diminished seventh chord
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The introduction deals with these pieces composed before Beethoven so as to get the conclusion about the historical background of how specific color of C minor came into being. Chapter One studies three C minor piano pieces composed by Beethoven (Sonata No.5, Sonata No.8, Piano Concerto No.3), analyzes these first movements in detail from the perspective of the binary conflict, dotted rhythm, diminished seventh chord and the use of repeat notes. Chapter Two focuses on the similar backgrounds concerning compositions, general idea, theme design, heroic characters, etc. All of these characters could explain that how Beethoven understood and used the to...更多nality of C minor.
随后选择贝多芬1800年之前创作的三部C小调钢琴作品(《第五钢琴奏鸣曲》、《第八钢琴奏鸣曲》、《第三钢琴协奏曲》)进行研究,并着重第一乐章,从二元冲突、附点节奏、减七和弦、重复音的运用等方面进行具体分析,归纳三部作品在创作背景、总体构思、主题设计、英雄性格等方面的相似之处,从而解释贝多芬对C小调调性的理解与运用以及这三部作品对贝多芬英雄主义风格形成的影响。
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diminished seventh chord:减七和弦
dominant seventh chord 属七和弦 | diminished seventh chord 减七和弦 | ninth chord 九和弦
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diminished seventh chord:减七以及弦
diatonic scale 自然音阶 passing tone 经过音 | diminished seventh chord 减七以及弦 | diminished triad 减三以及弦
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Diminished chord of the seventh:减七和弦
"读音","Diction" | "减七和弦","Diminished chord of the seventh" | "减五度","Diminished fifth"