legitimate drama

legitimate drama的基本解释

n.

专门适用于舞台之戏剧, 文艺性之戏剧

与legitimate drama相关的网络例句 [注：此内容来源于网络，仅供参考]

One woman's epic", the audience will not only be able to see the Tian Zhao Weiinterpret this为爱痴狂Sufi woman, can also be spoiled for choice to enjoy his Zhao Wei in the movie drama, drama TianSophie's identity is love drama performances madman drama, often active in the drama of the stage, in order to allow thefeeling at the time Zhao Wei performances, directed in particular Repertory Theater from Anhui province invited to a sixtiesand seventies-year-old performance artist, she personally arranged drama, guidance Zhao Wei ,"to the name of revolution,""ADoll's House","White-Haired Girl","cuckoo and other 19 classic drama in the play perfect reproduction, this drama also 19Zhao Wei had enough drama Addiction.

在《一个女人的史诗》中，观众不但能够看到赵薇演绎的田苏菲这个为爱痴狂的女人，还可以一饱眼福欣赏赵薇在戏中演话剧，剧中田苏菲的身份是热爱话剧表演的戏疯子，时常活跃在话剧的舞台上，为了让赵薇演出当时的感觉，导演特别从安徽省话剧团邀请到了一位六七十岁的老表演艺术家，让她亲自编排话剧，指导赵薇，《以革命的名义》、《玩偶之家》、《白毛女》、《布谷鸟》等十九部经典话剧都在剧中完美再现，这十九部话剧也让赵薇过足了戏瘾。

The drama art in Xinjiang, haw a long history, Each nation created its drama with unique artistic characteristics and styles based on its traditional culture. According to form and genre, the drama is divided into opera, dance drama and local drama. If distingue by national feature and region, I key are Uighur opera, Kazak opera, Sibo opera, melody opera and other local opera from the other pants of China.

新疆的戏剧艺术具有悠久的历史，各个民族在自己传统文化的基础上创造了独具艺术特色与风格的民族戏剧，按其艺术形式和体裁划分有歌剧、舞剧和地方戏曲，以民族特点和地域划分则有维吾尔剧、哈萨克剧、锡伯剧以及从我国内地传入新疆的曲子戏和其它地方戏曲。

On the other hand, the influence of Absurd drama manifested mainly in the perspective of observing the world in later plays. Absurd drama reveals the uncertainty of the world by the skill of"simile way". Contemporary playwrights draw extensively and broadened the use of"simile way", and create the new simile symbols: anti-classic simile, anti-system simile and anti-meaning simile. At the same time they use a comprehensive simile to create a kind of sensual drama.Absurd drama also destroys the language function of traditional drama by rupture and desegregation, also tends to use "the language of no meaning," to reflect the world's essence. The contemporary generation create a physical theatre to expulse of the role of language. Another extreme is to strengthen language function thus creating a language game.

另一方面，荒诞派戏剧的影响力主要体现在后世剧作对客观世界的认知上：荒诞派通过&直喻&的手法来表现世界不确定性的本质，被后世剧作家广泛借鉴并且拓宽了直喻手法的使用，出现了反经典、反系统和反深度的直喻符号，同时另一个极端则是用剧场性的全面直喻创造了具有震撼力的感官戏剧；荒诞派通过破裂与解体的方法化解了传统戏剧的语言功能，更倾向于用&无义的语言&表达来体现世界的无义，后世剧作家在此基础上索性彻底驱逐了语言的作用从而创造了肢体戏剧，另一个极端则是强化语言功能创造了&语言游戏&。

与legitimate drama相关的网络解释 [注：此内容来源于网络，仅供参考]

legitimate drama：舞台戏剧

legitimacy 合法婚生 | legitimate drama 舞台戏剧 | legitimate stage 正统戏剧