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The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry.
拒绝的意象的情绪和discursiveness许多典型的浪漫主义和维多利亚诗歌。
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As well as the matters covered in Zukofsky's essays, the elements of this approach included: a respect for Imagist achievement in the areas of vers libre and highly concentrated language and imagery; a rejection of the Imagists interest in classicism and mythology; for Reznikoff, Zukofsky, Rakosi and Oppen, a shared Jewish heritage (which, for all but Oppen included an early childhood in which English was not their first language); generally left-wing, and, in the cases of Zukofsky and Oppen at least, Marxist politics.
以及所涉事项Zukofsky的散文,其内容这一做法包括:尊重意象成就领域的自愿自由和高度集中的语言和图像;拒绝的意象兴趣古典与神话;为Reznikoff , Zukofsky ,拉科西和Oppen ,一个共同的犹太遗产(其中,对所有但Oppen包括幼儿教育,其中英语不是第一语言);一般的左翼,并在案件Zukofsky和Oppen至少,马克思主义政治。
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Based in London, the Imagists were drawn from Great Britain, Ireland and the United States.
总部设在伦敦的意象来自英国,爱尔兰和美国。
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Somewhat unusually for the time, the Imagists featured a number of women writers among their major figures.
有些不寻常的时间,意象精选了一些女作家之间的主要数据。
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Modernist poetry in English is generally considered to have emerged in the early years of the 20th century with the appearance of the Imagists.
现代派诗歌在英语被普遍认为已出现了早期的20世纪的外观意象。
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