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Well, if you say that Han, Guo and Acosta just have some cute faces, you don't judge fairly. Personally, I like reading them very much because what they wrote is free from the shackles of minds and thoughts or ethereally written or beautiful melodies. Not only do they capture the imaginations of peers but also they grab the psyches of some dubious middle-aged esthetes.
当然,如果说韩寒、郭敬明、Acosta等&80后&仅仅长了一张年轻漂亮的脸蛋儿,显然并不公平,我本人其实就很喜欢他们的文字:或挥洒自如,或空灵飘逸,或优美感伤,不仅抓住了同龄人的想象力,也征服了许多中年人多疑的审美心理。
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Esthetes they are.
他们是唯美主义者。
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One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.
有一点可以肯定,那就是他们不赞成甚至反对以观念代替艺术,与此相关联的是他们承认甚至看重技术对於艺术的价值,他们都不是唯美主义者,但坚信审美是艺术必须具备的品质,在他们眼里一切所谓观念,即使是最有价值的观念在艺术中都必须经由审美的中介加以实现,虽然他们反对观念至上,反对当代艺术中蔑视以至讨伐技术的倾向,但他们并不标榜技术至上;他们承认并接受观念对於艺术的意义,但他们同时看重传达观念的方式,他们试图选择的是一条相对中庸的道路,不偏不倚,不左不右,亦中亦西,有古有今,前卫亦无不可,极端则须避免,能够做到这些,已经是作为教师的角色选择的极限,超越这些范畴的期待已经不很现实了,而远离这些范畴的选择又似乎有违於教师的身份。
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There are esthetes who appreciate the cross-eyed cartoons of Pablo Picasso, the random dribbles of Jackson Pollock, and even the pickled pigs of Damien Hirst.
毕加索笔下的人物有一对斜眼、波洛克随意在画布上滴洒颜料、达米安赫斯特甚至把猪腌渍保存——这个世界上确实有能够欣赏这些艺术的风雅之士。
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Wang Guowei is the inaugurator of modern Chinese aesthetics, while Lu Xun and Guo Moruo are respectively the representatives of realistic aesthetics and romanticism aesthetics, and Zhu Guangqian and Zong Baihua are both professional esthetes.
王国维是中国现代美学的开启者,鲁迅是现实主义美学代表,郭沫若是浪漫主义美学代表,朱光潜、宗白华则可以说是专门的美学家,他们与庄子的关系显示出庄子参与现代美学建构有一个从&潜运&到&浮出地表&的逻辑进程。
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