ensemble [ɔn'sɔŋblə]

ensemble的基本解释

n.

全体, 合唱曲, 女人的全套服装

• This is an amateur ensemble.
• 这是一个小型的业余合唱团。

• The coat, hat, and shoes make an attractive ensemble.
• 这外套、帽子和鞋子配成一套引人注目的服装。

与ensemble相关的情景对话

衣食住行 / 外出就餐

A:

What did you think of the food?

你觉得菜怎么样？

B:

It was delicious. I especially liked the garlic mashed potatoes.

味道太好了，我特别喜欢蒜味土豆泥。

A:

You’re right, those were fantastic.

你太对了，味道好极了。

B:

Did you like your food?

你喜欢这些菜吗。

A:

I was a bit disappointed in my main course, actually. The sauce was too rich.

事实上，我对我的主菜有点失望，调味汁放得太多了？

B:

How about the dessert?

那甜点怎么样。

A:

That was the best chocolate mousse I’d ever eaten! I might go back there just for that next time!

那是我吃过最好吃得巧克力奶油冻了，下次我可能还特意到这来吃它。

B:

The service was pretty good, too, wasn’t it?

服务态度也很好，不是吗？

A:

Yes, they were very attentive. My glass was always full.

是的，他们的服务很体贴。我的杯子一空，他们就给添满。

B:

I liked the atmosphere. It was nice to eat in a quiet restaurant.

我喜欢这里的气氛。在安静的饭店用餐真是太好了。

A:

What did you think of the jazz ensemble that was there?

你觉得那边的爵士乐团怎么样？

B:

You know, I think they were the same ones who play at Aria on Friday nights.

你知道吗，我觉得他们就是每周五晚上在Aria 演出的那个乐团。

A:

I think you’re right. I really like the female singer. She has such a mesmerizing voice.

我想你是对的。我真的很喜欢那位女歌手。她有让人如此入迷的嗓音。

B:

Not as mesmerizing as yours!

没有你的迷人哦！

与ensemble相关的网络例句 [注：此内容来源于网络，仅供参考]

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The relationship among three ensemble s (microcanonical ensemble ,canonical ensemble ,and grand canonical ensemble ) was discussed by means of derivation of distribution function,calculation of partition function,clarification of the basic thermodynamics as well as the fluctuations of particles in order to get profound cognition of these three ensemble s.

从三则系综(微正则系综、正则系综和巨正则系综)分布函数的推导，配分函数的计算，基本热力学量的表达及能量、粒子数的涨落等方面来讨论三则系综之间的关系，以便更深刻地认识三则系综之间的关系、灵活运用三则系综来解决实际问题。

与ensemble相关的网络解释 [注：此内容来源于网络，仅供参考]

Ensemble：瑞宝

这个面积仅4万余平方公里的欧洲小国拥有数个国际知名的Hi-End品牌,除了上面刚刚提到的贝歌(Piega)之外,还有很多响亮的字号,如FM Acoustic、高文(Goldmund)、Nagra、瑞宝(Ensemble)、天琴、darTZeel、Weiss、Studer等等.

Ensemble：重唱

现行之歌剧,在音乐方面,其构成部分包括了序曲(Overture)、间奏曲(Intermezzo)、合唱(Chorus)、重唱(Ensemble)、独唱(Solo);独唱者扮演剧中之主角和配角,依脚色之不同,分别由女高音、女中音(或称次女高音)、女低音、男高音、男中音及男低音来担任,

Ensemble：系综

并且同时来测量它们的噪声电压 (仍然是经历很长的时间) .我们可以想到这两组实验可以得到相同的结果.这 ,每一个这样的波形叫做"采 一大量电阻噪声电压的集合叫做"系综(ensemble)" 样函数" sa

Ensemble：合奏

格里.穆里根在自己的作品里坚决维护酷爵士(Cool Jazz)的原则,无论是乐曲的引子还是结束段都独具匠心,对位法合奏(Ensemble)让格里.穆里根和查特.贝克的独奏显得得心应手水到渠成,涵蓄温婉中,描绘着加利福尼亚海岸迷人的阳光与美丽的哀愁.

ENS ensemble：合奏

Enhance 增强,提高,提升 | ENS ensemble 合奏 | ENS envelope sensation 群感