bel canto [,bel'kɑ:ntəu]

bel canto的基本解释

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美声唱法

与bel canto相关的网络例句 [注：此内容来源于网络，仅供参考]

This article consists of a three-chapter text, a brief instruction and an epilogue: achievements of the research on bel canto and thefolk singing as well as their relation in China were concluded briefly in the introduction. In chapter 1, the origin and characteristicsof bel canto and the folk singing, together with their fusion processin present China was illustratively revealed though historical review. In chapter 2, bel canto and the folk singing are analyzed in technical aspects like breath, vocalization, pronunciation, and resonancetogether with comparison on their similarities and differences.; Chapter three is concerned with the application of bel canto in folk singing and nationalization of bel canto as well as the feasibility oftheir fusion from technical aspect. Moreover, it is illustrated thatthe fusion of these two vocal arts in china not only conform to social development and mass aesthetic requirement, but also has great influence on the education and development of Chinese vocal arts. Epilogue is to express wishes to future Chinese vocal arts based on the trend of multi-culture fusion and innovation.

本文共由三章正文和简短的绪论及结语构成：绪论粗略总结国内关于美声唱法、民族唱法及二者关系的研究已有的成果；第一章尝试通过历史回顾直观展现美声唱法、民族唱法之由来、特性及二者在当代中国对话融合之进程；第二章侧重从呼吸、发声、吐字、共鸣等技巧层面分析美声唱法、民族唱法各自的技巧特点并比较二者之间的异同；第三章除着重探讨美声唱法的民族化、民族唱法的美声化及两者融合共促于技术层面之可行性外，更试图说明此二种声乐艺术的融合发展在中国当前不仅是符合社会发展趋势和大众审美要求，更将对中国声乐艺术的教育和发展具有重要影响；结语则就多元文化融合创新之大趋势表达对未来中国声乐艺术的希望。

Kinds of culture in 21st century are becoming compatible and fusional. Vocal art is of no exception. Based on the current situation andtrend, this article applies methods such as Historical-Descriptive,culture perspective and theoretical analysis to the research of singing skills of bel canto and the folk singing in order to analyze the art characteristics and the real possibility of fusion between them. At the same time, successful examples are combined to work out the possible way for the application of bel canto in folk singing and nationalization of bel canto.

二十一世纪的文化是兼容并蓄、融合发展的文化，二十一世纪的声乐艺术亦如此，正是基于这一现状和趋势，本文旨在运用历史描述、文化比较和理论分析等方法，通过对美声唱法和民族唱法歌唱技巧的研究，分析两种唱法的艺术特性和两者融通的现实可能性，同时结合一些成功的实例试图给出民族唱法美声化和美声唱法民族化的可能途径。

This paper analyzes the present situation of Bel Canto in our country, explores and ponders over the problems of the scientific nature, nationality and contemporaneity of Bel Canto, and advances the author's own understanding.

分析了美声唱法在我国的现状，对美声唱法的科学性、民族化、时代性等方面存在的问题进行了探索与思考，提出了自己的认识。

与bel canto相关的网络解释 [注：此内容来源于网络，仅供参考]

bel canto：美声

"美声"(Bel Canto)就是美的歌唱的意思. 仔细阅读"美声学派"大师的著作,我们会发现"美声学派"要求歌唱者能够表现以下这些特点:纯正的发音、优美的音色;演唱时的轻快和杰出的技巧;强弱自如、连音流畅;由正确的发声方法和听觉训练所形成的完美的音准;

bel canto：美声唱法

又有正常成年男性的体魄,经过训练能展现出女高音的音质,随着歌剧的诞生、发展与普及,阉人歌手风靡了整个欧洲,独霸歌坛长达250余年,在声乐发展史上成为"美声唱法"(Bel Canto)的先驱,随着女权的不断解放和声乐技术的进步,

bel canto：美声歌剧

在十九世纪初意大利美声歌剧(Bel Canto)传统中,Gaetano Donizetti 多尼采蒂(又有音译为"唐尼采蒂"和"董尼才第"的)踵继罗西尼,是受广大群众喜爱的旋律制造机与人声魔法师.

bel canto：美声歌唱

图书名称:意大利语文与文化艺术"美声歌唱"(bel canto)唱功技术历史知识 D035图书<<意大利语文与文化艺术"美声歌唱"(bel canto)唱功技术历史知识 D035>> 详细描述暂无

bel canto opera seria：美声歌剧

opera buffa 诙谐歌剧 | bel canto opera seria 美声歌剧 | operetta 轻歌剧