 更多网络例句与后台相关的网络例句 [注：此内容来源于网络，仅供参考]
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The findings are as follows. First of all, male cosmeticians connect masculinity and profession for promotion by interaction and cosmetic teaching with customer. According to different situations, theyconstruct masculinity and waver between femininity and masculinity. Moreover, their bodies are the practice fields to display their images by keeping a distance from customers to draw the distinctly sexual line and refusing make up for getting rid of the stigmas, such as feminine or sissy. Last but not least, male cosmeticians escape from emotional labor that connected with female closely. Meanwhile, their "backstage" life with the coworkers is the way to adjust their working emotions.Key words: cosmetician, physical labor, emotional labor, masculinity, men's study
在分析各项资料后，可归纳出以下几点研究发现：首先，男性彩妆师透过平日与顾客的互动以及彩妆活动的教学，展现男性与专业性的连结以促进销售业绩，也将「专业性」与女性脱钩；同时，他们会视不同情境，建构阳刚特质，并动态地游移在阴柔／阳刚特质两者之间；其次，身体本身会成为展现男性彩妆师形象的实践场域，他们同时透过与顾客保持接触的距离，刻划出性别界线，但他们自身也会排拒化妆，以挣脱女性化的标签或娘娘腔的污名；最后，男性彩妆师跳脱男性不被期待从事情绪工作的藩篱，而与同事相处的「后台」生活，是调节工作情绪的方式。
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NEW YORK, February 6, 2008 – Backstage, Anna Sui ticked off her references: the aesthetic movement, pre-Raphaelites, Tiffany vases, Fortuny pleats, medievalism, Gustav Klimt, and, oh, yes, the American Indians of the Pacific Northwest.
新的纽约， 2008年2月6日-后台，安娜苏分起飞，她的提述：审美运动，前r aphaelites，蒂凡尼花瓶， f ortunyp leats， m edievalism，古斯塔夫克里姆特，和，哦，是的，美洲印第安人的西北太平洋。
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Learning, thinking and creating will be exhibited, including his important sketches as well as literatures about his inspiration and actions at each critical juncture of mindset transformation. This part will be organized according to three key clues: the changing times in China and its great impact on personal existence; the influence of Mr. Fang's experience in such an era on his art creation, and how he has developed his self identity; discussion of the "process" and "back end" of his art creation, revealing his observation of and reflection on the era, his in-depth thoughts about art, and unquantifiable language changes, etc.
展览包括两个部分，一是文献部分，展览精选了艺术家在不同阶段，如学习、积累过程和创作实践中的关键资料，全面介绍和展示艺术家重要的创作手稿，各个思想转折点上的作品构思和行动的重要文献；此部分的内容将按照三条重要的线索进行：即中国面临的时代变迁的巨大背景和时代对于个人生存的深刻影响；时代境遇对艺术创作的影响和艺术家自我身份的建立进行梳理和展示；旨在讨论艺术家创作中的"过程"和"后台"——在其中隐现着的艺术家对时代的观察和思考，对艺术的真知灼见以及不可量化的语言变化等等。
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The relation of the double-characters is always nervous and contradictious, which leads social worker to play a "double-face" role. For one thing they play the expressivity role on the front-stage; for another, they play the actuality role in backstage.
二者常存在一定的张力和冲突，这些张力和冲突导致社会工作者扮演&双面人&的角色，一方面在&前台&呈现出表达性的角色；另一方面亦可能在&后台&呈现出现实性的角色。
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While ethnic tourism promotes socio-economic development to ethnical areas,it also results in series of negative effects on the local ethnical culture.among them,the ethnical culture distortion is the most outstanding problem,show mainly in the field of the following: the ethnical culture assimilation,commercialization,vulgarization,the outlook on values transmutation,the culture' smriti fault,the "protogenesis soil"environment of ethnical cultural met with destroying and the hipping exploitation,and so on....
旅游业的发展在促进民族地区社会经济发展的同时，也给民族文化带来了一些消极影响。其中民族文化的失真是民族旅游发展最突出的问题，主要表现在：民族文化的同化、商品化、庸俗化、价值观的蜕变、文化传承的断层、民族文化环境&原生土壤&遭到破坏和开发的模式化等方面。应该根据民族地区的具体情况，采用民俗博物馆、民族文化村、生态博物馆和&前台、帷幕、后台&功能分区模式，对民族文化加以保护。
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Facts are bringing you into an advantageous position and are justifying you.
