chant [tʃænt; tʃɑ:nt]

chant的基本解释

n.

圣歌, 赞美诗

• The crowd chanted 'Down with the Despot'.
• 人群有节奏地不断呼喊'打倒暴君'。

• The chant of the crowd was "Work for all".
• 群众反复有节奏地呼喊的是"给大家工作"。

vt.

吟唱, 诵扬

• He chanted a prayer.
• 他唱起了祈祷诗。

• The crowd chanted their demand in front of the city hall.
• 群众在市政厅前齐声有节奏地呼喊着他们的要求。

• After his first performance all the newspapers chanted the praise of this new actor.
• 首场演出之后，各报对这位新演员都大加赞扬。

vi.

吟唱, 诵扬

• The demonstrators chanted in the square.
• 示威者在广场上单调而有节奏地喊叫。

chant的同义词

v. intone

与chant相关的网络例句 [注：此内容来源于网络，仅供参考]

This body of chant became known as Gregorian Chant By the 12th and 13th centuries, Gregorian chant had superseded all the over Western chant traditions, with the exception of the Ambrosian chant in Milan, and the Mozarabic chant in a few specially designated Spanish chapels.

至此格利高里圣咏取代了所有其他的西欧圣咏传统，除了米兰的安布罗斯圣咏，以及一些指定的西班牙教堂使用的莫扎勒布圣咏。

No. flower child, is when the two of Gansu as a folk melody of "suona chant,""Cock's chant,""crow's chant," and so on, a lot of structural changes in musical form, rhythm and varied, song lyrics in the multi-purpose lining the word by adding imitate various musical instruments or the sound of birds make music, colors richer.

花号子，是甘肃陇南两当的一种民歌，曲调有&唢呐号子&、&鸡公号子&、&乌鸦号子&等，曲式结构变化很多，节奏多种多样，唱词中多用衬词，加入摹拟乐器或鸟鸣的种种声响，使音乐色彩更加丰富。

The motet, one of the most important musical form of the high Middle Ages and Renaissance, developed initially during the Notre Dame period out of the clausula , especially the forms: clausulae, which were melismatic sections of organa extracted and fitted with new words and further musical elaboration; conductus , which was a song for one or more voices to be sung rhythmically, most likely in a procession of some sort; and tropes, which were rearrangements of older chants with new words and sometimes new music. All of these genres save one were based upon chant; that is, one of the voies,(usually three, though sometimes four) nearly always the lowest sung a chant melody, though with freely composed note-lengths, over which the other voices sang organum.

所有这些形式都保留一个共同点，那就是它们的发展都基于圣咏，也就是说，几乎总是在最低声部的男高音（通常是3到4个人）演唱圣咏，伴随着这自由沉着的长音，其他人在高声部演唱奥尔加农。

与chant相关的网络解释 [注：此内容来源于网络，仅供参考]

chant：圣歌

厚颜无耻的高卢人认为圣歌(chant)被我们的曲调所玷污,而事实上我们的音乐才代表着纯正的轮唱(antiphoner). 这时查尔斯问道,水源和水流,哪个更易保持洁净. 当高卢人回答说是水源时,他又大智地补充道:'我们至今不得不受用受污染的水流.

chant：歌谣

(三)歌谣(Chant)歌谣是由图画来表现,同时配有节拍明晰、语调准确的伴曲引导语感. 儿童一边听歌谣一边指着相应的图画,还可以用动作表演出来,这样儿童可以很快地掌握歌谣的内容,并养成用正确的语音语调说外语的习惯.

chant：吟唱

%斗士基本的技能有:战曲、连续行动,战曲是广范围的吟唱(chant)系技能,在使用时会不断的消耗魔力值,每修一级战曲,其使用效果即可多得1ATT连续行动可以算是斗士的主攻技能,它与微击术不同之处在于微击术的伤害是普攻加上固定量(依所学等级而定),

chant：唱

这被称为"喊唱"(chant),与瑜伽的"调息"(Pranayama)紧密相关. 调息是以摒住呼吸来锻炼内部器官,"喊唱"是摒住呼吸的同时伴随着剧烈的身体活动. 卡巴迪可能是少数几个将瑜伽和剧烈身体活动结合在一起的运动之一. 卡巴迪需要运动员肺活量大,

Gregorian Chant：格里高利圣咏

从历史的角度来看,早期的声乐艺术作品,如格里高利圣咏(Gregorian Chant),其音域一般不会超过自然音区,因此,换声的问题不是十分突出. 而到了歌剧产生以后,作品的音高跨度日渐加宽,美声唱法的早期代表人物如卡契尼(Caccini)、托西(Tosi)开始探讨声区及其相互转换的问题.