traditional opera

traditional opera的基本解释

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戏曲

与traditional opera相关的网络例句 [注：此内容来源于网络，仅供参考]

At the beginning of the dissertation, the author explained some main concepts and methods, in addition, the major concerns of the social background of Ming and Qing Dynasty and basic spreading characteristics of "Xixiangji". Social pastime and social position of traditional opera turned from vulgar to elegant formed the direct reason of the prosperity of Ming and Qing traditional opera. During the time the general characteristic of the spreading of "Xixiangji"can be concluded as follows: wide-spreading. Chapter Ⅰ, study of the play.

本文的前言部分，除了按照惯例，对课题的提出、研究方法以及一些概念加以说明和论述之外，我们主要针对明清时期的社会背景和《西厢记》传播的基本特点加以探讨和介绍，认为社会的娱乐风气和戏曲文学的社会地位由俗到雅的提升是构成明清戏曲传播繁荣兴盛的直接因素；明清时期《西厢记》传播的总体特征可概括为：受众多、传播时间长、分布广。

During 50 years after coming into being in Chinese film, Traditional opera film living space is less , is in authigene state basically, system that the theory and aesthetics creating laws at the same time since Chinese motion picture technique , the artistic media restricting , traditional opera film creation do not form one package to traditional opera film study.

在中国电影诞生后的50年间，戏曲电影的生存空间较小，基本处于自生状态，同时由于中国电影技术、艺术手段的限制，戏曲电影创作没有形成一整套对于戏曲电影创作规律的理论和美学研究的体系。

The words "Pai-Chang"or "Pai5 Tiunn5" have many meanings But when used in traditional opera or music and explained as a kind of formal musical performance they are only applied in Taiwanese Peguan and Nanguan cultural circle particularly in Peguan circle There are two kinds of characters of "Pai-Chang" in terms of the function of the performance namely artistry and folk custom In Tainian city "Pai-Chang" which refers to the formal vocal performance without makeup and acting; nevertheless is used by the amateur actors' organizations of Peking opera as well Such a phenomenon raises two questions: first of all Although Peking the origin of Peking opera has vocal performance of Peking opera "Pai-Chang" is never used either artistry or folklore therefore how does this jargon hand down to the Peking opera circle in Tainan city ?

「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)一词，用於戏曲音乐方面，做音乐的正式演出型态解释者，为台湾南北管文化圈所特有，其中又以北管最常使用。其以表演目的或弁郧荌粥洃嚏A可分为艺术性与民俗性两种。然而，在台南市及其周边的京剧文化圈内，亦使用有「排场」(pai5 tiunn5或ㄆㄞˊㄔㄤˇ)此一语汇，也指京剧的「正式清唱演出」。本研究动机基於对目前仅见於台南市及其周边之民俗性京调排场的两点疑惑：其一，按京剧的形成地－－北京，虽亦有京剧的清唱演出，然不论为艺术性或民俗性，北京人都不称为「排场」，那麼台南市京剧圈的排场语汇是如何得来的呢？代表了何种意义？

与traditional opera相关的网络解释 [注：此内容来源于网络，仅供参考]

The Chinese traditional opera：戏曲

传统戏曲:traditional opera | 戏曲:The Chinese traditional opera | 戏曲:traditional opera of China

traditional opera：传统戏曲

戏曲:Traditional opera | 传统戏曲:traditional opera | 戏曲:The Chinese traditional opera

traditional opera：的全文例句

traditional opera的例句: | traditional opera的全文例句: | traditional opera的相关翻译词汇: