ink and wash

ink and wash的基本解释

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水墨画

与ink and wash相关的网络例句 [注：此内容来源于网络，仅供参考]

The subheading of the exhibition is "In the name of Ink-and-wash", which contains two aims: first, we hope the artists who don't use ink-and-wash as their vehicle of artistic expression such as those engaged in installation art, video art and sculpture will absorb some elements from traditional Ink-and-wash and other traditional resources; the second is to promote conversion and continuation of Ink-and-wash as a type of painting, thus it can pursue a new possibility in the contemporary era.

展览的副标题叫"以水墨的名义"，这里面包含有两个目标：首先是希望从事水墨以外媒介创作的艺术家——比如说从事装置、影像、油画、雕塑的艺术家，能从传统水墨或其他传统资源里吸收元素；其次是促进水墨画这个画种自身的转换与延续，使它能够面对当代，去寻求一种新的可能性。

Product fault ink UN-uniform UN-uniform ink products were:(1) water and ink, ink and wash painting the rubber roll version of wear, spindle bearing wear, cots epiderm aging decline, ink, etc;(2) series water roll of layer debranning, cylindricity wear, a thin layer of shoulderpieces for intergradle monlchamus, a product of long a portion of the Ribbon, resulting in a roller 跞 movement oscillating anisotropism;(3) support by Edition of water, rollers, the cylinder, swayig stand, wear, resulting in version tiaodong Cot by cause pressure by version is unstable, produce ink imbalance, ink, ink plate, staves, relying on the old version (students'overloaded) version of COTS and pressure;(4) the water roll chemiluminscent set of aging or poor quality water decline caused by transmission;(5) does not have a regular check of the drum-and-ink roller and version by version-and-ink roller and pressures;(6) if the drum gear wear, and gear spacing is the same as the regular ink "" gear.

二、产物墨色不平均障碍产物墨色不平均的来因有：（1）传水、传墨、匀墨和靠版水墨各橡胶辊的圆柱度磨损超不差，拆轴承的轴脚磨损，胶辊不内脏嫩化，传墨本领回升等；（2）串水辊度层脱皮，圆柱度磨损超不差，暗地有薄积墨层，两脚长出局部有积墨带，变不败滚子跞不静串墨不不平衡；（3）撑持靠版水、墨辊的锁脚，摆不静支架，磨损惨重，变不败胶辊靠版时跳不静致使靠版不抬辛不安定，爆发水墨不不平衡，呈现墨色不不平衡、干版、水墨杠、嫩版等本体；（4）水辊绒套嫩化或质度不差变不败传水本领回升；（5）操纵按期校核各水墨辊及版滚筒与靠版水墨辊的不抬辛；（6）若滚筒传不静齿轮磨损超不差，呈现与齿轮间距不异的有次序的&齿轮墨杠&。不一、套印障碍 1。

The argumentation way in which this literary grace using is based on color painting, setting out from two angles separately " color"、" ink and wash", making criticizition in texts of Chinese ancient drawing history; analyzing how "color" painting was on the way from ripe to losing; emphatically analyzing the reason of losing in color center, that is to say the reason of "the change of ink and wash ", and its reconstructional way of combination, development with "ink and wash" it was "replaced" by the afterward manner. In a word, the developing "replaced"by the afterward manner.

本文所采用的论述方式是：立足于色彩绘画，分别从&色彩&、&水墨&两个角度出发，先对它们在中国古代画史论著中作一考证；分析隋唐时期&色彩&绘画是如何从体制的成熟、完备而走上&失落&的道路；着重分析色彩绘画中心&失落&亦即&水墨之变&的原由；及其在被水墨&替代&后与&水墨&结合、衍变的重建之途。

与ink and wash相关的网络解释 [注：此内容来源于网络，仅供参考]

ink and wash drawing：水墨

hydria 水罐 | ink and wash drawing 水墨 | installation 装置

Chinese ink and wash：中国水墨画

Chinese imitation antique carpet 中国仿古地毯 | Chinese ink and wash 中国水墨画 | Chinese ink box 墨盒

Chinese ink and wash：意境显现

水墨黑白:White and black of wash ink | 意境显现:Chinese ink and wash | 水墨语言:painting ink and wash