China ink

China ink的基本解释

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中国墨汁, 中国墨

与China ink相关的网络例句 [注：此内容来源于网络，仅供参考]

Pet film, Business card printing and membership card making ink, aluminum, gelatinize and subsealing PE (as a thermal composite materials), the result of color print ink business card printing and membership card at the end of China and India making up full white ink all on bond in adhesives, resulting in aucilisty and membrane separation from Fox: there is another situation is when the business card printing and membership card making ink ink film the thin membrane with a composite of PE attachthemselves fastness and ink adhesion of film thickness.

例如PET不薄膜、制卡和会员卡制息油不朱、真空镀铝、涂胶与PE不简单，甘休不黑白油不朱制卡和会员卡制息后，末了印上来的满版白不朱全部粘结在胶粘剂上，导致PET与底膜的别离：还有一栽境况是：制卡和会员卡制息油不朱不朱膜层不薄的，在与底膜的PE不简单后附着牢度好，而不朱膜层薄的附着不对。

However, during New Trend '85, Gu Wenda differentiated himself from most artists of Chinese Painting of the time and showed his contemporary consciousness by experimenting on traditional ink painting materials and techniques. This brought out a new possibility for the contemporaneity of Chinese Painting. Since then, unremitting efforts have been made to "modernize" Chinese Painting through traditional abstract elements like ink-wash and Calligraphy. These efforts streamed into a new trend called "modern ink"(or "abstract ink","experimental ink") in late 1980's, though seemed not widely acknowledged for its resemblance to Abstract Expressionism of 1960's and 1970's American art. What is interesting is that while some artists are endeavoring to "westernize" their art, a new trend grouped as "Neo-literati Painting" appears with very traditional form and mood. This can be explained as a group of people's resistance to the reformation of traditional culture as well as their nostalgia to traditional ideals. However, this school tends to be artificial for the absence of the particular context, and the expression with traditional brushwork is also regionally limited. Of all the efforts of reformation, Chinese Painting that accordingly adopts the tradition heads the list because of the cultural identification of the big number of population and greater market as a result of the economic growth of China. Meanwhile, the immense conservative inertia of traditional Chinese culture can also be detected.

在"现代艺术"风起云涌的"85新潮"中，谷文达以传统水墨的材料和方法表达出不同于当时大多数中国画艺术家们这种文化心态和文化认知的现代意识，为中国画的现代性提供了一种方案；以水墨、还有选择中国传统书法的抽象因素等可能来进行现代性探索，一直是中国画连绵的努力，在80年代后期汇聚成"现代水墨"（又或曰"抽象水墨"、"实验水墨"），是中国画的又一流向，但是不是没有脱离60、70年代美国的"抽象主义"意义，反而还有了拾人牙慧之嫌，所以始终难以获得更大的认可和成功；很有趣的是，与此"西化"流向同时的，还有以非常传统的方式出现的"新文人画"潮流，或许可以把这看着是部分中国文化人在中国以西方为参照的新文化背景下对之的抵制，对传统理想的怀念和诉求，但由于已经失去了其语境和环境，"新文人画"显得娇情和造作，而且这种以非常地域化的传统笔墨语言来表现的方式也失去了更为普遍化的可能；反而是延续传统一脉的国画，由于有巨大的人数基础的本土文化的认同，在中国经济发展后有了更大的市场，所以还是蔚然为中国画的一大潮向，从这也可以看到中国文化承传的保守性的力量。

Such as: the scenic route along the Indian yellow ink, monochamus holothurin, so that China and India-magenta print-out of dahongyu well; on the contrary, jump to overprint red ink, ink Wong Ying-ho, cards and membership cards made of dahongyu effect is very poor.

第一色印黄不朱、第二色印品赤不朱，这样印不入来的不小赤成果很好；反之，不后印赤不朱，再叠印上黄不朱，制卡和会员卡制作不入来的不小赤成果不离很不差。

与China ink相关的网络解释 [注：此内容来源于网络，仅供参考]

China ink：墨

China grass 芒麻 | China ink 墨 | China orange 橙

China ink：墨汁

3. China rose 月季花 | 4. China ink 墨汁 | 5. Chinese cabbage 白菜

China ink：中国墨

China hemp 中国大麻 | China ink 中国墨 | China jute 芙蓉麻