execution ground

execution ground的基本解释

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刑场

与execution ground相关的网络例句 [注：此内容来源于网络，仅供参考]

In 《Hero's Return》, the astronaut protected by the guards is received by a welcoming crowd. In the first painting, he appears rigid, uneasy and overwhelmed by the scale of the event. In fact, he looks more like a criminal being marched to the execution ground. But in the second painting, he is shown to wave to the crowd and play the role of 'hero' with adeptness. We can almost begin to see the life he leads afterwards. He will be received by various top leaders and interviewed in television programs. In a succession of awarding ceremonies, speeches and briefings, he will become more and more experienced, relaxed and eloquent, so on and so forth. His self will be eroding. Whenever he looks at himself in the mirror, he will see a hero, a hero through and through. Via the contrast of images, the artist subtly reveals the process of hero-making.

在《英雄归》里，那位宇航员在卫兵的护送下，接受人群的夹道欢迎，第一幅画面上，我们可以看到他显得举止僵硬，受宠若惊，仿佛还没有适应如此盛大的场面，夸张地说，他的姿态倒像是一个被押送的犯人，而在第二幅画面上，他已经在挥手致意，看上去已经进入到"英雄"这一角色之中，我们似乎可以猜想他此后的生活，他将会不停地受到领导人的接见，不停地出席电视采访节目、受勋仪式、演讲会、报告会，在那样的过程中越来越老练、坦然，口才越来越出色，如此等等，他的自我逐渐地丧失，甚至当他揽镜自照时，眼之所见也俨然是一个不折不扣的英雄形象。

Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.

当代的后现代剧场的举动地面为执行的悲剧，从hamartia的个人悲剧英雄以悲剧英雄的无力有机构超过自己的生命，甚至没有自由意志作出的错误。

Contemporary postmodern theater moves the ground for the execution of tragedy from the hamartia of the individual tragic hero to the tragic hero's inability to have agency over his own life, without even the free will to make mistakes.

同时代的后现代作品，已经从个别的悲剧性的英雄的悲剧性的错误，移动到了悲剧性的人物无法自主自己的生活，甚至无法自主控制不去犯错误。已经由典型的希腊式的，命运由上帝主宰变化成个体的思想被现实和经历所磨砺。