embracers

与embracers相关的网络例句 [注：此内容来源于网络，仅供参考]

By studying psychological effect and traditional cultural effect in plane design, this article proposed that more attention should be paid to the study on psychology of embracers, to inherit and develop the form and connotation of traditional culture.

通过对当代平面设计中心理效应和传统文化效应的分析研究，提出了在平面设计中应注重受众心理－需求的研究，继承和挖掘传统文化的形式与内涵的观点，并在平面设计中进行揉和设计，提高平面设计的艺术亲和力和感染力。

Together with economic development, significant changes have been taking place as to the role a customer plays in the economic activities. Customers are no longer positive embracers to the products and services offered by the bank. They, as major participants in the value-creation activities, have taken part in the value-creation activities of the bank.

随着经济的发展，客户在经济活动中的角色定位已经发生了巨大变化，客户不再是银行所提供的产品和服务的被动接受者，而是作为价值创造活动的主要参与者加入到商业银行创值活动中来。

At the same time, by means of the ceaseless self-reflection, Luxun made himself conquer all desperation and acquire great achievement. On the other hand, to readers, his intense consciousness of self-reflection realized the writing purpose that he tried to write for truth and resonated among embracers' thinking and sensation.

同时，通过不断的自我剖析，鲁迅实现了自身的不断超越，抗争绝望，完成主体意义上的飞跃；而对接受客体来说，强烈的自剖特性，也打开一扇了解鲁迅世界的大门，营造&真与诚&的文学意蕴，实现接受客体上的共鸣与感悟。

Luxun's composition carried his point of self-introspect, decompression and personality sublimation. Furthermore, it reasoned the cause and feature of his self-reflection and considered that it was the combination of the basic law culture-composition, the personal temperament and his composition purpose to write for truth. So comparing to other writers such as the Creating-corporation, Luxun's consciousness of self-reflection has more embracers and will be vivid for a long time.

在此基础上，本文对鲁迅自我剖析意识的成因和特色进行了具体分析，认为其自剖意识是文学创作基本规律的具体表现和鲁迅个人独特精神气质、生活经历以及求真求实的文学创作观相结合的产物，与同时期创造社等作家的自我剖析作品相比，具有更为广泛的接受层面和更为长久的生命力。

Secondly,it announced that the Postmodernism Spectacle Culture revelled a kind of pure "visual hedonism" which cut down the line linked with its ancient branch: its aesthetic feature can be concluded from such aspects:Seperated from the reality world as its fictitious feature;sensible intuitionistic as its media feature;vanishment of artistic charm as its aesthetic convert feature; revel of desire as its embracers' psychology feaure.

论文认为，后现代的奇观文化割裂了人类早期奇观文化的审美特性而呈现出一种纯粹的&视觉快感&：&与现实世界的分离&是后现代奇观文化的虚拟特性，&感性的直观&是后现代奇观文化的媒介特性，&韵味的消解&是后现代奇观文化的审美特性，&欲望的狂欢&是后现代奇观文化的受众特性。