gamelan ['gæməlæn]

gamelan的基本解释

n.

加麦兰(一组印尼的民族管弦乐器)

与gamelan相关的网络例句 [注：此内容来源于网络，仅供参考]

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即"天人和一"、"弦外之音"以及"以象立意"等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

Gamelan instruments are built and tuned to stay together--instruments from different Gamelan are generally not interchangeable.

Gamelan乐器制作和调音是为了一起搭配使用--出自不同套Gamelan的乐器一般不可互换。

La Mer' reflected China classical aesthetic ideology, especially the aesthetic ideology consistency that China ancient scholars and painters reflected on the performance of natural landscape ,which was 'harmony between the heaven and human ','Sound outside what the string is making between the lines ' and 'approach determined by figure'. Its music reflected gamelan creative skills in many aspects,...更多 for example, the use of continuous tone and fixed voice type, the texture counterpoint imitation, the similarity of pitch and the harmony, etc. It could be seen that Debussy once studied Javanese gamelan music thoroughly on the analysis of 'La Mer' music ontology. Debussy choosed Japanese printer—Katsushika Hokusai's 'surfing in Kanagawa' as cover on the publication of 'La Mer', it was reflected that on the one hand he liked Japan Ukiyoe, on the other hand his work had painting factors.

大海》中体现了东方文化中的中国古典美学思想，尤其是与中国古代文人画家们在表现自然景观上所体现山的美学思想的一致性，即&天人和一&、&弦外之音&以及&以象立意&等；它在众多方面都体现山了加美兰的创作技巧，如持续音、固定音型的使用，织体对位的模仿，调式、和声的相似性等，在对《大海》音乐本体的分析中可以看出，德彪西对爪哇加美兰的音乐曾进行过深入的研究：作品出版时德彪西选择了日本版画家葛饰北斋的《神奈川冲浪里》作为封面，一是表现出他对日本浮世绘的浓厚兴趣，二是表达了他作品中具有的绘画性因素。

与gamelan相关的网络解释 [注：此内容来源于网络，仅供参考]

gamelan：加麦兰

他们也参与各类剧场的表演,包括室内管弦乐队、交响乐队、华乐团、合唱团、印尼加麦兰(Gamelan)乐队、电子乐队和其它类型的室内乐队. 这门课程实践与理论并重,学生毕业后可凭专业文凭的成绩转入音乐荣誉学位课程深造.

gamelan：甘美兰

"甘美兰"(Gamelan)也译"佳美兰"或"甘姆兰". 指以定音打击乐器为主组成的印度尼西亚传统乐队,由它演奏的音乐也称甘美兰. 主要流行于印尼的爪哇和巴厘. 甘美兰乐队以各种锣为中心,再加上其它金属敲击乐器和管弦乐器. 这种乐队中锣的数量很多,

gamelan：木琴 (印度尼西亚的一种竹制打击乐器)

Koto 科多琴 | Gamelan 木琴 (印度尼西亚的一种竹制打击乐器) | Vihuela 古吉他 (源起于墨西哥)

gamelan：木琴 (印尼的一种竹制打击乐器)

Gaida 风笛 (保加利亚的传统乐器) | Gamelan 木琴 (印尼的一种竹制打击乐器) | Glass chime 玻璃风铃

gamelan dkk：最喜歡的音樂

最喜歡的電影: tom and JeRRy | 最喜歡的音樂: keroncong, slow Rock, pop, gamelan dkk | 最喜歡的電視節目: mancing mania, jejak petualang, sibolang.