实际，你会处于一个有利地位，并且成为你的&后台&。
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What differ with PPG is, of BONO " tiring-room " it is the group of bird of announce good news that has havinging experience of ten years of markets, its early days invests capital for 80 million, besides have Wen Zhou and Song Jiang outside two production base, also have oneself acting project plant all the time.
与PPG不同的是，BONO的&后台&是已经有着十几年市场经验的报喜鸟集团，其前期投入资金为8000万，除了有温州和松江两个生产基地外，也一直有自己的代工工厂。
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Applying Goffman's "quasi—drama" theory, the author analyzes the roles students play "on the stage" and "behind the scene" and the life they experience and demonstrates the fact of alienation in students and student management.
笔者运用戈夫曼的&拟剧理论&，解剖了学生在学校&前台&和&后台&所扮演的角色和所遭遇的生活，呈现了学生管理和学生被异化的事实。
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At present, a cheap, efficient and feasible hot-line sales system is in critical need. Against to the problem of old system in security, real time and upgrading, some new technics , such as System Develop Model, GPRS, Terminal OS, System Security and Data Backup, are applies to build a strong and smart system.
鉴于彩票销售系统的现状，急需推出一套廉价、高效并且可行的全热线销售系统，针对原有准热线系统的安全性、实时性以及维护升级等存在的弊端，提出了改进及改造的方案，同时探讨了其中用到的几点关键技术：前端、通信、后台、系统安全性以及数据备份手段等，最终实现全热线彩票系统的实施及应用。
- 更多网络解释与后台相关的网络解释 [注：此内容来源于网络，仅供参考]
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KKAK Results Anal. Sales Orders: Backgrnd：结果分析销售订单: 后台
KKAJ Results Analysis Projects: Backgrnd 结果分析项目: 后台 | KKAK Results Anal. Sales Orders: Backgrnd 结果分析销售订单: 后台 | KKAL Results Analysis: Display Log 结果分析: 显示日志
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back-end：后台
网路商店 (Internet store) 是一种电子商务 (E-Commerce) 的应用,它在网际网路上,等同於街道上的商店一般上前台 (store front) 让顾客浏览产品或服务项目型录网页,及供顾客在线上直接订购 (购物车程式),后台 (back end) 包括但不限於产品或服务项目型录网页的制作,
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background：后台
(4)命令后加上&可使该命令后台(background)执行cd /dir-name1/dir-name2 改变目录位置,至绝对路径(Full path)(4)后台(background)执行process command的命令strace 从内核中接收信息,所以一个程序无论是否按调试方式编译(gcc -g)或是否被去掉了调试信息,
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Backstage：后台
根据戈夫曼的"拟剧论",任何个人的行为可以分为两类:"后台"(Backstage)行为和"前台"(Frontstage)行为. 在前台,表演者是观众面前的一个特定的角色,他们要扮演的是具有一定程度的理想概念的社会角色. 后台是不让观众看到的、限制观众和局外人进入的舞台部分,
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autobiographical film：自传电影
auteur n.(具有自己独特风格的)电影导演 | autobiographical film 自传电影 | background n.背景,后台
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Backbone Network：中枢网络
back wave 回波 | backbone network 中枢网络 | background 后台
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backend：后台
它是一个后台(backend)优化的编译器,在前台(upfront)实行数据流分析,并创建了高度优化的受管原始代码做为输出结果. JIT可以使用不严格的IL指令集编码,但是所需资源将十分可观. 主要的限制在于内存足迹(footprint)、结果工作集,
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Backflush：逆算法
backend 后端 | backflush 逆算法 | background 后台
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backgrounder：政府官员举行的记者招待会
background | 背景, 后台, 不重要或不引人注目的地方或位置 | backgrounder | 政府官员举行的记者招待会 | backhand attacking rally | 反手连续攻球
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backlog：待办事项
background 后台 | backlog 待办事项 | backscrolling 反卷