accompaniment figure

与accompaniment figure相关的网络例句 [注：此内容来源于网络，仅供参考]

In the first chapter, author pointed out the three most importantproblems on the current analysis of figure in the existing piano extemporization improvisation books. The first problem is that it lacks of in-depth analysis on the fundamental theory on the figure of piano accompaniment improvisation.

本文第一章，笔者通过对现有钢琴即兴伴奏文献中有关伴奏音型部分的研究与分析，提出了目前存在的三个重要问题。

Currently among all kinds of books on piano extemporization improvisation, the whole music playing structure is the most concerned, but it still lacks of the in-depth analysis in theory. Especially regarding to the theory on figure of accompaniment, most people are still focusing on the several fundamental forms and seldom go deep into the disciplinarians that could developing the playing skills to upper level.

而目前在钢琴即兴伴奏方面的书籍中，注重整体配弹的较多，但缺乏深入细致的理论研究，特别是关于伴奏音型的论述，大多停留在几种基本的形态上，很少有对伴奏音型的拓展进行深入的研究。

At the same time, the theory on the overall design, applications of the figure of accompaniment, and factors on affecting art practice is also not enough.

同时，对伴奏音型的整体设计和应用方法以及艺术实践中的制约因素等的论述也不够。

In chapter two, in order to solve the problems mentioned in Chapter one, author did thorough analysis on the evolvements of figure of accompaniment based on its fundamental methods.

本文第二章，为了解决第一个问题，笔者以伴奏音型的基本形态为基点对伴奏音型的拓展进行了深入研究。

The second is that the design of figure should consider more on the combination of theory and actual practice. The third problem is that analysis on the factors of affecting application of the figure of piano accompaniment improvisation is not so richness.

一是对于伴奏音型基本理论研究不够，二是对音型的设计缺乏理论与实践的结合，三是很少研究音乐实践中伴奏音型运用时的制约因素。