culture organism

culture organism的基本解释

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发酵微生物区系, 培养微生物

与culture organism相关的网络例句 [注：此内容来源于网络，仅供参考]

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

We have succeeded in the culture of this organism in the laboratory.

所用的培养基为经改良的一个团藻培养基配方。

The paper discuss the connect of Chu culture organism's design and present-day design idea.

但这种渗透只是感性上的，许多艺术家在培养传统审美情趣的过程中，并没有意识到原始美的价值。

Secondly, the paper expound in two aspect on how to fuse Chu culture organism's design and modern art design.

另一方面，从原生态的角度来看，在现代设计中如何应用原生态的思想表现出勇敢、力量和追求理想的执着文化精神，在形式上如何采用绝艳和绚丽多姿的色彩，使之更有艺术性。

It indicated that government, marketplace, intermediary organism, and culture stimulated the interaction of Korean agricultural development and agricultural education.

韩国农业发展与农业教育的互动机制可以概述为：人力资本和科学技术是联系农业发展和农业教育的纽带，政府行为、市场机制、中介组织和文化因素促进农业发展与农业教育互动。

与culture organism相关的网络解释 [注：此内容来源于网络，仅供参考]

Hydrobiology and Culture of Food Organism：水产养殖水生生物与饵料生物培养

水产养殖生物统计Biostatistics | 水产养殖水生生物与饵料生物培养Hydrobiology and Culture of Food Organism | 水产养殖水生生物与饵料生物培养试验Experiment of Hydrobiology and Culture of Food Organism

culture organism：培养微生物

培养基 culture medium | 培养微生物 culture organism | 菌种增殖 culture propagation

culture organism：发酵微生物区系, 培养微生物

culture medium || 培养基(培养微生物的养料) | culture organism || 发酵微生物区系, 培养微生物 | culture rotation || 菌种保存的转接(种), 菌种繁殖的逐级扩大

Difficult to culture organism：很难培养微生物

诺卡氏菌流产 Nocardia abortion | 实验室和病理学诊断Laboratory and Pathology | 很难培养微生物 Difficult to culture organism

Feed organism culture：饵料生物培养

工业化养殖 Industrial aquaculture | 饵料生物培养 Feed organism culture | 工业化养鱼 Industrialized fish