objecthood

objecthood的基本解释

n.

实物艺术

与objecthood相关的网络例句 [注：此内容来源于网络，仅供参考]

The metaphysician also attempts to clarify the notions by which people understand the world, including existence, objecthood, property, space, time, causality, and possibility.

该metaphysician还试图澄清的概念，其中的人了解世界，包括是否存在， objecthood ，财产，空间，时间，因果关系，以及可能的。

His work is related to their objecthood, and often takes the form of an impersonal romance that initiates and shapes relationships between these errant things.

他的作品是与他们的[size=2]自在客体，往往需要一个浪漫的形式，非个人之间侠事发起和形状的关系。

It is in this process of making, we, as architects, should try to set one free from the world of senses that one is bound to live in and lead him to a higher spiritual realm of feelings, in which he could take advantage of his refined soul to reflect upon the reciprocal relations between "materiality"/"objecthood" and "subjectivity."

也就是在操作过程中，试图将人从他所处的经验感性世界中彻底解脱出来，并让人进入到超越的精神感情世界中，以更纤细的灵魂直接去观照「材料」或「对象」与本体的互动关系。

In response to the appearance of 1960s minimalist art, art critic Michael Fried proposed his concept of "Objecthood"which stated that the new art form was "seeking to occupy a position in the world."

上个世纪六十年代，针对极少主义艺术的出现， Michael Fried （注1）提出了&物体情境&这一概念，他指出新的艺术形式&只是选择在世界中占据一处位置&，深刻剖析了艺术形式变化的终究所在。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说，一方面，早期极少主义的发展是符合格林伯格主张的&形式简化&原则的；但另一方面，当斯特拉提出&你看见的是什么就是什么&，贾德主张&特殊客体&，以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后，极少主义开始脱离现代主义的发展轨迹，最终走向了反现代主义的道路。1967年，格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭，此后，形式主义批评走向衰落。