poetry possessed long literary piece
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The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.
纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,"超验"与"妙悟"的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。
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The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.
纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,&超验&与&妙悟&的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。
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Daddy sits on a' front porch swinging Looking out on a vacant field Used to be filled with burley tobacca Now he knows it never will My Brothers found work in Indiana My Sisters a nurse at the old folks home Mama still cooking too much for supper And me I've been a long time gone Been a long time gone No, I ain't hoed a row since I don't know when Long time gone And it ain't coming back again Deliah plays that old church piano Sitting out on her daddy's farm She always thought that we'd be together Lord I never meant to do her harm Said she could hear me singin' in the choir Me, I heard another song I caught wind and hit the road runnin' And Lord, I've been a long time gone Been a long time gone Lord, I ain't had a prayer since I don't know when Long time gone And it ain't comin' back again Now me, I went to Nashville, Tryin' to beat the big deal Playin' down on Broadway Gettin' there the hard way Living from a tip jar Sleeping in my car Hocking my guitar Yeah I'm gonna be a star Now, me and Deliah singing every Sunday Watching the children and the garden grow We listen to the radio to hear what's cookin' But the music ain't got no soul Now they sound tired but they don't sound Haggard They've got money but they don't have Cash They got Junior but they don't have Hank I think, I think, I think The rest is a long time gone No, I ain't hit the roof since I don't know when Long time gone And it ain't coming back I said a long time gone No, I ain't honked the horn since I don't know when Long time gone And it ain't coming back again I said a long time, long time, long time gone Well it's been a long time Long time, long time, long time gone Oh, it's been a long time gone Long time, long time, long time gone Yeah yeah
爸爸坐在一个'前沿阳台摆动寻找出一个空置场用来填补与白肋烟tobacca 现在他知道这种情况永远不会改变我的兄弟们找到了工作,在印第安纳州我的姐妹的一名护士,老人们在家中妈妈还是烹调太多晚饭我和我已经很长时间了已经很久了不,我不是牺牲品一排,因为我不知道什么时候很长时间了这是不会回来再 deliah发挥老教堂钢琴坐月子,她爸爸的农场她一直以为我们会被一起主我从来没有意思做她的伤害说,她能听到我的声乐发声',在合唱团我,我听到另一首歌 i被风撞上路跑'和主,我已经很长时间了已经很久了上帝,我是不是有一个祈祷,因为我不知道什么时候很长时间了这不是comin '一拖现在我,我去纳什维尔 tryin '拍打大不了? playin '了百老汇发财'有硬办法生活,从群众举报瓦罐睡在我的车 hocking我的吉他嗯,我在哪里也成为明星现在,我和deliah歌唱每星期日看着孩子们和花园成长我们听收音机听到什么的乱打'但音乐是没有,没有灵魂现在,他们健全累,但他们并没有健全的憔悴他们已经获得的金钱,但他们并没有现金他们获得初级,但他们并没有汉克我觉得,我觉得,我觉得其余的是一个长的时间去不,我是打不到屋顶,因为我不知道什么时候很长时间了这是不会回来我说很长时间了不,我不是兄弟非洲之角以来,我不知道什么时候很长时间了这是不会回来再我说了很久,很久,很久了以及它的已经很久了长的时间很长的时间,很长的时间,经历了哦,这是一个漫长的时间去长的时间很长的时间,很长的时间,经历了嗯嗯
- 更多网络解释 与poetry possessed long literary piece相关的网络解释 [注:此内容来源于网络,仅供参考]
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So long:(再见,再见,再见,再见,再见)
Especially tiny tots and your pregnant women (尤其是小孩和孕... | So long, so long, so long, so long, so long (再见,再见,再见,再见,再见) | So long, so long, so long, so long, so long (再见,再见,再见,再见...
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be possessed of:占有, 拥有
be possessed by | 被附身 | be possessed of | 占有, 拥有 | be possessed | 发疯, 渴望做某事, 镇静
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You, by more eloquent lips have been praised:有多少人曾把你夸奖
Long, long ago, long, long ago. /多年以前,多年以前. | You by more eloquent lips have been praised, /有多少人曾把你夸奖, | Long, long ago, long, long, ago, /多年以前,多年以前.